Feminae: Medieval Women and Gender Index


10 Record(s) Found in our database

Search Results

1. Record Number: 43406
Author(s): Martin, Therese
Contributor(s):
Title : Glimpses of Gold: Material Evidence of Cross-Cultural Connections in Rock Crystal Chess Set and a Countess’s Seal (10th-11th c.)
Source: Archivo Espanol de Arte , 94., 375 ( 2021):  Pages 201 - 214. Available open access on the Archivo Español de Arte's webpage published by the Consejo Superior de Investigaciones Científicas (CSIC): https://archivoespañoldearte.revistas.csic.es/index.php/aea/article/view/1159/1182
Year of Publication: 2021.
2. Record Number: 11943
Author(s): Brown, Elizabeth A.R.
Contributor(s):
Title : Eleanor of Aquitaine Reconsidered: The Woman and Her Seasons
Source: Eleanor of Aquitaine: Lord and Lady.   Edited by Bonnie Wheeler and John Carmi Parsons The New Middle Ages .   Palgrave Macmillan, 2003. Archivo Espanol de Arte , 94., 375 ( 2021):  Pages 1 - 54.
Year of Publication: 2003.
3. Record Number: 10901
Author(s): Nolan, Kathleen.
Contributor(s):
Title : The Tomb of Adelaide of Maurienne and the Visual Imagery of Capetian Queenship [The author argues that while Adelaide's seal establishes her authority through stable conservative imagery, her tomb sculpture marks her as an individual with a special connection to the sacred site. Title note supplied by Feminae.]
Source: Capetian Women.   Edited by Kathleen Nolan .   Palgrave Macmillan, 2003. Archivo Espanol de Arte , 94., 375 ( 2021):  Pages 45 - 76.
Year of Publication: 2003.
4. Record Number: 10747
Author(s): Kornbluth, Genevra.
Contributor(s):
Title : Richildis and Her Seal: Carolingian Self-Reference and the Imagery of Power [The author explores women's use of seals during the Carolingian era. Kornbluth focuses on the drawing of a seal (now lost) engraved with the name "Richilde." She suggests that it may have belonged to the empress married to Charles the Bald and may represent the Greek mythological figure Omphale, the Lydian queen with whom Hercules fell in love. Title note supplied by Feminae.].
Source: Saints, Sinners, and Sisters: Gender and Northern Art in Medieval and Early Modern Europe.   Edited by Jane L. Carroll and Alison G. Stewart .   Ashgate, 2003. Archivo Espanol de Arte , 94., 375 ( 2021):  Pages 161 - 181.
Year of Publication: 2003.
5. Record Number: 5356
Author(s): Cotsonis, John.
Contributor(s):
Title : The Virgin and Justinian on Seals of the "Ekdikoi"
Source: Byzantine Studies Conference. Abstracts of Papers , 26., ( 2000):  Pages 31
Year of Publication: 2000.
6. Record Number: 1572
Author(s): Johns, Susan.
Contributor(s):
Title : The Wives and Widows of the Earls of Chester, 1100-1252: The Charter Evidence [focuses on their power to make land transactions, particularly in support of the Church].
Source: The Haskins Society Journal , 7., ( 1995):  Pages 117 - 132.
Year of Publication: 1995.
7. Record Number: 2768
Author(s): Thümmel, Hans Georg.
Contributor(s):
Title : Muttergottesikonen und Mariengnadenbilder
Source: Byzantinoslavica , 56., 3 ( 1995):  Pages 759
Year of Publication: 1995.
8. Record Number: 1681
Author(s): Shepard, Jonathan.
Contributor(s):
Title : A Marriage Too Far? Maria Lekapena and Peter of Bulgaria [Byzantine politics, relations with Bulgaria, and Maria's possible impact on Bulgarian court culture].
Source: The Empress Theophano: Byzantium and the West at the Turn of the First Millennium.   Edited by Adelbert Davids .   Cambridge University Press, 1995. Byzantine Studies Conference. Abstracts of Papers , 26., ( 2000):  Pages 121 - 149.
Year of Publication: 1995.
9. Record Number: 899
Author(s): Cotsonis, John.
Contributor(s):
Title : Virgin with the "Tongues of Fire" on Byzantine Lead Seals
Source: Dumbarton Oaks Papers (Full Text via JSTOR) 49 (1994): 221-227. Link Info
Year of Publication: 1994.
10. Record Number: 15595
Author(s): Bedos, Rezak, Brigitte
Contributor(s):
Title : Medieval Women in French Sigillographic Sources [The author analyzes surviving seals used to authenticate the owners' agreements on charters and other documents. The iconography falls into three categories: 1) Images on women's Seals, 2) Female representations on women's seals, 3) Female representations on other seals. The article was later republished in Form and Order in Medieval France: Studies in Social and Quantitative Sigillography. By Brigitte Bedos-Rezak. Variorum, 1993. Article 10. Title note supplied by Feminae.]
Source: Medieval Women and the Sources of Medieval History.   Edited by Joel T. Rosenthal .   University of Georgia Press, 1990.  Pages 1 - 36.
Year of Publication: 1990.