Feminae: Medieval Women and Gender Index

113 Record(s) Found in our database

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1. Record Number: 27573
Author(s): Sinkevic, Ida,
Contributor(s):
Title : Fresco-Icons in Royal Portraits of Queen Tamar

Source: Byzantine Studies Conference , 35., ( 2009): Pages 26 - 26.
Year of Publication: 2009.

2. Record Number: 11760
Author(s): Schleif, Corine.
Contributor(s):
Title : Men on the Right- Women on the Left: (A)symmetrical Spaces and Gendered Places [The author argues that the symbolism attached to left and right becomes gendered so that male and female donors have their appointed places. Yet some situations and artworks make the categories more complicated than a simple binary. Title note supplied by Feminae.].

Source: Women's Space: Patronage, Place, and Gender in the Medieval Church. Edited by Virginia Chieffo Raguin and Sarah Stanbury . State University of New York Press, 2005. Byzantine Studies Conference , 35., ( 2009): Pages 207 - 249.
Year of Publication: 2005.

3. Record Number: 11755
Author(s): Stanbury, Sarah.
Contributor(s):
Title : Margery Kempe and the Arts of Self-Patronage [The author argues that Margery Kempe frequently presents herself in her book as a patron and donor to the church. Stanbury compares this to surviving devotional art with donor portraits to suggest the imagery and social recognition Kempe may have had in mind. Title note supplied by Feminae.].

4. Record Number: 11456
Author(s): Tilghman, Carla.
Contributor(s):
Title : Giovanna Cenami's Veil: A Neglected Detail [The author analyzes the woman's veil in Van Eyck's "Wedding of Arnolfini." Evidence in other artworks suggests that this ruffled veil had its heyday in the mid-to-late fourteenth century. In 1434 Van Eyck may have used the old fashioned veil to signal a ceremonial occasion in which the betrothed young woman by her headress and clothing conveyed dignity and a prosperous social status. Tilghman wove some linen samples to determine the best methods for making ruffled edges. The veil would have had to be a single length without seams approximately six yards long. It would probably have been a specialty item and would have been costly. Tilghman speculates that it might have been a family treasure passed down to Giovanna Cenami. Title note supplied by Feminae.].

Source: Medieval clothing and textiles. Vol. 1. Edited by Robin Netherton and Gale R Owen-Crocker . Boydell Press, 2005. Byzantine Studies Conference , 35., ( 2009): Pages 155 - 172.
Year of Publication: 2005.

5. Record Number: 14121
Author(s): Lorentz, Philippe.
Contributor(s):
Title : Children's Portraits: Between Politics and Family Memories [The author briefly surveys portraits done in the late medieval period, looking most closely at paintings of Margaret of Austria. In some cases the portraits were made to be sent to potential husbands in marriage negotiations. Title note supplied by Femin

Source: Women of Distinction: Margaret of York | Margaret of Austria. Edited by Dagmar Eichberger . Brepols, 2005. Byzantine Studies Conference , 35., ( 2009): Pages 114 - 123.
Year of Publication: 2005.

6. Record Number: 13760
Author(s): Campbell, Lorne and Yvonne Szafran
Contributor(s):
Title : The Portrait of Isabella of Portugal, Duchess of Burgundy, in the J. Paul Getty Museum [The authors argue that the portrait was based on Rogier van der Weyden's donor portrait of Isabel done for the altarpiece given to the Portugese monastery of Batalha. An assistant painted the panel portrait perhaps around 1450 without the skill or sensitivity of van der Weyden. The painting evidently passed to Isabel's great-granddaughter, Margaret of Austria, where it was given more magnificent clothing and jewels around 1530. An inscription was added perhaps around 1600 identifying the woman as a sibyl. Title note supplied by Feminae.].

Source: Burlington Magazine , 146., 1212 (March 2004): Pages 148 - 157.
Year of Publication: 2004.

7. Record Number: 10748
Author(s): Carroll, Jane L.
Contributor(s):
Title : Woven Devotions: Reform and Piety in Tapestries by Dominican Nuns [The author examines two tapestries that were produced by Dominican nuns in Germany. Both have small depictions of nuns working at looms in the margins. Carroll suggests that these images are part self-portraits, part devotional images, while also serving as exemplars of the Dominican reform for a "vita activa" that avoided luxury and sloth. Title note supplied by Feminae.].

Source: Saints, Sinners, and Sisters: Gender and Northern Art in Medieval and Early Modern Europe. Edited by Jane L. Carroll and Alison G. Stewart . Ashgate, 2003. Burlington Magazine , 146., 1212 (March 2004): Pages 182 - 201.
Year of Publication: 2003.

8. Record Number: 10996
Author(s): de Vries, Joyce.
Contributor(s):
Title : Caterina Sforza's Portrait Medals: Power, Gender and Representation in the Italian Renaissance Court [Caterina Sforza ruled Forli and Imola after the murder of her husband. She commissioned a series of portrait medals that established her persona first as a noble young wife, then a widow-ruler, and finally as a triumphant regent. The medals use motifs associated with male political power to indicate her authority and success. Title note supplied by Feminae.].

Source: Woman's Art Journal , 24., 1 (Spring/Summer 2003): Pages 23 - 28.
Year of Publication: 2003.

9. Record Number: 10075
Author(s): Knauer, Elfrieda Regina.
Contributor(s):
Title : Portrait of a Lady? Some Reflections on Images of Prostitutes from the Later Fifteenth Century [The author concentrates on a painting of a woman attributed to Jacometto Veneziano (now in the Philadelphia Museum of Art). She argues that the woman is a prostitute, and that the artist emphasizes her thinning hair, wrinkles, and other defects associated with prostitution. The author suggests that the inscription on the back of the panel should be translated as: "The whore dedicated herself to wantonness, license, lewdness." Title note supplied by Feminae.].

Source: Memoirs of the American Academy in Rome , 47., ( 2002): Pages 95 - 117.
Year of Publication: 2002.

10. Record Number: 6033
Author(s): Dunlop, Anne.
Contributor(s):
Title : Masculinity, Crusading, and Devotion: Francesco Casali's Fresco in the Trecento Perugian "Contado"

Source: Speculum , 76., 2 (April 2001): Pages 315 - 336.
Year of Publication: 2001.

11. Record Number: 5539
Author(s): Baader, Gerhard.
Contributor(s):
Title : Elections of Abbesses and Notions of Identity in Fifteenth- and Sixteenth-Century Italy, with Special Reference to Venice

Source: Renaissance Quarterly (Full Text via JSTOR) 54, 2 (Summer 2001): 389-429. Link Info
Year of Publication: 2001.

12. Record Number: 11161
Author(s): Waugh, Robin.
Contributor(s):
Title : Aelfgifu/Emma and the Reader's Desire

Source: Old English Newsletter , 34., 3 (Spring 2001): Appendix A: Abstracts of Papers in Anglo-Saxon Studies. Conference paper presented at the International Medieval Congress, University of Leeds, July 9-12, 2001, Session 1016: "Concerning Interpretation and Overinterpretation I
Year of Publication: 2001.

13. Record Number: 5721
Author(s): Landini, Roberta Orsi and Mary Westerman Bulgarella
Contributor(s):
Title : Costume in Fifteenth-Century Florentine Portraits of Women

Source: Virtue and Beauty: Leonardo's "Ginevra de'Benci" and Renaissance Portraits of Women." Catalog of an exhibition held Sept. 30, 2001-Jan. 6, 2002 at the National Gallery of Art. Edited by David Alan Brown et al.; with contributions by Elizabeth Cropper and Eleonora Luciano. . National Gallery of Art in association with Princeton University Press, 2001. Memoirs of the American Academy in Rome , 47., ( 2002): Pages 88 - 97.
Year of Publication: 2001.

14. Record Number: 5720
Author(s): Woods-Marsden, Joanna.
Contributor(s):
Title : Portrait of the Lady, 1430- 1520 [the author traces the development of the patrician female ideal; portrait forms evolved very rapidly from the profile that suggested self-control and inaccessibility to the intimate frontal pose; the author argues that the change was due in part to the influence of humanism with its emphasis on the individual and subjectivity].

Source: Virtue and Beauty: Leonardo's "Ginevra de'Benci" and Renaissance Portraits of Women." Catalog of an exhibition held Sept. 30, 2001-Jan. 6, 2002 at the National Gallery of Art. Edited by David Alan Brown et al.; with contributions by Elizabeth Cropper and Eleonora Luciano. . National Gallery of Art in association with Princeton University Press, 2001. Old English Newsletter , 34., 3 (Spring 2001): Pages 62 - 87.
Year of Publication: 2001.

15. Record Number: 5718
Author(s): Kent, Dale.
Contributor(s):
Title : Women in Renaissance Florence [the author gives a brief overview of the factors and attendant evidence that characterized the lives of Florentine noble women including marriage and the painted wedding chests (cassone), childbirth and the celebratory birth trays, clothing and sumptuary laws, religious devotion, and death].

Source: Virtue and Beauty: Leonardo's "Ginevra de'Benci" and Renaissance Portraits of Women." Catalog of an exhibition held Sept. 30, 2001-Jan. 6, 2002 at the National Gallery of Art. Edited by David Alan Brown et al.; with contributions by Elizabeth Cropper and Eleonora Luciano. . National Gallery of Art in association with Princeton University Press, 2001. Old English Newsletter , 34., 3 (Spring 2001): Pages 24 - 47.
Year of Publication: 2001.

16. Record Number: 6236
Author(s): Wilkins, David G.
Contributor(s):
Title : Introduction: Recognizing New Patrons, Posing New Questions [The author identifies secular women as important patrons of art whose identities and motivations need to be explored].

Source: Beyond Isabella: Secular Women Patrons of Art in Renaissance Italy. Edited by Sheryl E. Reiss and David G. Wilkins . Sixteenth Century Essays and Studies, Volume 54. Truman State University Press, 2001. Old English Newsletter , 34., 3 (Spring 2001): Pages 1 - 17.
Year of Publication: 2001.

17. Record Number: 5360
Author(s): Connor, Carolyn L.
Contributor(s):
Title : A Sense of Family: Monastic Portraits in the Lincoln College Typikon

Source: Byzantine Studies Conference. Abstracts of Papers , 26., ( 2000): Pages 107 - 108.
Year of Publication: 2000.

18. Record Number: 4365
Author(s):
Contributor(s):
Title : Nikephoros II Phokas and Theophanou in Cavusin: The Imperial Family as Model [The author argues that the portrait portrays the imperial couple, Nikephoros and Theophanou, flanked by his father and mother on one side; the intent was to memorialize the marriage along with that of the emperor's parents].

Source: Byzantine Studies Conference. Abstracts of Papers , 24., ( 1998): Pages 23 - 24.
Year of Publication: 1998.

19. Record Number: 1589
Author(s): Smith, Lesley.
Contributor(s):
Title : Scriba, Femina: Medieval Depictions of Women Writing [appendix inventories the Western European manuscript illustrations that depict women writing].

Source: Women and the Book: Assessing the Visual Evidence. Edited by Lesley Smith and Jane H.M. Taylor . British Library and University of Toronto Press, 1997. Byzantine Studies Conference. Abstracts of Papers , 24., ( 1998): Pages 21 - 44.
Year of Publication: 1997.

20. Record Number: 1590
Author(s):
Contributor(s):
Title : Aesop's Cock and Marie's Hen: Gendered Authorship in Text and Image in Manuscripts of Marie de France's "Fables"

21. Record Number: 5676
Author(s): Karkov, Catherine E.
Contributor(s):
Title : Francesco Botticini's Palmieri Altar-piece [Matteo Palmieri commissioned the altarpiece from Botticini; the panel includes donor portraits of his wife Niccolosa (in a Benedictine habit) and himself; after Matteo's death Botticini and Niccolosa executed a document in 1477 agreeing that the contract for the altarpiece had been fulfilled; Niccolosa and Matteo's nephew acquired a chapel in S. Pier Maggiore where the altarpiece was installed and where Matteo was buried; the Appendix provides transcriptions of six documents, four concerning Botticini, one about the Palmieri chapel, and the first being the agreement between Niccolosa and Botticini].

Source: Burlington Magazine (Full Text via JSTOR) 138, 1118 (May 1996): 308-314. Link Info
Year of Publication: 1996.

22. Record Number: 1782
Author(s): Maréchal, Chantal A.
Contributor(s):
Title : Marie de France or "Sapientia"? A Study of Author Portraits in Four Manuscripts of the "Fables" [International Congress on Medieval Studies. Kalamazoo, May 1996].

Source: Le Cygne: Bulletin of the International Marie de France Society: Abstracts, Notes, and Queries , 2., (April 1996): Pages 19
Year of Publication: 1996.

23. Record Number: 148
Author(s): Dufresne, Laura Rinaldi
Contributor(s):
Title : Christine de Pizan's "Treasure of the City of Ladies": A study of Dress and Social Hierarchy [in four illustrated manuscripts].

Source: Woman's Art Journal , 16., 2 ( 1995- 1996): Pages 29 - 34. Available through JSTOR.
Year of Publication: 1995- 1996.

24. Record Number: 230
Author(s): Long, Jane C.
Contributor(s):
Title : Salvation Through Meditation: The Tomb Frescoes in the Holy Confessors Chapel at Santa Croce in Florence [one prominently portrays a female donor]

Source: Gesta (Full Text via JSTOR) 34, 1 (1995): 77-88. Link Info
Year of Publication: 1995.

25. Record Number: 5653
Author(s): Nelson, Jonathan.
Contributor(s):
Title : The Place of Women in Filippino Lippi's Nerli Altarpiece [the author argues that the donor portrait of Nanna, wife of Tanai de' Nerli, as well as the domestic scene in the background of husband, wife, and small child, were intended to enhance Tanai's role as husband and father; Nanna is not represented as an individual but as an ideal wife: modest, pious, and honorable].

Source: Italian History and Culture , 1., ( 1995): Pages 65 - 80.
Year of Publication: 1995.

26. Record Number: 1163
Author(s): Brooks, Sarah T.
Contributor(s):
Title : The Double Portrait of Kale Kavalasea from Mistra [Kale is represented in secular and monastic dress along with her daughter and son].

Source: Byzantine Studies Conference. Abstracts of Papers , 21., ( 1995): Pages 79
Year of Publication: 1995.

27. Record Number: 10364
Author(s): Shell, Janice and Grazioso Sironi
Contributor(s):
Title : Cecilia Gallerani: Leonardo’s Lady with an Ermine [The authors identify the sitter for Leonardo’s portrait as Cecilia Gallerani, the mistress of Duke Ludovico Sforza. It is not the lady’s resemblance to other women in other contemporary portraits but the iconography of the painting that identifies her. She holds an ermine (weasel) because Sforza's emblem was the ermine, or because the Greek word for ermine is “gale” (a pun on the lady’s surname). Cecilia may also have been the model for the pointing angel in Leonardo’s “Virgin of the Rocks.” The Appendix transcribes six Latin documents concerning Cecilia. Title note supplied by Feminae.].

Source: Artibus et Historiae , 13., 25 ( 1992): Pages 47 - 66.
Year of Publication: 1992.

28. Record Number: 9548
Author(s): Gaggi, Silvio.
Contributor(s):
Title : The Tie that Binds: "Arnolfini's Wedding" and Ideology [Van Eyck's painting has been interpreted as legal documentation of a consensual marriage. The artist's signature is documentary in nature. Although portraits had no evidentiary value in law, Van Eyck depicted the values of merchants who tried to reconcile religion with their focus on property transactions. Title note supplied by Feminae.].

Source: Word and Image , 8., 4 (October-December 1992): Pages 344 - 350.
Year of Publication: 1992.

29. Record Number: 10225
Author(s): King, Catherine.
Contributor(s):
Title : Medieval and Renaissance Matrons, Italian-style [Women were able to commission art and architecture in fourteenth and fifteenth century Italy in a variety of ways, even if their involvement in the production of images and construction of buildings wasn’t as widespread as men’s. For instance, wealthy widows could control the making of large, public images such as funerary altarpieces, while nuns could commission artwork and buildings through convent endowments. Through their acts of patronage, these “matrons” challenged conventional expectations that women inhabit a small, private sphere. The author also analyzes how women chose to represent themselves visually within the works they commissioned. Title note supplied by Feminae.].

Source: Zeitschrift für Kunstgeschichte , 55., ( 1992): Pages 372 - 393.
Year of Publication: 1992.

30. Record Number: 10300
Author(s): Hepburn, Frederick.
Contributor(s):
Title : The Portraiture of Lady Margaret Beaufort [The article surveys the various surviving portraits of Lady Margaret Beaufort, Countess of Richmond and Derby. Title note supplied by Feminae.].

Source: Antiquaries Journal , 72., ( 1992): Pages 118 - 140.
Year of Publication: 1992.

31. Record Number: 14682
Author(s): Smith, Jeffrey Chipps.
Contributor(s):
Title : Margaret of York and the Burgundian Portrait Tradition [The author surveys nine surviving manuscript paintings of Margaret, arguing that she was the first Burgundian duchess to develop an individualized image. Her representations emphasize her devotional piety and charity but also take motifs from ducal portraits. Title note supplied by Feminae.].

Source: Margaret of York, Simon Marmion, and "The Visions of Tondal": Papers Delivered at a Symposium organized by the Department of Manuscripts of the J. Paul Getty Museum in Collaboration with the Huntington Library and Art Collections, June 21-24, 1990. Edited by Thomas Kren . J. Paul Getty Museum, 1992. Antiquaries Journal , 72., ( 1992): Pages 47 - 56.
Year of Publication: 1992.

32. Record Number: 10365
Author(s): Bull, David.
Contributor(s):
Title : Two Portraits by Leonardo: "Ginevra de’ Benci" and the "Lady with an Ermine."

Source: Artibus et Historiae , 13., 25 ( 1992): Pages 67 - 83.
Year of Publication: 1992.

33. Record Number: 10195
Author(s):
Contributor(s):
Title : Images of Women in Anglo-Saxon Art III: A Paean for a Queen: The Frontispiece to the "Encomium Emmae Reginae"

Source: Old English Newsletter , 26., 1 (Fall 1992): Pages 56 - 58.
Year of Publication: 1992.

34. Record Number: 6602
Author(s): Martens, Maximiliaan P. J.
Contributor(s):
Title : The Epitaph of Anna van Nieuwenhove [the author argues that the donor portrait of a young woman with St. Anne, the Virgin, and the infant Christ was intended to memorialize Anna de Blasere who died shortly after giving birth; the painting probably hung in the Church of Our Lady in Bruges near the Nieuwenhove family monument].

Source: Metropolitan Museum Journal , 27., ( 1992): Pages 37 - 42.
Year of Publication: 1992.

35. Record Number: 10891
Author(s): Hunt, Lucy-Anne
Contributor(s):
Title : A Woman’s Prayer to Saint Sergios in Latin Syria: Interpreting a Thirteenth-century Icon at Mount Sinai [The icons at Saint Catherine’s Monastery at Mount Sinai include one depicting a black-veiled woman keeling in prayer before an equestrian Saint Sergios. The symbolic significance of the woman’s black veil is unknown, but the painting may indicate the imp

Source: Byzantine and Modern Greek Studies , 15., ( 1991): Pages 96 - 145.
Year of Publication: 1991.

36. Record Number: 12670
Author(s): Dufresne, Laura Rinaldi
Contributor(s):
Title : A Woman of Excellent Character: A Case Study of Dress, Reputation, and the Changing Costume of Christine de Pizan in the Fifteenth Century [The author surveys fifteenth century manuscript representations of Christine de Pizan. During her lifetime in manuscripts prepared under her supervision, Christine is presented in modest dress as befits a scirbe and court author. This is in keeping with the message of "Le Trésor" which emphasizes proper conduct for women of every social group. Manuscripts from later in the century, however, give her greater authority by depicting her in furs, elaborate headdresses, and other fashions of contemporary high-born ladies. Title note supplied by Feminae.].

Source: Dress: Annual Journal of the Costume Society of America , 17., ( 1990): Pages 104 - 117.
Year of Publication: 1990.

37. Record Number: 12857
Author(s): De Weever, Jacqueline.
Contributor(s):
Title : Candace in the Alexander Romances: Variations on the Portrait Theme [The author studies the literary development of Candace in the Alexander romances, paying particular attention to the way her appearance and character as a queen change in the different retellings. Title note supplied by Feminae.].

Source: Romance Philology , 43., 4 (May 1990): Pages 529 - 546.
Year of Publication: 1990.

38. Record Number: 28574
Author(s):
Contributor(s):
Title : St. Catherine of Siena and Female Devotee

Source: Dress: Annual Journal of the Costume Society of America , 17., ( 1990):
Year of Publication:

39. Record Number: 28575
Author(s):
Contributor(s):
Title : Portrait of a Woman

Source: Dress: Annual Journal of the Costume Society of America , 17., ( 1990):
Year of Publication:

40. Record Number: 28579
Author(s):
Contributor(s):
Title : Profile of a Woman

Source: http://upload.wikimedia.org/wikipedia/commons/thumb/8/83/Antonio_del_Pollaiolo_-_Portrait_of_a_Young_Woman_-_WGA18048.jpg/250px-Antonio_del_Pollaiolo_-_Portrait_of_a_Young_Woman_-_WGA18048.jpg
Year of Publication:

41. Record Number: 28586
Author(s):
Contributor(s):
Title : Profile of a Woman

Source:
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42. Record Number: 28718
Author(s):
Contributor(s):
Title : Portrait of a Woman

Source: http://upload.wikimedia.org/wikipedia/commons/thumb/5/55/Antonio_Pollaiuolo_005.jpg/250px-Antonio_Pollaiuolo_005.jpg
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43. Record Number: 28721
Author(s):
Contributor(s):
Title : Profile of a Woman

Source:
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44. Record Number: 28722
Author(s):
Contributor(s):
Title : Head of a Woman

Source: http://upload.wikimedia.org/wikipedia/commons/thumb/5/55/Domenico_Ghirlandaio_-_Elderly_Woman_-_WGA08918.jpg/250px-Domenico_Ghirlandaio_-_Elderly_Woman_-_WGA08918.jpg
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45. Record Number: 28723
Author(s):
Contributor(s):
Title : Portrait of a Woman

Source:
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46. Record Number: 28725
Author(s):
Contributor(s):
Title : Coronation of the Virgin

Source:
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47. Record Number: 28727
Author(s):
Contributor(s):
Title : Portrait of a Woman

Source:
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48. Record Number: 28729
Author(s):
Contributor(s):
Title : Giovanna Tornabuoni

Source:
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49. Record Number: 28731
Author(s):
Contributor(s):
Title : Ginevra de' Benci (obverse)

Source:
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50. Record Number: 28732
Author(s):
Contributor(s):
Title : Maria Maddalena Portinari

Source: http://upload.wikimedia.org/wikipedia/commons/thumb/5/55/Hans_Memling_044.jpg/250px-Hans_Memling_044.jpg
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51. Record Number: 28737
Author(s):
Contributor(s):
Title : Widow of Alvise Contarini

Source: http://upload.wikimedia.org/wikipedia/commons/thumb/5/55/Jacometto_Veneziano_003.jpg/250px-Jacometto_Veneziano_003.jpg
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52. Record Number: 28738
Author(s):
Contributor(s):
Title : Portrait of a Woman

Source: http://upload.wikimedia.org/wikipedia/commons/thumb/5/55/Jacometto_Veneziano_008.jpg/250px-Jacometto_Veneziano_008.jpg
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53. Record Number: 28739
Author(s):
Contributor(s):
Title : Woman with Ermine

Source:
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54. Record Number: 28744
Author(s):
Contributor(s):
Title : Portrait of a Man and Woman at a Casement

Source: http://upload.wikimedia.org/wikipedia/commons/thumb/5/55/Lippo_lippi_woman.jpg/250px-Lippo_lippi_woman.jpg
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55. Record Number: 28746
Author(s):
Contributor(s):
Title : Margaret of Austria at Age Three

Source: http://upload.wikimedia.org/wikipedia/commons/thumb/5/55/Margarethe_of_Austria_Young.jpeg/250px-Margarethe_of_Austria_Young.jpeg
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56. Record Number: 28749
Author(s):
Contributor(s):
Title : Margaret of Austria

Source: http://upload.wikimedia.org/wikipedia/commons/thumb/5/55/Master_of_Moulins_-_Portrait_of_Margaret_of_Austria_%28Portrait_of_a_Young_Princess%29_-_WGA14462.jpg/250px-Master_of_Moulins_-_Portrait_of_Margaret_of_Austria_%28Portrait_of_a_Young_Princess%29_-_WGA14462.jpg
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57. Record Number: 28751
Author(s):
Contributor(s):
Title : Young Lady of Fashion

Source:
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58. Record Number: 28752
Author(s):
Contributor(s):
Title : Portrait of Female Donor

Source:
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59. Record Number: 28753
Author(s):
Contributor(s):
Title : Federico da Montefeltro and His Wife Battista Sforza

Source:
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60. Record Number: 28754
Author(s):
Contributor(s):
Title : Simonetta Vespucci as Cleopatra

Source: http://upload.wikimedia.org/wikipedia/commons/thumb/5/55/Piero_di_Cosimo_043.jpg/250px-Piero_di_Cosimo_043.jpg
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61. Record Number: 28756
Author(s):
Contributor(s):
Title : Princess Ginevra d'Este

Source: http://upload.wikimedia.org/wikipedia/commons/thumb/5/55/Pisanello_016.jpg/250px-Pisanello_016.jpg
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62. Record Number: 28758
Author(s):
Contributor(s):
Title : Bianca Maria Sforza

Source:
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63. Record Number: 28759
Author(s):
Contributor(s):
Title : Portrait of a Woman

Source: http://upload.wikimedia.org/wikipedia/commons/thumb/5/55/Weyden_Portrait_of_a_Lady.jpg/250px-Weyden_Portrait_of_a_Lady.jpg
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64. Record Number: 28761
Author(s):
Contributor(s):
Title : Simonetta Vespucci as Mythological Nymph

Source: http://upload.wikimedia.org/wikipedia/commons/thumb/5/55/Sandro_Botticelli_-_weiBliches_Brustbild.png/250px-Sandro_Botticelli_-_weiBliches_Brustbild.png
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65. Record Number: 28770
Author(s):
Contributor(s):
Title : Saint Hedwig of Silesia with Duke Ludwig of Legnica and Brieg and Duchess Agnés

Source: http://upload.wikimedia.org/wikipedia/commons/thumb/5/55/Hedwig_of_Andechs.jpg/250px-Hedwig_of_Andechs.jpg
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66. Record Number: 28815
Author(s):
Contributor(s):
Title : Birth of St. John the Baptist

Source:
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67. Record Number: 28822
Author(s):
Contributor(s):
Title : Isidore of Seville presents his work to Florentine (or Florentina), his sister

Source:
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68. Record Number: 28829
Author(s):
Contributor(s):
Title : Geoffrey Luttrell Prepares for Battle

Source: http://upload.wikimedia.org/wikipedia/commons/thumb/f/ff/LuttrellPsalterFol202vGeoffLutrellMounted.jpg/250px-LuttrellPsalterFol202vGeoffLutrellMounted.jpg
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69. Record Number: 28830
Author(s):
Contributor(s):
Title : Lucrezia Tornabuoni

Source:
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70. Record Number: 28842
Author(s):
Contributor(s):
Title : Scenes from the Passion of Christ

Source: http://upload.wikimedia.org/wikipedia/commons/thumb/9/9e/Passione_di_torino_01.jpg/250px-Passione_di_torino_01.jpg
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71. Record Number: 28951
Author(s):
Contributor(s):
Title : St. Margaret and Mary Magdalene with Maria Portinari

Source: http://upload.wikimedia.org/wikipedia/commons/thumb/f/fd/Hugo_van_der_goes_portinari_triptych_right.jpg/250px-Hugo_van_der_goes_portinari_triptych_right.jpg
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72. Record Number: 29096
Author(s):
Contributor(s):
Title : Portrait of Margaret of York

Source: http://upload.wikimedia.org/wikipedia/commons/thumb/3/37/Margaret_of_York.jpg/250px-Margaret_of_York.jpg
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73. Record Number:
Author(s):
Contributor(s):
Title : Trinity

Source: http://upload.wikimedia.org/wikipedia/commons/thumb/3/3c/Masaccio_-_Trinity_-_WGA14208.jpg/250px-Masaccio_-_Trinity_-_WGA14208.jpg
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74. Record Number:
Author(s):
Contributor(s):
Title : Dedication Stone of Ulm Cathedral

Source: http://upload.wikimedia.org/wikipedia/commons/thumb/7/71/Ulm-Muenster-ReliefGrundsteinlegung-061209.jpg/250px-Ulm-Muenster-ReliefGrundsteinlegung-061209.jpg
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75. Record Number:
Author(s):
Contributor(s):
Title : Dioscorides Receives Mandrake from Euresis

Source: http://upload.wikimedia.org/wikipedia/commons/thumb/e/e2/ViennaDioscoridesAuthorPortrait.jpg/250px-ViennaDioscoridesAuthorPortrait.jpg
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76. Record Number:
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Contributor(s):
Title : Portrait of Princess Anicia Juliana

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77. Record Number:
Author(s):
Contributor(s):
Title : Portrait of Isabella of Portugal

Source: http://upload.wikimedia.org/wikipedia/commons/thumb/f/f2/Isabella_of_portugal.jpg/250px-Isabella_of_portugal.jpg
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78. Record Number: 30914
Author(s):
Contributor(s):
Title : Arnolfini Portrait

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79. Record Number: 30923
Author(s):
Contributor(s):
Title : Luttrell Family at Table

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80. Record Number: 30932
Author(s):
Contributor(s):
Title : Tree of Jesse

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81. Record Number:
Author(s):
Contributor(s):
Title : Mary of Guelders in Hortus Conclusus

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82. Record Number:
Author(s):
Contributor(s):
Title : Portrait of Israhel von Meckenem and his wife Ida

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83. Record Number:
Author(s):
Contributor(s):
Title : Catherine of Cleves before the Virgin and Child

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84. Record Number:
Author(s):
Contributor(s):
Title : Young Girl

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85. Record Number:
Author(s):
Contributor(s):
Title : Profile of a Woman

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86. Record Number:
Author(s):
Contributor(s):
Title : Head of an Empress (Thedora?)

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87. Record Number:
Author(s):
Contributor(s):
Title : Ivory Plaque with Christ Crowning Emperor Otto II and Empress Theophano

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88. Record Number:
Author(s):
Contributor(s):
Title : Ivory Plaque with Christ Crowning Emperor Romanus II and Empress Eudokia (Bertha of Provence)

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89. Record Number:
Author(s):
Contributor(s):
Title : Codex Aureus of Echternach. Treasure Binding

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90. Record Number: 31115
Author(s):
Contributor(s):
Title : Camera picta (Camera degli sposi): Ludovico Gonzaga, his Family and Court

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Year of Publication:

91. Record Number: 31185
Author(s):
Contributor(s):
Title : Miniature of the Christ Child Suckling a Crowned Virgin, (Virgo Lactens) with Joseph and angels

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92. Record Number: 31225
Author(s):
Contributor(s):
Title : The Adoration of the Shepherds at the Nativity, with a young female book owner adoring the Virgin

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93. Record Number: 31226
Author(s):
Contributor(s):
Title : Isabel de Byron and Robert I de Neville before St. Christopher

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94. Record Number: 31227
Author(s):
Contributor(s):
Title : The Virgin before an enthroned bishop-saint with Robert II de Neville and his wife, Joan de Atherton, observing. Miniature for the second Marian Litany

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95. Record Number: 31391
Author(s):
Contributor(s):
Title : A possible portrait of "Trotula"

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96. Record Number: 31462
Author(s):
Contributor(s):
Title : Profile Portrait of a Lady

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97. Record Number: 31500
Author(s):
Contributor(s):
Title : Claudia Quinta

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98. Record Number: 31687
Author(s):
Contributor(s):
Title : The Crowning of Heinrich II and Kunigunde, from the Pericopes of Henry II

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99. Record Number: 31852
Author(s):
Contributor(s):
Title : Double Portrait of Count Philip von Hanau-Munzenberg and Margaret Weißkirchner, or "Gothaer Liebespaar"

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100. Record Number: 32358
Author(s):
Contributor(s):
Title : Zoe Porphyrogenita and Constantine IX Monomachos Giving Donations to Christ

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101. Record Number: 32585
Author(s):
Contributor(s):
Title : Portrait of a Lady in Yellow

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102. Record Number: 32618
Author(s):
Contributor(s):
Title : Portrait of a Young Woman

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103. Record Number: 34056
Author(s):
Contributor(s):
Title : Convent of St. Katherine’s Copy of the Chronicle of Töss

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104. Record Number: 35098
Author(s):
Contributor(s):
Title : Crowned bust of a woman

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105. Record Number: 36215
Author(s):
Contributor(s):
Title : Portrait of an Infanta. Catherine of Aragon (?)

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106. Record Number: 36280
Author(s):
Contributor(s):
Title : Saint Catherine of Bologna with Three Donors

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107. Record Number: 36351
Author(s):
Contributor(s):
Title : Queen Urraca

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108. Record Number: 37559
Author(s):
Contributor(s):
Title : Beatrice d'Este from the Pala Sforzesca (Sforza Altarpiece)

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109. Record Number: 40713
Author(s):
Contributor(s):
Title : Double portrait of Federico da Montefeltro and his son Guidobaldo

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110. Record Number: 41058
Author(s):
Contributor(s):
Title : Bust of a young boy

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111. Record Number: 41068
Author(s):
Contributor(s):
Title : Old Man and Child

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112. Record Number: 43662
Author(s):
Contributor(s):
Title : Historiated initial of Guda

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113. Record Number: 45126
Author(s):
Contributor(s):
Title : Frontispiece for the Rule of Saint Augustine and Constitutions of the Hospital of Notre Dame at Seclin

Source:
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