Feminae: Medieval Women and Gender Index

8 Record(s) Found in our database

Search Results

1. Record Number: 10894
Author(s): Fusco, Roberto.
Title : The Contemplation of Christ Crucified in Julian of Norwich
Source: Studies in Spirituality , 13., ( 2003):  Pages 119 - 139.
Year of Publication: 2003.

2. Record Number: 9719
Author(s): Mecham, June L.
Title : Reading Between the Lines: Compilation, Variation, and the Recovery of an Authentic Female Voice in the "Dornenkron" Prayer Books from Wienhausen
Source: Journal of Medieval History , 29., 2 (June 2003):  Pages 109 - 128.
Year of Publication: 2003.

3. Record Number: 5462
Author(s): Boklund-Lagopoulou, Karin.
Title : Yate of Heven: Conceptions of the Female Body in the Religious Lyrics [The author explores a variety of images including Jesus as nourishing mother, the soul as the bride of Christ, the body as the site of decay and corruption, and the closed, virginal body].
Source: Writing Religious Women: Female Spiritual and Textual Practices in Late Medieval England.   Edited by Denis Renevey and Christiania Whitehead .   University of Toronto Press, 2000. Journal of Medieval History , 29., 2 (June 2003):  Pages 133 - 154.
Year of Publication: 2000.

4. Record Number: 3965
Author(s): Rosenthal, Judith.
Title : Margery Kempe and Medieval Anti-Judaic Ideology
Source: Medieval Encounters: Jewish, Christian, and Muslim Culture in Confluence and Dialogue , 5., 3 ( 1999):  Pages 409 - 420.
Year of Publication: 1999.

5. Record Number: 7172
Author(s): Barratt, Alexandra.
Title : Stabant matres dolorosae: Women as Readers and Writers of Passion Prayers, Meditations, and Visions [The author surveys late medieval writings on Christ's passion from Richard Rolle, the anonymous "Faits and the Passion of our Lord Jesu Christ," Eleanor Hull's translation, Margery Kempe, and Julian of Norwich. With the exception of the last author, the writers all aim at generating strong emotions in order to prompt contrition and reformed behavior. Only Julian emphasizes the joy and love of the Passion and encourages her reader to contemplate new ideas through positive theological metaphors. Title note supplied by Feminae.].
Source: The Broken Body: Passion Devotion in Late-Medieval Culture.   Edited by A. A. MacDonald, H. N. B. Ridderbos, and R. M. Schlusemann .   Mediaevalia Groningana, vol. 21. Egbert Forsten, 1998. Medieval Encounters: Jewish, Christian, and Muslim Culture in Confluence and Dialogue , 5., 3 ( 1999):  Pages 55 - 71.
Year of Publication: 1998.

6. Record Number: 2211
Author(s): da Costa Fontes, Manuel.
Title : On Alfonso X's "Interrupted" Encounter with a "Soldadeira" [Alfonso's poem describes an encounter with a prostitute and uses religious parody to make a joke; in the poem the prostitute equates her pleasurable sexual torment with Christ's suffering on the cross].
Source: Revista de Estudios Hispánicos , 31., 1 (Enero 1997):  Pages 93 - 101.
Year of Publication: 1997.

7. Record Number: 2381
Author(s): Rose-Lefmann, Deborah.
Title : As It Is Painted: Reflections of Image-Based Devotional Practices in the "Confessions" of Katherine Tucher [her journal records mystical visions of the intercession of Mary, the crucifixion, and Christ as the bridegroom; all are strongly influenced by popular religious paintings and prints].
Source: Studia Mystica New Series , 17., 2 ( 1996):  Pages 185 - 204.
Year of Publication: 1996.

8. Record Number: 11077
Author(s): Stanbury, Sarah.
Title : The Virgin’s Gaze: Spectacle and Transgression in Middle English Lyrics of the Passion [The article shows that the Virgin's dual role as spectacle and spectator in Middle English Passion lyrics transgresses cultural proscriptions of female gazing. Title note supplied by Feminae.].
Source: PMLA: Publications of the Modern Language Association of America (Full Text via JSTOR) 106, 5 (May 1991): 1083-1093. Link Info
Year of Publication: 1991.