Feminae: Medieval Women and Gender Index
Home
What is Feminae?
What's Indexed?
Subjects
Broad Topics
Journals
Essays
All Image Records
Contact Feminae
SMFS
Other Resources
Admin (staff only)
There are 45,227 records currently in Feminae
Quick Search
Advanced Search
Article of the Month
Translation of the Month
Image of the Month
Special Features
Record Number:
43675
Author(s)/Creator(s):
Wade , Erik,
Contributor(s):
Title:
The Birds and the Bedes: Race, Gender, and Sexuality in Bede’s
In Cantica Canticorum
Source:
Postmedieval: A Journal of Medieval Cultural Studies 11, 4 ( 2020): Pages 425 - 433. Available open access:
https://doi.org/10.1057/s41280-020-00193-6
Funding provided by Projekt DEAL.
Description:
Article Type:
Journal Article
Subject
(See Also)
:
Allegory
Bede, the Venerable, Scholar- In Cantica Canticorum
Bride, Image of
Gender
Race and Racism
Sexuality
Theology
Award Note:
Feminae Article of the Month, April 2021 [Posted July 2021]
Geographic Area:
British Isles
Century:
7- 8
Primary Evidence:
Illustrations:
Table:
Abstract:
This article argues that Bede – like modern intersectional analysis – believed that identity categories cannot be disentangled or understood in isolation. In Bede’s commentary on the Song of Songs, skin color, gender, and religious identity intermix with metaphors of sexuality. These categories coalesce in a monumental lesson on how to read. Bede claims that reading the Song literally – perceiving Black skin, eroticism, gender confusion – means reading like a Jew and prevents readers from seeing the feminine, metaphorical level below the masculine, carnal level. This article suggests that intersectional analysis is akin to much medieval thought rather than being an anachronistic imposition on a historical text. Intersectional analysis can lay bare how medieval theologians saw identity categories as interwoven and interdependent, even while the theologians themselves entrenched hierarchies of race, gender, sexuality, and religious difference. For Bede, Christian interpretation is a continual process of moving from a literal outside (Black, masculine, carnal, sexual) to a metaphorical inside (beautiful, feminine, allegorical, chaste, reproductive). Once inside, however, we – like the bird passing through the hall – must return once again to the outside in an endless movement between layers that echoes theological processes of rumination and blurs the divide between the contemplative and the active life. [Reproduced from the journal page on the SpringerLink website:
https://doi.org/10.1057/s41280-020-00193-6
]
Related Resources:
Author's Affiliation:
University of Bonn, Germany
Conference Info:
- , -
Year of Publication:
2020.
Language:
English
ISSN/ISBN:
20405960 (print); 20405979 (online)