Feminae: Medieval Women and Gender Index


15 Record(s) Found in our database

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1. Record Number: 10856
Author(s): Griffin, Miranda.
Contributor(s):
Title : Too Many Women: Reading Freud, Derrida, and "Lancelot" [The author analyzes the false Guinivere episode and the passage describing the most beautiful women in the kingdom. Griffin argues that the female characters are at the same time blind spots in terms of interpretation and concentrations of multiple meanings. Title note supplied by Feminae.].
Source: Troubled Vision: Gender, Sexuality, and Sight in Medieval Text and Image.   Edited by Emma Campbell and Robert Mills .   Palgrave Macmillan, 2004.  Pages 207 - 220.
Year of Publication: 2004.
2. Record Number: 6215
Author(s):
Contributor(s):
Title : Too Many Women: Reading Freud, Derrida, and Lancelot
Source: Seeing Gender: Perspectives on Medieval Gender and Sexuality. Gender and Medieval Studies Conference, King's College, London, January 4-6, 2002. .  2002.
Year of Publication: 2002.
3. Record Number: 6407
Author(s):
Contributor(s):
Title : E' ti saluto con amore. Messaggi amorosi epistolari nella letteratura Arturiana in Italia [the love letter, as a literary genre, has its roots in Ovid's "Heroides," and Arthurian love letters can be found in twelfth century France; Italian Arthurian literature soon had its own love letters, many tied to the Tristan or Lancelot cycle; the Ovidian tradition was fused with the forms of the "Ars dictaminis," the standard method of drafting letters].
Source: Medioevo Romanzo , 23., ( 1999):  Pages 277 - 298.
Year of Publication: 1999.
4. Record Number: 4209
Author(s): Hyatte, Reginald.
Contributor(s):
Title : Reading Affective Companionship in the Prose "Lancelot"
Source: Neophilologus , 83., 1 (January 1999):  Pages 19 - 32.
Year of Publication: 1999.
5. Record Number: 1915
Author(s): Hares-Stryker, Carolyn.
Contributor(s):
Title : The Elaine of Astolat and Lancelot Dialogues: A Confusion of Intent
Source: Texas Studies in Literature and Language , 39., 3 (Fall 1997):  Pages 205 - 229.
Year of Publication: 1997.
6. Record Number: 8617
Author(s): Mieszkowski, Gretchen.
Contributor(s):
Title : The Prose of "Lancelot"'s Galehot, Malory's Lavain, and the Queering of Late Medieval Literature
Source: Arthuriana , 5., 1 (Spring 1995):  Pages 21 - 51.
Year of Publication: 1995.
7. Record Number: 633
Author(s): Harris, E. Kay.
Contributor(s):
Title : Evidence Against Lancelot and Guinevere in Malory's "Morte Darthur": Treason by Imagination [the fifteenth- century legal and political dimensions of the lovers' treason].
Source: Exemplaria: A Journal of Theory in Medieval and Renaissance Studies , 7., 1 (Spring 1995):  Pages 179 - 208.
Year of Publication: 1995.
8. Record Number: 10014
Author(s): Rothschild, Judith Rice.
Contributor(s):
Title : Empowered women and manipulative behaviors in Chrétien's "Le Chevalier au Lion" and "Le Chevalier de la Charrete" [The author investigates the figure of the "controlling" or "manipulative" woman in the romances of Chretien. Title note supplied by Feminae.].
Source: Medieval Perspectives , 7., ( 1992):  Pages 171 - 185.
Year of Publication: 1992.
9. Record Number: 11066
Author(s): Brownlee, Kevin.
Contributor(s):
Title : The Image of History in Christine de Pizan’s "Livre de la Mutacion de Fortune" [Christine creates a double representation of history in this poem. In addition to relating all the great events in human history, she also presents a personal history in the form of an allegorical autobiography. This narrative fictionalizes her own development into the author of the book, as Christine presents her past self reading a sequence of wall paintings. As she narrates these images, Christine establishes her unique authority as a female poet of history, differentiating herself from the male wall-reading protagonists of the Aeneid, Roman de le Rose, the Prose Lancelot, and Dante’s Divine Comedy. Title note supplied by Feminae.].
Source: Yale French Studies (Full Text via JSTOR) (1991): 44-56. Special Editions: Style and Values in Medieval Art and Literature.Link Info
Year of Publication: 1991.
10. Record Number: 16592
Author(s): Solterer, Helen.
Contributor(s):
Title : Figures of Female Militancy in Medieval France [The article discusses the sexual dimensions of medieval tournaments, and shows that the gender roles enforced by chivalry do not change much when women are represented as warriors and combatants. Title note supplied by Feminae.].
Source: Signs: Journal of Women in Culture and Society (Full Text via JSTOR) 16, 3 (Spring 1991): 522-549. Link Info
Year of Publication: 1991.
11. Record Number: 11039
Author(s): Wolfgang, Lenora D.
Contributor(s):
Title : Chrétien's "Lancelot": Love and Philology [The author compares six manuscripts of Chretien's "Lancelot," and discusses the way editing practices have impacted scholarly attitudes. Title note supplied by Feminae.].
Source: Reading Medieval Studies , 17., ( 1991):  Pages 3 - 17.
Year of Publication: 1991.
12. Record Number: 12691
Author(s): Hyatte, Reginald.
Contributor(s):
Title : Recoding Ideal Male Friendship as "Fine amor" in the "Prose Lancelot" [The author analyzes the relationship between Lancelot and Galehout. Hyatte uses the conventions of classical authors on friendship as well as those of the courtly romance. Galehout's superlative qualities as a friend, trust, generosity and bravery, doom him in his dishonorable efforts to further the adulterous love of Lancelot and Guenevere. Title note supplied by Feminae.].
Source: Neophilologus , 75., ( 1991):  Pages 505 - 518.
Year of Publication: 1991.
13. Record Number: 31851
Author(s):
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Title : Miniature of Queen Guinevere Questioning Lancelot about his Love for Her, from Lancelot du Lac
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14. Record Number: 43215
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Title : The Triumph of Venus, with six legendary lovers
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15. Record Number: 43650
Author(s):
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Title : Guinevere questioning Lancelot
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