Feminae: Medieval Women and Gender Index


20 Record(s) Found in our database

Search Results

1. Record Number: 6091
Author(s): Edwards, J. Michele.
Contributor(s):
Title : Women in Music to ca. 1450 [the author provides a brief overview touching on trobairitz, female minstrels, women and music at royal courts throughout Europe and Japan, Byzantine women who composed music, the varied kinds of music in women's religious houses, and Hildegard of Bingen's music].
Source: Women and Music: A History.   Edited by Karin Pendle .   Second edition. Indiana University Press, 2001.  Pages 26 - 53.
Year of Publication: 2001.
2. Record Number: 5885
Author(s): Touliatos-Miles, Diane.
Contributor(s):
Title : The Role of Women in Music in Byzantium
Source: Byzantine Studies Conference. Abstracts of Papers , 27., ( 2001):  Pages 8
Year of Publication: 2001.
3. Record Number: 4798
Author(s): Kreutziger-Herr, Annette.
Contributor(s):
Title : Hildegard of Bingen Conference [an international congress held in Bingen in September 1998].
Source: Early Music (Full Text via JSTOR) 27, 1 (Feb. 1999): 156-157. Link Info
Year of Publication: 1999.
4. Record Number: 3991
Author(s): Fassler, Margot.
Contributor(s):
Title : Composer and Dramatist: "Melodious Singing and the Freshness of Remorse"
Source: Voice of the Living Light: Hildegard of Bingen and Her World.   Edited by Barbara Newman .   University of California Press, 1998. College Music Symposium , 38., ( 1998):  Pages 149 - 175.
Year of Publication: 1998.
5. Record Number: 5261
Author(s): White, John D.
Contributor(s):
Title : The Musical World of Hildegard of Bingen [The author explores the various kinds of music that Hildegard may have known including the chant of the liturgy, musical instruments from the secular world, and lay music including Minnesang].
Source: College Music Symposium , 38., ( 1998):  Pages 6 - 16.
Year of Publication: 1998.
6. Record Number: 5262
Author(s): Cyrus, Cynthia J. and Olivia Carter Mather
Contributor(s):
Title : Rereading Absence: Women in Medieval and Renaissance Music [The authors include a case study of music history textbooks, examining their content on medieval and Renaissance women as composers and performers, patrons, and as active agents in society in general].
Source: College Music Symposium , 38., ( 1998):  Pages 101 - 117.
Year of Publication: 1998.
7. Record Number: 2392
Author(s): Davidson, Audrey Ekdahl.
Contributor(s):
Title : Hildegard of Bingen (1098-1179): The "Ordo Virtutum" [includes Latin text, English translation, and modern performance scores for three pieces from the "Ordo Virtutum": "Flos campi, No. 38," "Gaudete, O socii, No. 80," and "In principio, No. 87"].
Source: Women Composers: Music Through the Ages.   Edited by Martha Furman Schleifer and Sylvia Glickman .   Volume 1 Composers Born Before 1599. G.K. Hall ; Prentice Hall International, 1996. College Music Symposium , 38., ( 1998):  Pages 51 - 60.
Year of Publication: 1996.
8. Record Number: 5510
Author(s): Jenni, Martin.
Contributor(s):
Title : Godfire: Hildegard's Hymns to the Holy Spirit [in the Appendix the author presents the Latin text of "O ignis spiritus paracliti" along with an English translation].
Source: Wisdom Which Encircles Circles: Papers on Hildegard of Bingen.   Edited by Audrey Ekdahl Davidson .   Medieval Institute Publications, Western Michigan University, 1996. College Music Symposium , 38., ( 1998):  Pages 105 - 115.
Year of Publication: 1996.
9. Record Number: 2394
Author(s): Yardley, Anne Bagnall.
Contributor(s):
Title : Was Anonymous a Woman? [suggests that some liturgical chants may have been composed by nuns].
Source: Women Composers: Music Through the Ages.   Edited by Martha Furman Schleifer and Sylvia Glickman .   Volume 1 Composers Born Before 1599. G.K. Hall ; Prentice Hall International, 1996. College Music Symposium , 38., ( 1998):  Pages 69 - 72.
Year of Publication: 1996.
10. Record Number: 2398
Author(s): Cardamone, Donna G.
Contributor(s):
Title : Lifting the Protective Veil of Anonymity: Women as Composer-Performers, ca. 1300-1566 [women from aristocratic families learned to sing and play instruments as part of their education and may have also composed songs; includes the Italian text, English translation, and modern performance score for "Lieta vivo e contenta dapoi ch'il mio bel Sole" attributed to Isabella de' Medici Orsini (1542-1576)].
Source: Women Composers: Music Through the Ages.   Edited by Martha Furman Schleifer and Sylvia Glickman .   Volume 1 Composers Born Before 1599. G.K. Hall ; Prentice Hall International, 1996. College Music Symposium , 38., ( 1998):  Pages 110 - 117.
Year of Publication: 1996.
11. Record Number: 2389
Author(s): Touliatos, Diane.
Contributor(s):
Title : Kassia (ca. 810- between 843 and 867) [she wrote the words and music for many well-known hymns ; article includes Greek texts, English translations, and modern performance scores for "Edessa Rejoices" (Hymn to Saints Gurias, Samonas, and Abibus, Confessors and Martyrs at Vespers (November 15)
Source: Women Composers: Music Through the Ages.   Edited by Martha Furman Schleifer and Sylvia Glickman .   Volume 1 Composers Born Before 1599. G.K. Hall ; Prentice Hall International, 1996. College Music Symposium , 38., ( 1998):  Pages 1 - 24.
Year of Publication: 1996.
12. Record Number: 2390
Author(s): Pfau, Marianne Richert.
Contributor(s):
Title : Hildegard von Bingen (1098-1178): Biography
Source: Women Composers: Music Through the Ages.   Edited by Martha Furman Schleifer and Sylvia Glickman .   Volume 1 Composers Born Before 1599. G.K. Hall ; Prentice Hall International, 1996. College Music Symposium , 38., ( 1998):  Pages 25 - 29.
Year of Publication: 1996.
13. Record Number: 2391
Author(s): Pfau, Marianne Richert.
Contributor(s):
Title : Hildegard von Bingen (1098-1179) : Responsories, Sequences, and Hymns in Hildegard's "Symphonia" [includes Latin text, English translation, and modern performance scores for "Vos flores rosarum", "O clarissima mater", "O lucidissima apostolorum turba", "Cum vox sanguinis", and "O ecclesia"].
Source: Women Composers: Music Through the Ages.   Edited by Martha Furman Schleifer and Sylvia Glickman .   Volume 1 Composers Born Before 1599. G.K. Hall ; Prentice Hall International, 1996. College Music Symposium , 38., ( 1998):  Pages 30 - 50.
Year of Publication: 1996.
14. Record Number: 571
Author(s): O'Connor, Michael.
Contributor(s):
Title : Johannes Roderici: Identifying the Musician of Las Huelgas [notations in the Codex of Las Huelgas credit Johan Rodríguez as the composer and editor of several pieces].
Source: Medieval Perspectives , 10., ( 1995):  Pages 169 - 177. Proceedings of the Twentieth Annual Conference of the Southeastern Medieval Association
Year of Publication: 1995.
15. Record Number: 3487
Author(s): Bloxam, M. Jennifer.
Contributor(s):
Title : Plainsong and Polyphony for the Blessed Virgin: Notes on Two Masses by Jacob Obrecht
Source: Journal of Musicology (Full Text via JSTOR) 12, 1 (Winter 1994): 51-75. Link Info
Year of Publication: 1994.
16. Record Number: 7185
Author(s):
Contributor(s):
Title : Symbols, Performers, and Sponsors: Female Musical Creators in the Late Middle Ages [The author examines representations of "Musica," one of the seven liberal arts, as a woman along with reports of women performing music and commissioning music. The author argues that women had a much greater role in creating music than modern scholars have realized. Title note supplied by Feminae.].
Source: Rediscovering the Muses: Women's Musical Traditions.   Edited by Kimberly Marshall .   Northeastern University Press, 1993.  Pages 140 - 168.
Year of Publication: 1993.
17. Record Number: 7184
Author(s): Touliatos, Diane.
Contributor(s):
Title : The Traditional Role of Greek Women in Music from Antiquity to the End of the Byzantine Empire [The author provides a brief overview of women in music in the Greek world. The Byzantine women profiled all composed liturgical music including Martha, Theodosia, Thekla, Kassia, Kouvouklisena, and Palaeologina. Title note supplied by Feminae.].
Source: Rediscovering the Muses: Women's Musical Traditions.   Edited by Kimberly Marshall .   Northeastern University Press, 1993.  Pages 111 - 123.
Year of Publication: 1993.
18. Record Number: 7186
Author(s): Higgins, Paula.
Contributor(s):
Title : The "Other Minervas": Creative Women at the Court of Margaret of Scotland [The author examines the activities of the princess, Margaret of Scotland, and her ladies-in-waiting, both as authors of poetry and creators of music. She critiques recent scholarship because it dismisses women's artistic contributions and grants credence only to the well-documented like Christine de Pizan in the "discourse of the exceptional woman." Title note supplied by Feminae.].
Source: Rediscovering the Muses: Women's Musical Traditions.   Edited by Kimberly Marshall .   Northeastern University Press, 1993.  Pages 169 - 185.
Year of Publication: 1993.
19. Record Number: 11050
Author(s): Bloxam, M. Jennifer.
Contributor(s):
Title : La Contenance Italienne: The Motets on "Beata es Maria" by Compère, Obrecht, and Brumel [The author explores the influence of the "lauda," a popular Italian religious song, on three related motets in praise of the Virgin Mary. Title note supplied by Feminae.].
Source: Early Music History (Full Text via JSTOR) 11 (1992): 39-89. Link Info
Year of Publication: 1992.
20. Record Number: 10977
Author(s): Lowinsky, Edward E.
Contributor(s):
Title : The Goddess Fortuna in Music: With a Special Study of Josquin's "Fortuna dun gran tempo" (January 1945) [The author suggests that the musical principles of "mutare" (tonal change or transposition) used in "Fortuna dun gran tempo" reflect the themes of instability and mutation embodied by the personified Goddess. Title note supplied by Feminae.].
Source: Musical Quarterly (Full Text via JSTOR) 75, 4 (Winter 1991): 81-107. Anniversary Issue: Highlights from the First 75 Years. Link Info
Year of Publication: 1991.