Feminae: Medieval Women and Gender Index


16 Record(s) Found in our database

SEE ALSO: god the father as mother

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1. Record Number: 5041
Author(s):
Contributor(s):
Title : Matristics: Female Godlanguage in the Middle Ages [The author examines the work of Hildegard of Bingen, Bridget of Sweden, and Julian of Norwich to reshape the understanding of divinity away from a male-centered deity toward a more holistic image of God].
Source: Revue d'Histoire Ecclésiastique , 95., 3 (juillet-septembre 2000):  Pages 343 - 362.
Year of Publication: 2000.
2. Record Number: 3068
Author(s): McAvoy, Liz Herbert.
Contributor(s):
Title : The Moders Service: Motherhood as Matrix in Julian of Norwich [argues that Julian's perception of motherhood became the matrix out of which she fashioned an imagery connected with female biology and developed her unique insight into God's love].
Source: Mystics Quarterly , 24., 4 (December 1998):  Pages 181 - 197.
Year of Publication: 1998.
3. Record Number: 3510
Author(s): Bradley, Ritamary.
Contributor(s):
Title : Julian of Norwich: Everyone's Mystic
Source: Mysticism and Spirituality in Medieval England.   Edited by William F. Pollard and Robert Boenig .   D.S. Brewer, 1997. Mystics Quarterly , 23., 2 (June 1997):  Pages 139 - 158.
Year of Publication: 1997.
4. Record Number: 2908
Author(s):
Contributor(s):
Title : To See and to Know...: Female Gazing in Julian of Norwich's "Showings"
Source: Magistra , 3., 1 (Summer 1997):  Pages 3 - 31.
Year of Publication: 1997.
5. Record Number: 1973
Author(s): Innes-Parker, Catherine.
Contributor(s):
Title : Subversion and Conformity in Julian's "Revelation": Authority, Vision, and the Motherhood of God [in part compares images of motherhood in Julian with those in "Ancrene Wisse" and "The Chastising of God's Children"].
Source: Mystics Quarterly , 23., 2 (June 1997):  Pages 7 - 35.
Year of Publication: 1997.
6. Record Number: 3646
Author(s): Lichtmann, Maria R.
Contributor(s):
Title : God Fulfylled my bodye: Body, Self, and God in Julian of Norwich
Source: Gender and Text in the Later Middle Ages.   Edited by Jane Chance .   University Press of Florida, 1996. Mystics Quarterly , 23., 2 (June 1997):  Pages 263 - 278.
Year of Publication: 1996.
7. Record Number: 3587
Author(s): Sprung, Andrew.
Contributor(s):
Title : The Inverted Metaphor: Earthly Mothering as "Figura" of Divine Love in Julian of Norwich's "Book of Showings"
Source: Medieval Mothering.   Edited by John Carmi Parsons and Bonnie Wheeler .   Garland Publishing, 1996. Mystics Quarterly , 23., 2 (June 1997):  Pages 183 - 199.
Year of Publication: 1996.
8. Record Number: 3586
Author(s): McInerney, Maud Burnett.
Contributor(s):
Title : In the Meydens Womb: Julian of Norwich and the Poetics of Enclosure
Source: Medieval Mothering.   Edited by John Carmi Parsons and Bonnie Wheeler .   Garland Publishing, 1996. Mystics Quarterly , 23., 2 (June 1997):  Pages 157 - 182.
Year of Publication: 1996.
9. Record Number: 262
Author(s): Zinck, Arlette.
Contributor(s):
Title : Vindication of the Feminine in the Showings of Julian of Norwich
Source: Sovereign Lady: Essays on Women in Middle English Literature.   Edited by Muriel Whitaker .   Garland Publishing, 1995. Mystics Quarterly , 23., 2 (June 1997):  Pages 171 - 187.
Year of Publication: 1995.
10. Record Number: 1615
Author(s): Ruud, Jay.
Contributor(s):
Title : Images of the Self and Self Image in Julian of Norwich [analysis of the varied kinds of feminine imagery used and their relations to Julian's assertions of self-worth].
Source: Studia Mystica New Series , 16., 1 ( 1995):  Pages 82 - 105.
Year of Publication: 1995.
11. Record Number: 2309
Author(s): O'Dell, Colman, O.C.S.O.
Contributor(s):
Title : On Eagles' Wings: Symbols of Spiritual Motherhood in the Writings of the Early Cistercian Fathers
Source: Hidden Springs: Cistercian Monastic Women. Book Two. Medieval Religious Women Volume Three.   Edited by John A. Nichols and Lillian Thomas Shank, O.S.C.O Cistercian Studies Series .   Cistercian Publications, 1995. Mystics Quarterly , 23., 2 (June 1997):  Pages 787 - 806.
Year of Publication: 1995.
12. Record Number: 1638
Author(s):
Contributor(s):
Title : God's Inappropriate Grace: Images of Courtesy in Julian of Norwich's "Showings"
Source: Mystics Quarterly , 20., 2 (June 1994):  Pages 47 - 59.
Year of Publication: 1994.
13. Record Number: 1639
Author(s): Tamburr, Karl.
Contributor(s):
Title : Mystic Transformation: Julian's Version of the Harrowing of Hell
Source: Mystics Quarterly , 20., 2 (June 1994):  Pages 60 - 67.
Year of Publication: 1994.
14. Record Number: 14762
Author(s): Sprung, Andrew.
Contributor(s):
Title : We nevyr shall come out of hym: Enclosure and Immanence in Julian of Norwich's "Book of Showings"
Source: Mystics Quarterly , 19., 2 (June 1993):  Pages 47 - 62.
Year of Publication: 1993.
15. Record Number: 10734
Author(s): Bynum, Caroline Walker.
Contributor(s):
Title : The Body of Christ in the Later Middle Ages: A Reply to Leo Steinberg [The author argues against Steinberg’s notion that Renaissance painters focused on Christ’s penis in order to make a theological statement about sexuality; she suggests instead that fifteenth-century artists show Jesus as both male and female, and saw his as a generative body. Title note supplied by Feminae.].
Source: Fragmentation and Redemption: Essays on Gender and the Human Body in Medieval Religion. Caroline Walker Bynum .   MIT Press, 1991. Mystics Quarterly , 19., 2 (June 1993):  Pages 79 - 118.
Year of Publication: 1991.
16. Record Number: 12739
Author(s): Newman, Barbara.
Contributor(s):
Title : Some Mediaeval Theologians and the Sophia Tradition [The author explores the diverse ways in which four theologians transformed the Biblical figure of Sophia, or Wisdom, into a powerful feminine image of God’s activity in creation and redemption. In the twelfth century, Bernard of Clairvaux frequently alluded to the figure of Wisdom from the Song of Songs in order to represent the maternal and nurturing qualities of the Divine; Hildegard of Bingen’s images of the feminine divine, in contrast, stressed the active forces of creation and redemption. In the fourteenth century, Henry Suso casts himself as a courtly lover who courts Wisdom as a knight serves a lady; Julian of Norwich adapts the maternal imagery of the Divine to embrace a much more inclusive and wider affective range. Title note supplied by Feminae.].
Source: Downside Review , 108., ( 1990):  Pages 111 - 130.
Year of Publication: 1990.