Feminae: Medieval Women and Gender Index

5 Record(s) Found in our database

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1. Record Number: 18562
Author(s): Bacci, Michele
Title : Kathreptis, o la Veronica della Vergine [The author explores the iconography of the mother of God from Byzantine and early Russian motifs to late medieval Italian images. The Aracoeli Madonna was the most imporant of the Western pictures of the virgin attributed to the evangelist Luke. Title note supplied by Feminae.]
Source: Iconographica , 3., ( 2004):  Pages 11 - 37.
Year of Publication: 2004.

2. Record Number: 5910
Author(s): Zuraw, Shelley E.
Title : The Efficacious Madonna in Quattrocento Rome: Spirituality in the Service of Papal Power [depictions of Madonna and Child in Renaissance Rome are more stately and remote than those done contemporaneously in Florence; a partial explanation is the continuous Roman tradition of iconic painting tied to images ascribed to Saint Luke as painter; another factor is the formality of the papal court; contemporaneous Florentine paintings are more intimate because they are designed for families, even the most powerful households in the city; Florentine motifs can be found borrowed in Rome by the more adventurous artists].
Source: Visions of Holiness: Art and Devotion in Renaissance Italy.   Edited by Andrew Ladis and Shelley E. Zuraw .   Georgia Museum of Art, University of Georgia, 2001. Iconographica , 3., ( 2004):  Pages 101 - 121.
Year of Publication: 2001.

3. Record Number: 4623
Author(s): Tarr, Roger P.
Title : Ecce Virgo Concipiet: The Iconography and Context of Duccio's London "Annunciation"
Source: Viator , 31., ( 2000):  Pages 185 - 213.
Year of Publication: 2000.

4. Record Number: 20786
Author(s): Thürlemann, Felix
Title : Das Lukas-Tryptichon in Stolzenhain: Ein verlorenes Hauptwerk von Robert Campin in einer Kopie aus der Werkstatt Derick Baegerts [Compares the different versions of the triptych's middle panel and related issues of provenance; also examines Baegerts work with that of Campin (specifically the Merode Triptych). Minute details of the painting-such as the scenic background and use of evangelists' symbols-are used to delineate the work of Baegert from that of his workshop. Title note supplied by Feminae.]
Source: Zeitschrift für Kunstgeschichte , 51., ( 1992):  Pages 524 - 564.
Year of Publication: 1992.

5. Record Number: 6460
Author(s): Nardi, Carlo.
Title : La "Leggenda riccardiana" di Santa Maria all' Impruneta: un anonimo oppositore del pievano Stefano alla fine del Trecento? [The image of Mary at Santa Maria all' Impruneta came to be attributed to Saint Luke; foundation of the shrine was dated by the "Leggenda" to the reign of Pope Urban II with an image created by a painter named "Luca;" the "Leggenda" gives an unusually accurate description of the image of the Virgin and Child, and it reuses earlier material in its discussion of the history of the shrine; the text also reflects the eventual displacement of other local patrons by the Buondelmonte family; the article concludes with three transcriptions from the "Storia di Santa Maria dell' Impruneta"].
Source: Archivio Storico Italiano , 149., ( 1991):  Pages 503 - 551.
Year of Publication: 1991.