Feminae: Medieval Women and Gender Index

8 Record(s) Found in our database

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1. Record Number: 44321
Author(s): Lucherini, Vinni
Contributor(s):
Title : Arte medievale e diplomazia culturale italo-ungherese nel Ventennio fascista. Intorno alla tomba di Maria d’Ungheria a Napoli

Source: Romisches Jahrbuch der Bibliotheca Hertziana , 44., ( 2019 - 2020): Pages 407 - 447.
Year of Publication: 2019 - 2020.

2. Record Number: 14633
Author(s): Clear, Matthew J.
Contributor(s):
Title : Maria of Hungary as Queen, Patron, and Exemplar [The author considers Mary of Hungary's areas of influence including her role as regent ("vicar") during her husband's absences, her economic resources for political and religious activities, and her importance to her many family members as a support and a role model. Title note supplied by Feminae.].

Source: The Church of Santa Maria Donna Regina: Art, Iconography, and Patronage in Fourteenth-Century Naples. Edited by Janis Elliott and Cordelia Warr . Ashgate, 2004. Romisches Jahrbuch der Bibliotheca Hertziana , 44., ( 2019 - 2020): Pages 45 - 60.
Year of Publication: 2004.

3. Record Number: 14634
Author(s): Michalsky, Tanja.
Contributor(s):
Title : Mater serenissimi principis: The Tomb of Maria of Hungary

4. Record Number: 14635
Author(s): Bruzelius, Caroline.
Contributor(s):
Title : The Architectural Context of Santa Maria Donna Regina [The author briefly surveys three aspects of the church's architecture: the organization of the spaces, the particular needs of Clarissan churches, and the development of the church's design in relation to other Neapolitan churches, especially the cathedral with the tomb of Charles I. Title note supplied by Feminae.].

5. Record Number: 14639
Author(s): Warr, Cordelia.
Contributor(s):
Title : The "Golden Legend" and the Cycle of the "Life of Saint Elizabeth of Thuringia-Hungary" [The author briefly traces various lives of Saint Elizabeth as sources for the cycle of paintings in Santa Maria Donna Regina. Warr also argues that as patron Mary of Hungary was involved in the project's plans especially for those paintings that honored her great-aunt Elizabeth and celebrated the sanctity of the Arpád and Anjou lines. Title note supplied by Feminae.].

6. Record Number: 14632
Author(s):
Contributor(s):
Title : Religious Patronage and Royal Propaganda in Angevin Naples: Santa Maria Donna Regina in Context [The author explores the Angevin rulers' connections with Franciscanism, their religious patronage generally, and their efforts to strengthen and lend prestige to their dynasty. Kelly maintains that Angevin support of Franciscan Spirituals and religious p

7. Record Number: 14640
Author(s): Elliott, Janis.
Contributor(s):
Title : The "Last Judgement": The Cult of Sacral Kingship and Dynastic Hopes for the Afterlife [The author argues that Queen Mary of Hungary used her royal patronage to create an iconography that was personally meaningful to her as well as an embodiment of the dynastic concerns of the Angevin house. Title note supplied by Feminae.].

8. Record Number: 14641
Author(s): Gardner, Julian.
Contributor(s):
Title : Santa Maria Donna Regina in its European Context [The author argues for Santa Maria Donna Regina's importance as a royal monastery for women. Other contemporary examples like Longchamps and Poissy do not survive. Furthermore, Mary of Hungary's tomb and the extensive fresco program incorporate complex dynastic and sacred themes. Title note supplied by Feminae.].