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Romanesque illuminations of Radegund at Clothar’s table; Radegund at prayer; Radegund prostrates herself before Clothar’s bed. These images stress the saint’s Christ-like way of life. According to the vita written by Venantius Fortunatus, Radegund devoted herself to a life of fasting, prayer, and chastity. Here she attends a court banquet—traditionally associated with gluttony and seduction—but does not eat. She soon leaves to pray in her oratory. Once Clothar retires, he remains alone in bed while Radegund prays on the floor.
Carrasco suggests that the manuscript was made for the nuns at the monastery of Ste.-Croix in Poitiers if it were not in fact made by the nuns themselves. Edwards highlights the ways in which the illustrations emphasize Radegund's life as a nun. Her miracles and good works continue to the present day, encouraging the faithful to build connections with the ongoing institution and provide for its support.
Carrasco, Magdalena Elizabeth. "Spirituality in Context: The Romanesque Illustrated Life of St. Radegund of Poitiers (Poitiers, Bibl. Mun., MS 250)." Art Bulletin 72, 3 (1990): 414-435.
Evans, Jennifer. Superior Women: Medieval Female Authority in Poitiers' Abbey of Sainte-Croix. Oxford University Press, 2019.