Feminae: Medieval Women and Gender Index

3 Record(s) Found in our database

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1. Record Number: 12880
Author(s): Michalski, Sergiusz.
Title : Venus as Semiramis: A New Interpretation of the Central Figure of Botticelli's "Primavera"
Source: Artibus et Historiae , 48., ( 2003):  Pages 213 - 222.
Year of Publication: 2003.

2. Record Number: 1374
Author(s): Barolsky, Paul and Anne Barriault
Title : Botticelli's "Primavera" and the Origins of the Elegiac in Italian Renaissance Painting [traces the theme of bittersweet loss in the paintings of Botticelli, Signorelli, Piero di Cosimo, Sebastiano del Piombo, and Titian].
Source: Gazette des Beaux-Arts , 128., 1532 (septembre 1996):  Pages 63 - 70.
Year of Publication: 1996.

3. Record Number: 6270
Author(s): Francalanci, Andrea.
Title : Le tre grazie della "Primavera" del Botticelli: La danza fra allegoria e realtà storica [Botticelli organized the figures in the "Primavera" using the configurations of a dance; court dance was just being developed in this period with geometric circles, with their philosophical implication of perfection, and hierarchic lines as possible configurations; the meaning assigned to the figures in the painting vary, but a courtier of the period could imagine the interactions of various symbolic figures in a meaningful dance].
Source: Medioevo e Rinascimento , ( 1992):  Pages 23 - 37.
Year of Publication: 1992.