Feminae: Medieval Women and Gender Index


5 Record(s) Found in our database

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1. Record Number: 10183
Author(s): Psaki, F. Regina.
Contributor(s):
Title : Women's Voices and Medieval Song: An Interview with Anne Azéma and Shira Kammen [Azéma and Kammen performed medieval music for the "Medieval and Renaissance Lyric" course at the University of Oregon. Afterwards the students and teacher (F. Regina Psaki) asked the two musicians about their performance practice, troubadour verse and music, and the various kinds of evidence that informed their repertoire. Title note supplied by Feminae.].
Source: Medieval Feminist Forum , 32., (Fall 2001):  Pages 14 - 23.
Year of Publication: 2001.

2. Record Number: 7185
Author(s):
Contributor(s):
Title : Symbols, Performers, and Sponsors: Female Musical Creators in the Late Middle Ages [The author examines representations of "Musica," one of the seven liberal arts, as a woman along with reports of women performing music and commissioning music. The author argues that women had a much greater role in creating music than modern scholars have realized. Title note supplied by Feminae.].
Source: Rediscovering the Muses: Women's Musical Traditions.   Edited by Kimberly Marshall .   Northeastern University Press, 1993. Medieval Feminist Forum , 32., (Fall 2001):  Pages 140 - 168.
Year of Publication: 1993.

3. Record Number: 11212
Author(s):
Contributor(s):
Title : Women and Music in Medieval Europe [While women in barbarian cultures sometimes had a stature that equaled that of men and education for women included some musical training, women’s formal participation in the musical arts declined as Roman culture spread. Music as rhetoric was considered part of elementary education and the philosophy of music was an important branch of the liberal arts curriculum, but universities were closed to women in the Middle Ages. Although most women did not have access to formal education in music, many women still participated in minstrelsy (a barbarian art) and the performance of plays. Some noteworthy women composed lyrics and music as well, including the trobairitz (women troubadours) and Hroswitha, a playwright who was also a poet and musician. Title note supplied by Feminae.].
Source: Mediaevalia , 14., ( 1988):  Pages 1 - 21. 1991 (for 1988)
Year of Publication: 1988.

4. Record Number: 28814
Author(s):
Contributor(s):
Title : April: Triumph of Venus
Source: http://upload.wikimedia.org/wikipedia/commons/thumb/a/ab/Aprile%2C_francesco_del_cossa%2C_06.jpg/250px-Aprile%2C_francesco_del_cossa%2C_06.jpg
Year of Publication:

5. Record Number: 30963
Author(s):
Contributor(s):
Title : Wedding Scene (?)
Source:
Year of Publication: