Feminae: Medieval Women and Gender Index
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1.
Record Number:
6401
Author(s):
Borgerding, Todd M.
Contributor(s):
Title :
Sic ego te dilegebam: Music, Homoeroticism, and the Sacred in Early Modern Europe [The motet "Planxit autem David," sometimes attributed to Josquin Desprez, can be read as expressing, in both text and music, a homosexual relationship between David and Jonathan; this would place the motet in the same context as the homoerotic myth of Ganymede and the depiction of Orpheus by Ovid as turning to the love of young men after his loss of Eurydice; the emphasis upon the name of Jonathan in this composition can be read as supporting such an interpretation; the Appendix presents the Latin text as set by Josquin Desprez along with an English translation].
Source:
Gender, Sexuality, and Early Music. Edited by Todd M. Borgerding . Routledge, 2002. Pages 249 - 263.
Year of Publication:
2002.
2.
Record Number:
10977
Author(s):
Lowinsky, Edward E.
Contributor(s):
Title :
The Goddess Fortuna in Music: With a Special Study of Josquin's "Fortuna dun gran tempo" (January 1945) [The author suggests that the musical principles of "mutare" (tonal change or transposition) used in "Fortuna dun gran tempo" reflect the themes of instability and mutation embodied by the personified Goddess. Title note supplied by Feminae.].
Source:
Musical Quarterly
(Full Text via JSTOR) 75, 4 (Winter 1991): 81-107. Anniversary Issue: Highlights from the First 75 Years.
Link Info
Year of Publication:
1991.