Feminae: Medieval Women and Gender Index

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1. Record Number: 6287 Author(s): Kern, Manfred. Contributor(s): Title : Von Parisjüngern und neuen Helenen: Anmerkungen zur antiken Mythologie im Minnesang Source: Neophilologus , 83., 4 ( 1999):  Pages 577 - 599. Year of Publication: 1999.

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2. Record Number: 3752 Author(s): Chinca, M. Contributor(s): Title : Women and Hunting-Birds are Easy to Tame: Aristocratic Masculinity and the Early German Love-Lyric [the author suggests two different interpretations of Der Von Kürenberg's lyrics; the first assumes an exclusively male audience and gives the songs the role of reproducing and reinforcing patriarchal masculinity while the second model posits a mixed audience interested in debating masculinity.] Source: Masculinity in Medieval Europe.   Edited by D.M. Hadley .   Women and Men in History Series. Addison Wesley Longman, 1999.  Pages 199 - 213. Year of Publication: 1999.

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3. Record Number: 3291 Author(s): Spicker, Johannes Contributor(s): Title : Oswald von Wolkenstein und die romanische Chanson de la malmariée Source: Zeitschrift für deutsche Philologie , 116., ( 1997):  Pages 413 - 416. Year of Publication: 1997.

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4. Record Number: 2059 Author(s): Snow-Obenaus, Katya. Contributor(s): Title : Medieval Attitudes Towards Women as Reflected in the Songs of Heinrich von Morungen [analyzes the contrasting imagery of the singer's lady as a destructive force and as a figure of radiant goodness akin to the Virgin Mary]. Source: Germanic Notes and Reviews , 28., 2 (Fall 1997):  Pages 121 - 127. Year of Publication: 1997.

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5. Record Number: 1816 Author(s): Chinca, Mark. Contributor(s): Title : Knowledge and Practice in the Early German Love-Lyric Source: Forum for Modern Language Studies , 33., 3 (July 1997):  Pages 204 - 216. Year of Publication: 1997.

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6. Record Number: 2455 Author(s): Fisher, Rod. Contributor(s): Title : The Singer's Confrontation with Beauty: Some Observations on the Performance of Morungen's Songs [The author analyzes Morungen's songs for evidence of gestures, movements, and interactions with the audience, particularly the beloved lady addressed in the poems]. Source: German Life and Letters , 50., 3 (July 1997):  Pages 267 - 282. Year of Publication: 1997.

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7. Record Number: 3286 Author(s): Nolte, Theodor Contributor(s): Title : O frau, wie bitte ist dein salz/Ach frau, das ist mein zucker nar: Bilder und Projektionen der Frau bei Oswald von Wolkenstein Source: Jahrbuch der Oswald von Wolkenstein Gesellschaft , 9., ( 1996- 1997):  Pages 121 - 138. Year of Publication: 1996- 1997.

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8. Record Number: 3287 Author(s): Spicker, Johannes Contributor(s): Title : Oswalds "Ehelieder": Überlegungen zu einem forschungsgeschichtlichen Paradigma Source: Jahrbuch der Oswald von Wolkenstein Gesellschaft , 9., ( 1996- 1997):  Pages 139 - 156. Year of Publication: 1996- 1997.

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9. Record Number: 3290 Author(s): Beutin, Wolfgang Contributor(s): Title : Säkularisierungs- und Spiritualisierungstendenzen in der Dichtung und im mystischen Schrifttum des späten Mittelalters. Mit einem Exkurs: Dantes "Matelda" und deutsche Frauenmystik Source: Jahrbuch der Oswald von Wolkenstein Gesellschaft , 9., ( 1996- 1997):  Pages 361 - 372. Year of Publication: 1996- 1997.

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10. Record Number: 3288 Author(s): Berger, Christian and Tomas Tomasek Contributor(s): Title : KI 68 im Kontext der Margarethe-Lieder Oswalds von Wolkenstein Source: Jahrbuch der Oswald von Wolkenstein Gesellschaft , 9., ( 1996- 1997):  Pages 157 - 177. Year of Publication: 1996- 1997.

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11. Record Number: 2778 Author(s): Beckers, Hartmut. Contributor(s): Title : Svoze minne. gib mir rat: Bruchstücke einer unbekannten Minnerede aus der ersten Hälfte des 14. Jahrhunderts Source: Zeitschrift für deutsche Philologie , 115., 4 ( 1996):  Pages 338 - 348. Year of Publication: 1996.

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12. Record Number: 1984 Author(s): Classen, Albrecht and Peter Dinzelbacher Contributor(s): Title : Weltliche Literatur von Frauen des Mittelalters. Bemerkungen zur jüngeren Forschung Source: Mediaevistik , 8., ( 1995):  Pages 56 - 73. Year of Publication: 1995.

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13. Record Number: 392 Author(s): Chinca, Mark. Contributor(s): Title : The Medieval German Love-Lyric: A Ritual? Source: Paragraph , 18., 2 (July 1995):  Pages 112 - 132. Year of Publication: 1995.

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14. Record Number: 1602 Author(s): Classen, Albrecht. Contributor(s): Title : Tragische Frauengestalten in der mittelhochdeutschen Literatur Source: Studia Neophilologica , 67., ( 1995):  Pages 41 - 60. Year of Publication: 1995.

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15. Record Number: 2540 Author(s): Thurlow, Peter. Contributor(s): Title : Gottfried and Minnesang Source: German Life and Letters , 48., 3 (July 1995):  Pages 401 - 412. Year of Publication: 1995.

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16. Record Number: 10223 Author(s): Rushing, James A. Contributor(s): Title : Iwein as Slave of Woman: the “Maltererteppich” in Freiburg [The story of the Arthurian knight Iwein was known to medieval audiences not only through literary texts but also through pictorial representations, such as an early fourteenth-century tapestry in the Augustinermuseum in Freiburg. This wall-hanging features a series of medallions, two of which depict Iwein’s adventures. The other medallions feature examples of “Frauensklaven” or “Minnesklaven” (men humiliated by their submission to women), including some well-known figures like Samson and Delilah and Aristotle and Phyllis. Although the meaning of the tapestry is unclear, the images remove Iwein from his original function as an exemplary figure and insert him into a new context: a pictorial representation of the “Frauensklaven” topos. Title note supplied by Feminae.]. Source: Zeitschrift für Kunstgeschichte , 55., ( 1992):  Pages 124 - 135. Year of Publication: 1992.

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17. Record Number: 11809 Author(s): Rasmussen, Ann Marie. Contributor(s): Title : Representing Women’s Desire: Walther’s Woman’s Stanzas in “Ich hoere iu so vil tugende jehen” (L 43, 9), “Under der linden” (L 39, 11), and “Fro Welt” (L 100, 24) [The author discusses the ways in which Walter von der Vogelweide incorporates a female voice into his lyrics, and argues that this female voice reflects a male-engendered model of love. Title note supplied by Feminae.]. Source: Women as Protagonists and Poets in the German Middle Ages: An Anthology of Feminist Approaches to Middle High German Literature.   Edited by Albrecht Classen .   Kümmerle Verlag, 1991. Zeitschrift für Kunstgeschichte , 55., ( 1992):  Pages 69 - 85. Year of Publication: 1991.

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18. Record Number: 28932 Author(s): Contributor(s): Title : Ulrich von Liechtenstein Source: http://upload.wikimedia.org/wikipedia/commons/thumb/3/3d/Codex_Manesse_Ulrich_von_Liechtenstein.jpg/250px-Codex_Manesse_Ulrich_von_Liechtenstein.jpg Year of Publication:

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19. Record Number: 28934 Author(s): Contributor(s): Title : Dietmar von Aist Source: http://upload.wikimedia.org/wikipedia/commons/thumb/c/c4/D_v_aist.jpg/250px-D_v_aist.jpg Year of Publication:

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20. Record Number: 28941 Author(s): Contributor(s): Title : Konrad von Altstetten Source: http://upload.wikimedia.org/wikipedia/commons/3/39/Altstetten_%28cut%29.jpg Year of Publication:

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21. Record Number: Author(s): Contributor(s): Title : Herr Kristan von Hamle Source: http://upload.wikimedia.org/wikipedia/commons/thumb/1/12/Codex_Manesse_071v_Kristan_von_Hamle.jpg/250px-Codex_Manesse_071v_Kristan_von_Hamle.jpg Year of Publication:

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22. Record Number: 39176 Author(s): Contributor(s): Title : Herr Wernher von Teufen or Man and woman with a hawk Source: Year of Publication:

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