Feminae: Medieval Women and Gender Index
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5 Record(s) Found in our database
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1.
Record Number:
3551
Author(s):
Tobin, Frank.
Contributor(s):
Title :
Henry Suso and Elsbeth Stagel: Was the "Vita" a Cooperative Effort? [The author argues that Elsbeth Stagel has left her imprint on Henry Suso's "Vita" in form and content].
Source:
Gendered Voices: Medieval Saints and Their Interpreters. Edited by Catherine M. Mooney . University of Pennsylvania Press, 1999. Pages 118 - 135.
Year of Publication:
1999.
2.
Record Number:
2025
Author(s):
Seymour, M.C.
Contributor(s):
Title :
Chaucer's Revision of the Prologue of "The Legend of Good Women" [suggests that Chaucer revised the prologue in 1399 or 1400 in order to present the text to the new king, Henry IV; he excised some portions to make it more accessible and added material on the duties of lordship and his own literary achievements].
Source:
Modern Language Review , 92., 4 (October 1997): Pages 832 - 841.
Year of Publication:
1997.
3.
Record Number:
3366
Author(s):
Lacy, Paul de.
Contributor(s):
Title :
Aspects of Christianisation and Cultural Adaptation in the Old English "Judith"
Source:
Neuphilologische Mitteilungen , 97., 4 ( 1996): Pages 393 - 410.
Year of Publication:
1996.
4.
Record Number:
1719
Author(s):
Parussa, Gabriella.
Contributor(s):
Title :
Arbitraires, systématiques, accidentelles? A propos des variantes entre deux familles de manuscrits de "l'Epistre d'Othea" [argues that the changes between the earliest surviving manuscript (fr.848) and Harley 4431 (copied around 1410-1411) represent revisions by the author, since both manuscripts were prepared under Christine's supervision].
Source:
Une femme de Lettres au Moyen Age: Études autour de Christine de Pizan. Edited by Liliane Dulac and Bernard Ribémont . Paradigme, 1995. Neuphilologische Mitteilungen , 97., 4 ( 1996): Pages 431 - 446.
Year of Publication:
1995.
5.
Record Number:
11218
Author(s):
Carlson, Paula J.
Contributor(s):
Title :
Lady Meed and God’s Meed: The Grammar of 'Piers Plowman' B 3 and C 4 [In revising his poem, William Langland expands a passage (in what is known as the B-text) into a longer passage (in what is known as the C-text) that describes the debate between Conscience and Lady Meed. Much of modern readers’ confusion about the meaning of the C-text passage lies in the misleading punctuation in W. W. Skeat’s printed edition of the poem. The editor’s punctuation choices obscure the sustained grammatical metaphor Langland uses in the revised C-text. In this new passage, the relationship between nouns and adjectives are meant to describe (by way of analogy) the relationship between God and humanity. Title note supplied by Feminae.].
Source:
Traditio , 46., ( 1991): Pages 291 - 311.
Year of Publication:
1991.