Feminae: Medieval Women and Gender Index


49 Record(s) Found in our database

SEE ALSO: sexuality

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1. Record Number: 16304
Author(s): Weiss, Julian.
Contributor(s):
Title : What Every Noblewoman Needs to Know: Cultural Literacy in Late-Medieval Spain
Source: Speculum , 81., 4 (October 2006):  Pages 1118 - 1149.
Year of Publication: 2006.

2. Record Number: 10852
Author(s): Howie, Cary.
Contributor(s):
Title : Vision Beyond Measure: The Threshold of Iacopone's Bedroom
Source: Troubled Vision: Gender, Sexuality, and Sight in Medieval Text and Image.   Edited by Emma Campbell and Robert Mills .   Palgrave Macmillan, 2004. Speculum , 81., 4 (October 2006):  Pages 139 - 153.
Year of Publication: 2004.

3. Record Number: 9857
Author(s):
Contributor(s):
Title : Reading across Genres: Froissart's "Joli Buisson de Jonece" and Machaut's Motets
Source: French Studies , 57., 1 (January 2003):  Pages 1 - 10.
Year of Publication: 2003.

4. Record Number: 11648
Author(s): Salih, Sarah.
Contributor(s):
Title : When is a Bosom Not a Bosom? Problems with "Erotic Mysticism" [The author addresses the issue of eroticism in medieval religion, in female mystics' texts, and in two saints' lives. Salih cogently analyzes current scholarly thinking, including differing interpretations from Caroline Walker Bynum and Nancy Partner. In short passages from the lives of Gilbert of Sempringham and Christina of Markyate, Salih points to instances in which the sexual and the religious were not discrete and separate. Title note supplied by Feminae.].
Source: Medieval Virginities.   Edited by Anke Bernau, Ruth Evans, and Sarah Salih .   Religion and Culture in the Middle Ages series. University of Wales Press; University of Toronto Press, 2003. French Studies , 57., 1 (January 2003):  Pages 14 - 32. Abridged version published in Medieval Literature: Criticism and Debates. Edited by Holly A. Crocker and D. Vance Smith. Routledge, 2014. Pages 162-179.
Year of Publication: 2003.

5. Record Number: 9179
Author(s): Holsinger, Bruce and David Townsend
Contributor(s):
Title : Ovidian Homoerotics in Twelfth-century Paris: The Letters of Leoninus, Poet and Polyphone [The authors analyze two Latin poems by Leoninus, a cathedral canon in Paris. Leoninus uses echoes from Ovid not only to establish a playful, loving exchange with his male addressees but, according to Holsinger and Townsend, to celebrate male-male sexual consummation as "a noble and ennobling pursuit." The Appendix presents the Latin texts of the two poems from Bibliothèque nationale MS Latin 14759 ("On a Ring Given by Cardinal Henry" and "To a Friend Who Will Come for the Festival of the Staff") along with English translations. Title note supplied by Feminae.].
Source: GLQ: A Journal of Lesbian and Gay Studies (Full Text via Project Muse) 8, 3 (2002): 389-423. Link Info
Year of Publication: 2002.

6. Record Number: 8308
Author(s): Priest, Ann-Marie.
Contributor(s):
Title : I am You: Medieval Love Mysticism as a Post-Modern Theology of Relation [The author argues that the mystical writings of Hadewijch, Mechthild von Magdeburg, and Angela of Foligno present a God who is passionately connected to humans. The author sees these ideas echoed in such postmodern theologians as Carter Heyward for whom relationality strengthens people and defines the loving nature of God. Title note supplied by Feminae.].
Source: Magistra , 8., 1 (Summer 2002):  Pages 85 - 117.
Year of Publication: 2002.

7. Record Number: 6642
Author(s): Mills, Robert.
Contributor(s):
Title : Ecce Homo [the author critiques both Caroline Bynum and Leo Steinberg in regard to their interpretations of the erotic in religious thought and imagery; the author argues for a recognition of the homoerotic observing "Christ's body was a fundamentally ambivalent symbol, invested with both hegemonic and counter-hegemonic significance" (page 164)].
Source: Gender and Holiness: Men, Women, and Saints in Late Medieval Europe.   Edited by Samantha J. E. Riches and Sarah Salih .   Routledge, 2002. Magistra , 8., 1 (Summer 2002):  Pages 152 - 173.
Year of Publication: 2002.

8. Record Number: 6228
Author(s):
Contributor(s):
Title : When is a Bosom not a Bosom? Interpreting Medieval Eroticism
Source: Seeing Gender: Perspectives on Medieval Gender and Sexuality. Gender and Medieval Studies Conference, King's College, London, January 4-6, 2002. .  2002. Magistra , 8., 1 (Summer 2002):
Year of Publication: 2002.

9. Record Number: 6218
Author(s):
Contributor(s):
Title : Now you see it, now you don't: Inside Jacopone's bedroom
Source: Seeing Gender: Perspectives on Medieval Gender and Sexuality. Gender and Medieval Studies Conference, King's College, London, January 4-6, 2002. .  2002. Magistra , 8., 1 (Summer 2002):
Year of Publication: 2002.

10. Record Number: 10833
Author(s): Classen, Albrecht.
Contributor(s):
Title : Hadewijch als erotische Liebesdichterin
Source: Studies in Spirituality , 12., ( 2002):  Pages 23 - 42.
Year of Publication: 2002.

11. Record Number: 7133
Author(s): Salih, Sarah.
Contributor(s):
Title : Queering "Sponsalia Christi": Virginity, Gender, and Desire in the Early Middle English Anchoritic Texts [The author examines virginity, in particular the image of the bride of Christ, in the Katherine Group and "Wohunge of Ure Lauerd." She argues that the sexualization in the text does not imply heterosexualization but an eroticism that emphasizes likeness, sometimes both masculine with images of power and sometimes both feminine with images of beauty. Title note supplied by Feminae.].
Source: New Medieval Literatures , 5., ( 2002):  Pages 155 - 175.
Year of Publication: 2002.

12. Record Number: 6220
Author(s): Keen, Catherine.
Contributor(s):
Title : Sex and the city: desire, distance, and politco-erotic manoeuvres in early Italian verse
Source: Seeing Gender: Perspectives on Medieval Gender and Sexuality. Gender and Medieval Studies Conference, King's College, London, January 4-6, 2002. .  2002. New Medieval Literatures , 5., ( 2002):
Year of Publication: 2002.

13. Record Number: 6684
Author(s): Camille, Michael.
Contributor(s):
Title : For Our Devotion and Pleasure: The Sexual Objects of Jean, Duc de Berry
Source: Art History , 24., 2 (April 2001):  Pages 169 - 194.
Year of Publication: 2001.

14. Record Number: 6929
Author(s): Rondeau, Jennifer Fisk.
Contributor(s):
Title : Conducting Gender: Theories and Practices in Italian Confraternity Literature [The author explores both confraternity statutes and "laude," vernacular hymns, for their uses of gender. Title note supplied by Feminae.].
Source: Medieval Conduct.   Edited by Kathleen Ashley and Robert L. A. Clark .   Medieval Cultures, Volume 29. University of Minnesota Press, 2001. Art History , 24., 2 (April 2001):  Pages 183 - 206.
Year of Publication: 2001.

15. Record Number: 4779
Author(s): Jestice, Phyllis G.
Contributor(s):
Title : Eternal Flame: State Formation, Deviant Architecture, and the Monumentality of Same-Sex Eroticism in the "Roman d'Eneas" ["My argument in this essay has been that in the heteronormative sexual and political economy of early Old French romance we can reclaim the disrputive effects of dialogism and desire, as well as the potentially subversive trace of the silencing of the other (a rhetorical strategy that is itself far from silent) in the historical process of state formation and in the ongoing processes of constructing national political identities." Page 310].
Source: GLQ: A Journal of Lesbian and Gay Studies (Full Text via Project Muse) 6, 2 (2000): 287-319. Link Info
Year of Publication: 2000.

16. Record Number: 3712
Author(s): Lauxtermann, Marc.
Contributor(s):
Title : Ninth-Century Classicism and the Erotic Muse [The author argues that the pederastic poetry read and imitated by Leo the Philosopher and his group of students quickly went out of style when Patriarch Photios branded it as corrupt].
Source: Desire and Denial in Byzantium: Papers from the Thirty-First Spring Symposium of Byzantine Studies, University of Sussex, Brighton, March 1997.   Edited by Liz James. Society for the Promotion of Byzantine Studies, Publications 6 .   Variorum (Ashgate Publishing), 1999. Neophilologus , 83., 1 (January 1999):  Pages 161 - 170.
Year of Publication: 1999.

17. Record Number: 10160
Author(s): Lacroix, Jean.
Contributor(s):
Title : Les Nus du "Decameron" (pour une erotique Boccacienne)
Source: Études Médiévales , 1., ( 1999):  Pages 129 - 148.
Year of Publication: 1999.

18. Record Number: 3951
Author(s): Miller, Julie B.
Contributor(s):
Title : Eroticized Violence in Medieval Women's Mystical Literature: A Call for a Feminist Critique
Source: Journal of Feminist Studies in Religion , 15., 2 (Fall 1999):  Pages 25 - 49.
Year of Publication: 1999.

19. Record Number: 3930
Author(s): Scheil, Andrew P.
Contributor(s):
Title : Somatic Ambiguity and Masculine Desire in the Old English Life of Euphrosyne [Euphrosyne lives as a eunuch in a monastery ; the text brings out the erotic aspects of homosociality among the monks].
Source: Exemplaria: A Journal of Theory in Medieval and Renaissance Studies , 11., 2 (Spring 1999):  Pages 345 - 361.
Year of Publication: 1999.

20. Record Number: 4209
Author(s): Hyatte, Reginald.
Contributor(s):
Title : Reading Affective Companionship in the Prose "Lancelot"
Source: Neophilologus , 83., 1 (January 1999):  Pages 19 - 32.
Year of Publication: 1999.

21. Record Number: 3753
Author(s): Ailes, M. J.
Contributor(s):
Title : The Medieval Male Couple and the Language of Homosociality
Source: Masculinity in Medieval Europe.   Edited by D.M. Hadley .   Women and Men in History Series. Addison Wesley Longman, 1999. Neophilologus , 83., 1 (January 1999):  Pages 214 - 237.
Year of Publication: 1999.

22. Record Number: 2420
Author(s):
Contributor(s):
Title : Eunuchs Who Keep the Sabbath: Becoming Male and the Ascetic Ideal in Thirteenth-Century Jewish Mysticism
Source: Becoming Male in the Middle Ages.   Edited by Jeffrey Jerome Cohen and Bonnie Wheeler .   Garland Publishing, 1997. Études Médiévales , 1., ( 1999):  Pages 151 - 185.
Year of Publication: 1997.

23. Record Number: 2351
Author(s): Lavezzo, Kathy.
Contributor(s):
Title : Gregory's Boys: Aelfric and the Homoerotic Production of English Whiteness
Source: Old English Newsletter , 29., 3 (Spring 1996):
Year of Publication: 1996.

24. Record Number: 1421
Author(s): Murray, Jacqueline.
Contributor(s):
Title : Twice Marginal and Twice Invisible: Lesbians in the Middle Ages [appendices reproduce two translations, one an excerpt from a poem that describes the "vile sin" of two ladies making love, the other is a nun's letter to her beloved, full of homoerotic images].
Source: Handbook of Medieval Sexuality.   Edited by Vern L. Bullough and James A. Brundage .   Garland Reference Library of the Humanities vol. 1696. Garland Publishing, 1996. Old English Newsletter , 29., 3 (Spring 1996):  Pages 191 - 222.
Year of Publication: 1996.

25. Record Number: 1861
Author(s): Palmer, Craig.
Contributor(s):
Title : A Question of Manhood: Overcoming the Paternal Homoerotic in Gottfried's "Tristan"
Source: Monatshefte , 88., 1 (Spring 1996):  Pages 17 - 30.
Year of Publication: 1996.

26. Record Number: 405
Author(s):
Contributor(s):
Title : Unspeakable Pleasures: Alain de Lille, Sexual Regulation, and the Priesthood of Genius
Source: Romanic Review , 86., 2 (March 1995):  Pages 213 - 242. Special issue: The Production of Knowledge: Institutionalizing Sex, Gender, and Sexualiity in Medieval Discourse. Ed. by Kathryn Gravdal.
Year of Publication: 1995.

27. Record Number: 435
Author(s): Lomperis, Linda.
Contributor(s):
Title : Bodies That Matter in the Court of Late Medieval England and in Chaucer's "Miller's Tale" [Alisoun as a female impersonator and male homoeroticism at the court of Richard II].
Source: Romanic Review , 86., 2 (March 1995):  Pages 243 - 264. Special issue: The Production of Knowledge: Institutionalizing Sex, Gender, and Sexualiity in Medieval Discourse. Ed. by Kathryn Gravdal.
Year of Publication: 1995.

28. Record Number: 8617
Author(s): Mieszkowski, Gretchen.
Contributor(s):
Title : The Prose of "Lancelot"'s Galehot, Malory's Lavain, and the Queering of Late Medieval Literature
Source: Arthuriana , 5., 1 (Spring 1995):  Pages 21 - 51.
Year of Publication: 1995.

29. Record Number: 523
Author(s): Cox, Catherine S.
Contributor(s):
Title : Grope Wel Bihynde: The Subversive Erotics of Chaucer's Summoner
Source: Exemplaria: A Journal of Theory in Medieval and Renaissance Studies , 7., 1 (Spring 1995):  Pages 145 - 177.
Year of Publication: 1995.

30. Record Number: 12728
Author(s): Hull, Vida J.
Contributor(s):
Title : The Sex of the Savior in Renaissance Art: The Revelations of Saint Bridget and the Nude Christ Child in Renaissance Art [Bridget's description of the nude Christ child at the Nativity, written during the fourteenth century, had a strong influence on fifteenth century visual representations of the Christ child, who was often depicted as naked infant with genitals in open view. The exposure of the Christ child's penis is a moment of revelation that displays His gender and also exemplifies His humanity. This was a common motif in the Brigittine scenes of the Nativity and the Adoration of the Shepherds, but was later transferred into other contexts, such as the Adoration of the Magi and devotional images of the Virgin and Child. Title note supplied by Feminae.].
Source: Studies in Iconography , 15., ( 1993):  Pages 77 - 112.
Year of Publication: 1993.

31. Record Number: 12729
Author(s): Baskins, Cristelle L.
Contributor(s):
Title : Donatello's Bronze 'David': Grillanda, Goliath, Groom? [Art historians have explored many perspectives on Donatello's youthful and androgynous representation of the nude David including psychoanalytic and homoerotic perspectives, but these male centered approaches overlook the possibility of a female audience for the statue. Paintings on contemporary Florentine cassoni (wedding chests), including scenes from the life of David (like his battle with Goliath or his subsequent wedding to a royal bride) or seemingly unrelated depictions of scantily clad males (often painted underneath the lids), establish the possibility of a wedding context for Donatello's sensuous nude. In the context of nuptial imagery, this representation of David might appeal to a prospective bride as well as the narcissistic or homoerotic desire of an imagined male audience. Title note supplied by Feminae.].
Source: Studies in Iconography , 15., ( 1993):  Pages 113 - 134.
Year of Publication: 1993.

32. Record Number: 10519
Author(s): Thomasset, Claude.
Contributor(s):
Title : The Nature of Woman [The author provides an overview of medieval representations of women and sexuality through medical treatises (texts concerning female anatomy and physiology) and related writings by theologians and physicians. Galen’s theory that the female internal organs were the inverse of the male sexual organ was very influential, but writers developed diverse and contradictory opinions on the nature of female sex organs, the function of menstrual blood, and the process of determining the gender of a fetus during pregnancy. Writers also expressed anxiety about the ways women shared sexual knowledge with each other, how women derived pleasures from sex, and what caused various illnesses in women. Title note supplied by Feminae.].
Source: A History of Women in the West. Volume 2: Silences of the Middle Ages.   Edited by Christiane Klapisch-Zuber .   Belknap Press of Harvard University Press, 1992. Studies in Iconography , 15., ( 1993):  Pages 43 - 69.
Year of Publication: 1992.

33. Record Number: 9527
Author(s): Banner, Lois.
Contributor(s):
Title : The Fashionable Sex, 1100-1600 [The bodies of young men were often eroticized in late medieval and early modern Europe. Men’s clothing emphasized parts of the body associated with male sexuality and power, with shoes emphasizing the feet, fitted tights and trousers highlighting the legs, and codpieces drawing attention to the genitals. Clothing also indicated social class; for instance, poulaines (long, slender shoes) were associated with aristocrats and broad, short shoes with peasants. Changes in warfare and in social attitudes influenced evolving male fashions. Title note supplied by Feminae.].
Source: History Today , 42., (April 1992):  Pages 37 - 44.
Year of Publication: 1992.

34. Record Number: 11069
Author(s): Camille, Michael.
Contributor(s):
Title : Gothic Signs and the Surplus: The Kiss on the Cathedral [The kiss was a sign with many meanings, and its symbolic significance in medieval visual and verbal representations is manifold. A sculpture on the West Front of Amiens Cathedral depicts the sin of lechery through the image of a man and woman kissing, yet the kiss did not always stand in for representations of sexual intercourse (legitimate or illicit). The kiss could have spiritual and allegorical significance (e.g., visual representations of the Song of Songs), legal force (e.g., feudal and courtly rituals), treacherous or transgressive overtones (e.g., representations of Judas and Christ or other same-sex couples kissing), mystical meanings, or devotional purposes (e.g., the kiss of peace). Title note supplied by Feminae.].
Source: Yale French Studies (Full Text via JSTOR) (1991): 151-170. Special Editions: Style and Values in Medieval Art and Literature.Link Info
Year of Publication: 1991.

35. Record Number: 11047
Author(s): Pequigney, Joseph.
Contributor(s):
Title : Sodomy in Dante's "Inferno" and "Purgatorio" [The author analyzes the "Inferno" and "Purgatorio" to show that Dante's treatment of homosexuality was remarkably tolerant for its time, and that it may even have allowed a salvific function for homoerotic love. Title note supplied by Feminae.].
Source: Representations (Full Text via JSTOR) 36 (Autumn 1991): 22-42. Link Info
Year of Publication: 1991.

36. Record Number: 11220
Author(s): Stanbury, Sarah.
Contributor(s):
Title : The Voyeur and the Private Life in "Troilus and Criseyde."
Source: Studies in the Age of Chaucer , 13., ( 1991):  Pages 141 - 158.
Year of Publication: 1991.

37. Record Number: 8664
Author(s): Johnston, D. R.
Contributor(s):
Title : The Erotic Poetry of the "Cywyddwyr" The author examines sexually explicit poems written by medieval Welsh poets. Some poets borrow heavily from Continental sources (such as Jean de Meun’s "Roman de la Rose" and the French pastorelle genre), but others employ distinctively Welsh literary genres (like the "llatai," a poem that features a male speaker who sends a messenger to seek the female’s favor, or the "cywydd gofyn," a poem that requests a gift). While some of the poems fulfill male desires by presenting women as sexually voracious or by suggesting that mutual enjoyment of sexual intercourse legitimates male acts of rape or violence, other poems explore what happens when the male’s desires are thwarted. Title note supplied by Feminae.].
Source: Cambridge Medieval Celtic Studies , 21., (Winter 1991):  Pages 63 - 94.
Year of Publication: 1991.

38. Record Number: 11775
Author(s): Kleinhenz, Christopher.
Contributor(s):
Title : Texts, Naked and Thinly Veiled: Erotic Elements in Medieval Italian Literature [The author discusses veiled eroticism in medieval Italian poetry, grouping the literature by the extent to which it is sexually explicit. Title note supplied by Feminae.].
Source: Sex in the Middle Ages: A Book of Essays.   Edited by Joyce E. Salisbury .   Garland Publishing, 1991. Cambridge Medieval Celtic Studies , 21., (Winter 1991):  Pages 83 - 109.
Year of Publication: 1991.

39. Record Number: 11779
Author(s): Roth, Norman.
Contributor(s):
Title : Fawn of My Delights: Boy-Love in Hebrew and Arabic Verse [The author argues that, in the medieval period, it was “normal” in both Muslim and Jewish literature for men to express homoerotic desire for adolescent boys. Title note supplied by Feminae.].
Source: Sex in the Middle Ages: A Book of Essays.   Edited by Joyce E. Salisbury .   Garland Publishing, 1991. Cambridge Medieval Celtic Studies , 21., (Winter 1991):  Pages 157 - 172.
Year of Publication: 1991.

40. Record Number: 12798
Author(s): Cramer, Patricia.
Contributor(s):
Title : Lordship, Bondage, and the Erotic: The Psychological Bases of Chaucer's "Clerk's Tale" [The author offers a psychoanalytic interpretation of "The Clerk's Tale," questioning readings of the story which see Walter and Griselda as an "ideal" Oedipal couple. She further attempts to invalidate Oedipal resolutions by revealing their negative psyc
Source: JEGP: Journal of English and Germanic Philology , 89., 4 (October 1990):  Pages 491 - 511.
Year of Publication: 1990.

41. Record Number: 12694
Author(s): O'Connor, Eugene M.
Contributor(s):
Title : More on the "Priapeum" of Jacobus Cremonensis [This fifteenth century Latin poem describes an erotic encounter between the Classical fertility god Priapus and the nymph Dione. The author corrects and expands the commentary written on the poem by a previous editor, Ian Thompson. In his commentary, Thompson failed to recognize that many of the Latin terms in the poem are not euphemisms but sexually explicit terms. Title note supplied by Feminae.].
Source: Traditio , 45., ( 1990):  Pages 389 - 391.
Year of Publication: 1990.

42. Record Number: 12699
Author(s): Brown, David Alan.
Contributor(s):
Title : Leonardo and the Ladies with the Ermine and the Book [Although Isabella d'Este and Cecilia Gallerani were both active, fashionable, and learned patrons of letters, Leonardo da Vinci (who was patronized by both) depicts the women very differently in his paintings. Cecilia appears in Leonardo's "Lady with the Ermine" as a lively woman whose gaze faces the viewer, but Isabella d'Este appears in Leonardo's drawings as more stately and reserved, sometimes pointing at a book. Isabella likely played a large role in shaping her own image in her portraits, preferring more formal and Classical motifs including the profile pose. Title note supplied by Feminae.].
Source: Artibus et Historiae , 11., 21 ( 1990):  Pages 47 - 61.
Year of Publication: 1990.

43. Record Number: 12809
Author(s): Agapitos, Panagiotis A.
Contributor(s):
Title : The Erotic Bath in the Byzantine Vernacular Romance "Kallimachos and Chrysorrhoe" [The author interprets the erotic bath sequence from Kallimachos, a Byzantine vernacular romance, demonstrating that the bath is therapeutic as well as erotic. Title note supplied by Feminae.].
Source: Classica et Mediaevalia , 41., ( 1990):  Pages 257 - 273.
Year of Publication: 1990.

44. Record Number: 11194
Author(s): Rollo, David.
Contributor(s):
Title : Sexual Escapades and Poetic Process: Three Poems by William IX of Aquitaine [The writings of the nobleman and poet William of Aquitaine subverts many of the conventions of courtly love poetry, as the elevated. chaste “domna” (lady) of troubadour poetry is sometimes characterized as promiscuous or bestial, and the poetry continually shifts between bawdy and meditative registers. Although the poems can be read as the narrator’s boasting over sexual exploits, some of the language in the poems suggests an underlying theme of male impotence. Title note supplied by Feminae.].
Source: Romanic Review , 81., 3 ( 1990):  Pages 293 - 311.
Year of Publication: 1990.

45. Record Number: 12764
Author(s): Kazhdan, Alexander P.
Contributor(s):
Title : Byzantine Hagiography and Sex in the Fifth to Twelfth Centuries [The author discusses the numerous erotic tales (often having to do with demonic temptation of saints) to be found within Byzantine hagiography. Title note supplied by Feminae.].
Source: Dumbarton Oaks Papers , 44., ( 1990):  Pages 131 - 143.
Year of Publication: 1990.

46. Record Number: 12735
Author(s): Garland, Lynda.
Contributor(s):
Title : Be Amorous, But Be Chaste…’: Sexual morality in Byzantine learned and vernacular romance [Aristocratic Byzantine readers enjoyed romances, which often derived tales of love and adventure from Hellenstic or ancient Greek influences and traditions. From the twelfth century onwards, authors of romances in Greek often borrowed themes from ancient pagan texts including the idea of passionate erotic love, yet unlike Classical authors, Byzantine writers strictly presented marriage as the ultimate goal to which all characters strive. Despite threats to their chastity, these romances featured heroes and heroines who remain chaste until the wedding ceremony that ends the story. Title note supplied by Feminae.].
Source: Byzantine and Modern Greek Studies , 14., ( 1990):  Pages 62 - 120.
Year of Publication: 1990.

47. Record Number:
Author(s):
Contributor(s):
Title : Morris Dance
Source: Classica et Mediaevalia , 41., ( 1990):
Year of Publication:

48. Record Number: 31892
Author(s):
Contributor(s):
Title : Nun Harvesting Phalluses from a Phallus Tree and a Monk and Nun Embracing
Source: Classica et Mediaevalia , 41., ( 1990):
Year of Publication:

49. Record Number: 32638
Author(s):
Contributor(s):
Title : Woman and Her Maid
Source: Classica et Mediaevalia , 41., ( 1990):
Year of Publication: