Feminae: Medieval Women and Gender Index


17 Record(s) Found in our database

Search Results

1. Record Number: 5981
Author(s): Weckström, Mari Pakkala.
Contributor(s):
Title : The Rise and Fall of the Faithful Wife: Chaucer's Griselda and Dorigen Seen Through Dialogue
Source: Gender and Conflict in the Middle Ages. Gender and Medieval Studies Conference, York, January 5-7 2001. .  2001.
Year of Publication: 2001.

2. Record Number: 5058
Author(s): McFadden, Brian.
Contributor(s):
Title : Sleeping After the Feast: Deathbeds, Marriage Beds, and the Power Structure of Heorot
Source: Neophilologus , 84., 4 (October 2000):  Pages 629 - 646.
Year of Publication: 2000.

3. Record Number: 10110
Author(s): Gravlee, Cynthia A.
Contributor(s):
Title : Circling the Entity: Power and the Feminine Principle in Old English Poetry
Source: Old English Newsletter , 33., 3 (Spring 2000): Paper presented at the Annual Meeting of the Southeastern Medieval Association, University of Tennessee, Knoxville, October 14-16, 1999, Session 45: "Representing Women."
Year of Publication: 2000.

4. Record Number: 4505
Author(s): Allen, Renée.
Contributor(s):
Title : The Roles of Women and Their Homosocial Context in the "Chevalier au Lion"
Source: Romance Quarterly , 46., 3 (Summer 1999):  Pages 141 - 154.
Year of Publication: 1999.

5. Record Number: 3610
Author(s): Dockray-Miller, Mary.
Contributor(s):
Title : Beowulf's Tears of Fatherhood [the author argues that since Hrothgar's masculine power is fading, he proposes to adopt the powerful and masculine Beowulf, but Beowulf rejects his proposal]
Source:   Edited by Eileen A. Joy and Mary K. Ramsey with the assistance of Bruce D. Gilchrist Exemplaria: A Journal of Theory in Medieval and Renaissance Studies , 10., 1 (Spring 1998):  Pages 1 - 28. Reprinted in The Postmodern "Beowulf": A Critical Casebook. Edited by Eileen A. Joy and Mary K. Ramsey with the assistance of Bruce D. Gilchrist. West Virginia University Press, 2006. Pages 439-466.
Year of Publication: 1998.

6. Record Number: 3202
Author(s): Blacker, Jean.
Contributor(s):
Title : Women, Power, and Violence in Orderic Vitalis's "Historia Ecclesiastica"
Source: Violence Against Women in Medieval Texts.   Edited by Anna Roberts .   University Press of Florida, 1998. Exemplaria: A Journal of Theory in Medieval and Renaissance Studies , 10., 1 (Spring 1998):  Pages 44 - 55.
Year of Publication: 1998.

7. Record Number: 2059
Author(s): Snow-Obenaus, Katya.
Contributor(s):
Title : Medieval Attitudes Towards Women as Reflected in the Songs of Heinrich von Morungen [analyzes the contrasting imagery of the singer's lady as a destructive force and as a figure of radiant goodness akin to the Virgin Mary].
Source: Germanic Notes and Reviews , 28., 2 (Fall 1997):  Pages 121 - 127.
Year of Publication: 1997.

8. Record Number: 1344
Author(s): Beecher, Donald.
Contributor(s):
Title : The Silenced Knight: Questions of Power and Reciprocity in the "Wife of Bath's Tale"
Source: Chaucer Review , 30., 4 ( 1996):  Pages 359 - 378.
Year of Publication: 1996.

9. Record Number: 1783
Author(s): Newman, Florence.
Contributor(s):
Title : The Man with Two Wives: Female Rivalry and Social Power in a Medieval Motif [International Congress on Medieval Studies. Kalamazoo, May 1996].
Source: Le Cygne: Bulletin of the International Marie de France Society: Abstracts, Notes, and Queries , 2., (April 1996):  Pages 19 - 22.
Year of Publication: 1996.

10. Record Number: 2340
Author(s): Brown, Marjorie.
Contributor(s):
Title : Elene: Power and the Christian Hierarchy
Source: Old English Newsletter , 29., 3 (Spring 1996):
Year of Publication: 1996.

11. Record Number: 2730
Author(s):
Contributor(s):
Title : Flesh and Flood: The Function of Female Asceticism in the Digby "Mary Magdalene"
Source: Philological Quarterly , 73., 4 (Fall 1994):  Pages 385 - 401.
Year of Publication: 1994.

12. Record Number: 10009
Author(s): Bruckner, Matilda Tomaryn.
Contributor(s):
Title : Fictions of the Female Voice: The Women Troubadours [Trobairitz (female troubadours) experimented with literary and cultural definitions of sex and gender in their poetry. They manipulated a very conventional form (a male speaker addressing a distant, silent lady) and invented their own distinctive literary versions of the female voice. Even though it is hard to define, the notion of voice in literary texts is a powerful concept for feminist writers. Title note supplied by Feminae.].
Source: Speculum , 67., 4 (October 1992):  Pages 865 - 891.
Year of Publication: 1992.

13. Record Number: 13054
Author(s): Germain, Ellen.
Contributor(s):
Title : Lunete, Women, and Power in Chrétien's "Yvain" [One of the Curtain Talk given before performances of "The Lark." Title note supplied by Feminae.].
Source: Romance Quarterly , 38., 1 (February 1991):  Pages 15 - 25.
Year of Publication: 1991.

14. Record Number: 10688
Author(s):
Contributor(s):
Title : The Wife of Bath and the Revelour: Power Struggles and Failure in a Marriage of Peers [The Wife of Bath’s fourth marriage differs from her previous ones in one major respect: the fourth husband is her equal in terms of financial and social status, age, and temperament. The Wife’s uncharacteristic silence about her fourth husband and any disputes they may have had in marriage suggests that neither spouse fully dominated in the relationship. Title note supplied by Feminae.].
Source: Medieval Perspectives , 6., ( 1991):  Pages 154 - 161.
Year of Publication: 1991.

15. Record Number: 11220
Author(s): Stanbury, Sarah.
Contributor(s):
Title : The Voyeur and the Private Life in "Troilus and Criseyde."
Source: Studies in the Age of Chaucer , 13., ( 1991):  Pages 141 - 158.
Year of Publication: 1991.

16. Record Number: 11203
Author(s): Tobin, Lee Ann.
Contributor(s):
Title : Give the Saint Her Due: Hagiographical Values for Chaucer’s Second Nun’s Tale and Graham Greene’s "The End of the Affair" [When approaching Saint Celia (protagonist of the Second Nun’s Tale) and Sarah Miles (adulterous protagonist of Greene’s twentieth-century novel), modern critics perceive both of these heroines in a negative manner (deeming them disrespectful or unbelievable as female exemplars). However, such critics abide by rational and objective perspectives which are inappropriate for analyzing hagiographical literature. When viewed from a mystical and spiritual perspective, both heroines radically overturn male power structures and exhibit female strength and virginal power. While Greene revises the hagiographical tradition in his modern-day saint’s life, the essential features of the medieval genre remain unchanged. Title note supplied by Feminae.].
Source: Studia Mystica , 14., 40212 (Summer/Fall 1991):  Pages 48 - 60.
Year of Publication: 1991.

17. Record Number: 12810
Author(s): Rosenn, Eva.
Contributor(s):
Title : The Discourse of Power: The Lyrics of the Trobairitz
Source: Comitatus , 21., ( 1990):  Pages 1 - 20.
Year of Publication: 1990.