Feminae: Medieval Women and Gender Index
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Record Number:
7632
Author(s)/Creator(s):
Salih , Sarah.
Contributor(s):
Title:
The Medieval Looks Back: A Response to "Troubled Vision" [Salih provides a brief case study of manuscript illuminations of monsters from a copy of "Mandeville's Travels." She argues that the hyper-masculinity of the naked giants defines them as other, bereft of culture and social order. Title note supplied by Feminae.].
Source:
Troubled Vision: Gender, Sexuality, and Sight in Medieval Text and Image. Edited by Emma Campbell and Robert Mills. Palgrave Macmillan, 2004. Pages 223 - 231.
Description:
Article Type:
Essay
Subject
(See Also)
:
Art History- Painting
Film Theory
Gender
Illumination of Manuscripts
Imperialism
Mandeville, Sir John, Travel Writer
Masculinity in Art
Monsters in Art
Nude in Art
Sight
Award Note:
Geographic Area:
British Isles
Century:
14
Primary Evidence:
Manuscript; London, British Library MS Harley 3954. Salih observes blank spaces left for illustrations, arguing that layout for illuminations was carefully planned.
Illustrations:
One Figure. Figure One Cannibalistic giants and blemmyes (headless human-like creatures with faces on their chests), manuscript illumination, from "Mandeville's Travels," circa 1430 (London, British Library, MS 3954, fol. 42r.).
Table:
Abstract:
Salih's response considers the reciprocity of visions of the medieval and objectifications of the Middle Ages in modern discourse; she engages with some of the concerns of the collection by discussing an example from an illustrated manuscript of "Mandeville's Travels." [(c) Emma Campbell and Robert Mills. Reprinted with permission of Palgrave MacMillan.]
Related Resources:
Author's Affiliation:
University of East Anglia
Conference Info:
- , -
Year of Publication:
2004.
Language:
English
ISSN/ISBN:
1403963436