Feminae: Medieval Women and Gender Index


7 Record(s) Found in our database

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1. Record Number: 14697
Author(s): Harvey, Ruth.
Contributor(s):
Title : Eleanor of Aquitaine and the Troubadours [The author looks at evidence of Eleanor's connections to troubadours. Despite some modern historians' optimistic constructions of Eleanor and her court as a haven for troubadours, there is virtually no documentation of troubadours either in her entourage or writing songs for her. Title note supplied by Feminae.].
Source: The World of Eleanor of Aquitaine: Literature and Society in Southern France between the Eleventh and Thirteenth Centuries.   Edited by Marcus Bull and Catherine Léglu .   Boydell Press, 2005.  Pages 101 - 114.
Year of Publication: 2005.

2. Record Number: 10849
Author(s): Gaunt, Simon.
Contributor(s):
Title : The Look of Love: The Gender of the Gaze in Troubadour Lyric
Source: Troubled Vision: Gender, Sexuality, and Sight in Medieval Text and Image.   Edited by Emma Campbell and Robert Mills .   Palgrave Macmillan, 2004.  Pages 79 - 95.
Year of Publication: 2004.

3. Record Number: 5336
Author(s): Brook, Leslie C.
Contributor(s):
Title : Rewards and Punishments in the "De Amore" and Kindred Texts [the author analyzes an allegory in which noble women, and to a lesser extent men, were punished or rewarded according to their service to love; the author argues that the original intention may have been to frighten or cajole women into surrendering themselves to suitors].
Source: Reading Medieval Studies , 25., ( 1999):  Pages 3 - 16.
Year of Publication: 1999.

4. Record Number: 1724
Author(s): Kinkade, Richard P.
Contributor(s):
Title : A Thirteenth- Century Precursor of the "Libro de Buen Amor" : The "Art d' Amors" [both works combine elements of the fabliau, courtly romance, and sermon literature for a learned, clerical audience].
Source: Corónica , 24., 2 (Spring 1996):  Pages 123 - 139.
Year of Publication: 1996.

5. Record Number: 1631
Author(s): Durling, Nancy Vine.
Contributor(s):
Title : Social Class Ideology and Medieval Love: Marriage Fictions in "Girart de Roussillon"
Source: Romance Languages Annual , 8., ( 1996):  Pages 84 - 90.
Year of Publication: 1996.

6. Record Number: 1557
Author(s): Gaudet, Minnette.
Contributor(s):
Title : The Rhetoric of Desire in the "Cansos" of Bernart de Ventadorn [psychoanalytic and feminist readings of Bernart's verses as a means to restore his masculinity and counter his lady's power and frightening sexuality].
Source: Romance Languages Annual , 6., ( 1994):  Pages 67 - 74.
Year of Publication: 1994.

7. Record Number: 11817
Author(s):
Contributor(s):
Title : Cantigas d'escarnho and "serranillas": The Allegory of Careless Love [Sexually explicit texts that parodied literary works of courtly poets (like Bernart de Ventadorn) or obscene poems that satirized medical texts could serve legitimate purposes. Obscene literature participated in an interpretive network alongside other types of texts. Whether directly or indirectly (through allegory, allusion, or double entendre), these texts commented upon or critiqued the themes of more prestigious genres like courtly literature. Title note supplied by Feminae.].
Source: Bulletin of Hispanic Studies , 68., 2 (April 1991):  Pages 247 - 263.
Year of Publication: 1991.