Feminae: Medieval Women and Gender Index


55 Record(s) Found in our database

SEE ALSO: liturgical books

Search Results

1. Record Number: 35786
Author(s): Innocent III, Pope
Contributor(s): Bolton, Brenda, trans.
Title : Innocent III and the Intercessory Processions of 1212
Source: Crusade and Christendom: Annotated Documents in Translation from Innocent III to the Fall of Acre, 1187-1291.   Edited by Jessalyn Bird, Edward Peters, and James M. Powell .   University of Pennsylvania Press, 2013.  Pages 82 - 85. The Latin text may be found in the Patrologia Latina, Volume 216: 698-699.
Year of Publication: 2013.

2. Record Number: 29128
Author(s): Welch, Anna,
Contributor(s):
Title : Presence and Absence : Reading Clare of Assisi in Franciscan Liturgy and Community
Source: Gender, Catholicism and Spirituality: Women and the Roman Catholic Church in Britain and Europe, 1200-1900.   Edited by Laurence Lux-Sterritt and Carmen M. Mangion .   Palgrave Macmillan, 2011.  Pages 19 - 37.
Year of Publication: 2011.

3. Record Number: 24049
Author(s): Valentine, Susan,
Contributor(s):
Title : Inseparable Companions: Mary Magdalene, Abelard, and Heloise [The author analyzes both Abelard’s and Heloise’s ideas about Mary Magdalene. Rather than concentrating on her sinful life, Abelard emphasized her devotion to Christ and her role of apostle to the apostles in first bringing news of the Resurrection. The strong presence of the Magdalene in the Paraclete liturgy and Heloise’s questioning about her in the “Problemata” help to indicate Heloise’s concern to emulate the Magdalene’s loving devotion perhaps not only for Christ but for Abelard as well. Title note supplied by Feminae.]
Source: Negotiating Community and Difference in Medieval Europe: Gender, Power, Patronage, and the Authority of Religion in Latin Christendom.   Edited by Katherine Allen Smith and Scott Wells Studies in the History of Christian Traditions .   Brill, 2009.  Pages 151 - 171.
Year of Publication: 2009.

4. Record Number: 24169
Author(s): Franco, Tiziana
Contributor(s):
Title : Sul "muricciolo" nella chiesa di Sant'Andrea di Sommacampagna "per il quale restavan divisi gli uomini dalle donne" [Until late in the 15th century, Italian churches divided clergy from laity and men from women with barriers. Remains of the low wall have been excavated at Sant'Andrea, Sommacampagna, showing that it ran across the width of the nave. The women's section
Source: Hortus Artium Medievalium , 14., ( 2008):  Pages 181 - 191.
Year of Publication: 2008.

5. Record Number: 20730
Author(s): Mecham, June L
Contributor(s):
Title : Breaking Old Habits: Recent Research on Women, Spirituality, and the Arts in the Middle Ages
Source: History Compass , 4., 3 ( 2006):  Pages 448 - 480.
Year of Publication: 2006.

6. Record Number: 10540
Author(s): Fassler, Margot.
Contributor(s):
Title : Music For the Love Feast: Hildegard of Bingen and the "Song of Songs" [The author focuses on two scriptural themes: the love feast of the "Song of Songs" and the song of the Lamb's high court from the "Book of Revelations." Fassler traces these themes in Hildegard's songs for St. Ursula and in her musical play, the "Ordo virtutum." Title note supplied by Feminae.].
Source: Women's Voices across Musical Worlds.   Edited by Jane A. Bernstein .   Northeastern University Press, 2004. History Compass , 4., 3 ( 2006):  Pages 92 - 117.
Year of Publication: 2004.

7. Record Number: 10824
Author(s): Meli, Beatriz.
Contributor(s):
Title : Virginitas and "Auctoritas": Two Threads in the Fabric of Hildegard of Bingen's "Symphonia armonie celestium revelationum"
Source: The Voice of Silence: Women's Literacy in a Men's Church.   Edited by Thérèse de Hemptinne and María Eugenia Góngora Medieval Church Studies .   Brepols, 2004. History Compass , 4., 3 ( 2006):  Pages 47 - 55.
Year of Publication: 2004.

8. Record Number: 10828
Author(s): Desplenter, Youri.
Contributor(s):
Title : Songs of Praise for the "Illiterate": Latin Hymns in Middle Dutch Prose Translation [The author focuses on a group of manuscripts which provide vernacular translations of breviary hymns. Desplenter argues that the manuscripts' intended users were mostly women, both Franciscan tertiaries and canonesses of the Windesheim Chapter. Title note supplied by Feminae.].
Source: The Voice of Silence: Women's Literacy in a Men's Church.   Edited by Thérèse de Hemptinne and María Eugenia Góngora Medieval Church Studies .   Brepols, 2004. History Compass , 4., 3 ( 2006):  Pages 127 - 142.
Year of Publication: 2004.

9. Record Number: 11058
Author(s): Baroffio, Giacomo.
Contributor(s):
Title : Filia Virgo et Mater: Appunti di mariologia liturgica [The medieval cult of the Virgin Mary was expressed in dedications of churches and liturgical texts. Liturgical sequences of the eleventh and twelfth centuries used multiple Latin terms, biblical and post-biblical, for Mary. This article provides a "lexicographical repertory." Title note supplied by Feminae.].
Source: Figure poetiche e figure teologiche nella mariologia dei secoli XI e XII: Atti del II Convegno Mariologico della Fondazione Ezio Franceschini con la collaborazione della Biblioteca Palatina di Parma, Parma, 19-20 maggio 2000.   Edited by Clelia Maria Piastra and Francesco Santi .   SISMEL, 2004. History Compass , 4., 3 ( 2006):  Pages 19 - 30.
Year of Publication: 2004.

10. Record Number: 11750
Author(s): Fassler, Margot.
Contributor(s):
Title : Music and the Miraculous: Mary in the Mid-Thirteenth-Century Dominican Sequence Repertory [The early Dominicans felt a special closeness to the Virgin Mary. This was expressed in hymns like the "Salve regina," and in special liturgical sequences for Saturday devotions to Mary. The order, guided by Humbert of Romans, created a unified liturgy that drew upon Parisian models. These were adapted to Dominican needs, including by editing existing compositions, and new compositions were prepared after Humbert's time. Title note supplied by Feminae.].
Source: Aux origines de la liturgie dominicaine: Le manuscrit Santa Sabina XIV L 1.   Edited by Leonard Boyle and Pierre-Marie Gy .   École française de Rome, 2004. History Compass , 4., 3 ( 2006):  Pages 229 - 278.
Year of Publication: 2004.

11. Record Number: 10564
Author(s):
Contributor(s):
Title : Textual Spaces/ Playing Places: An Exploration of Convent Drama in the Abbey of Origny-Sainte-Benoîte [The author explores two plays, "Ludus paschalis" and "Visitatio sepulchri," (both partially in French) that were performed at Easter time in the Benedictine women's monastary at Origny-Sainte-Benoîte. Matthews considers issues involving performance, women's spirituality, public versus private venues, and the connections these two plays had with other plays from women's monasteries. Title note supplied by Feminae.].
Source: European Medieval Drama , 7., ( 2003):  Pages 69 - 85.
Year of Publication: 2003.

12. Record Number: 9357
Author(s): Pagoulatos, Gerasimos P.
Contributor(s):
Title : The Liturgy of the Bridal Chamber: An Introduction to the Problem of its Origins
Source: Byzantine Studies Conference. Abstracts of Papers , 28., ( 2002):  Pages 13 - 14.
Year of Publication: 2002.

13. Record Number: 6614
Author(s): Rieder, Paula M.
Contributor(s):
Title : Insecure Borders: Symbols of Clerical Privilege and Gender Ambiguity in the Liturgy of Churching [The author argues that while churching recognized male superiority and clerical authority it also allowed for gender subversion with women invading holy places and repeatedly celebrating the rite in honor of their neighbors].
Source: The Material Culture of Sex, Procreation, and Marriage in Premodern Europe.   Edited by Anne L. McClanan and Karen Rosoff Encarnación .   Palgrave, 2002. Byzantine Studies Conference. Abstracts of Papers , 28., ( 2002):  Pages 93 - 113.
Year of Publication: 2002.

14. Record Number: 8511
Author(s): Curley, Michael J.
Contributor(s):
Title : Five Lecciones for the Feast of St. Nonita: A Text and its Context [Curley analyzes a set of liturgical lessons for the Welsh Saint Nonita, mother of Saint David. He argues that the author of the text adapted Rhigyfarch's "Vita Sancti David" (circa 1095) to emphasize the saint's mother's actions. The text cannot be dated but it was in circulation by 1458. The text as it comes down was copied by a fifteenth century antiquarian but is not complete. It is particularly valuable because most Welsh service books have not survived. The article concludes with the Latin text and an English translation. Title note supplied by Feminae.].
Source: Cambrian Medieval Celtic Studies , 43., (Summer 2002):  Pages 59 - 75.
Year of Publication: 2002.

15. Record Number: 8189
Author(s): Sorrentino, Janet.
Contributor(s):
Title : In Houses of Nuns, in Houses of Canons: A Liturgical Dimension to Double Monasteries
Source: Journal of Medieval History , 28., ( 2002):  Pages 361 - 372.
Year of Publication: 2002.

16. Record Number: 6719
Author(s): Jeffreys, Catherine.
Contributor(s):
Title : Listen, Daughters of Light: The Epithalamium and Musical Innovation in Twelfth-Century Germany
Source: Listen, Daughter: The "Speculum virginum" and the Formation of Religious Women in the Middle Ages.   Edited by Constant J. Mews .   The New Middle Ages Series. Palgrave, 2001. Journal of Medieval History , 28., ( 2002):  Pages 137 - 157.
Year of Publication: 2001.

17. Record Number: 4548
Author(s): Fassler, Margot.
Contributor(s):
Title : Mary's Nativity, Fulbert of Chartres, and the "Stirps Jesse": Liturgical Innovation circa 1000 and Its Afterlife
Source: Speculum , 75., 2 (April 2000):  Pages 389 - 434.
Year of Publication: 2000.

18. Record Number: 4869
Author(s): Natvig, Mary.
Contributor(s):
Title : Rich Clares, Poor Clares: Celebrating the Divine Office ["The goal of this study is to trace the role of music in the Clarissan liturgy throughout the development of the order, from its origins in the early thirteenth century through its reform more than two hundred years later. Most of the extant evidence comes from the interpretation of numerous rules that governed the sisters." (Page. 60). Appendices include two extracts from the "Acta sanctorum" that describe how the Poor Clares celebrate the Divine Office, an extract from "Historiae seu vitae sanctorum" by Surius again describing the performance of the Office, and a list of polyphonic manuscripts with possible connections to the convents of St. Clare].
Source: Women and Music , 4., ( 2000):  Pages 59 - 70.
Year of Publication: 2000.

19. Record Number: 4841
Author(s): Crean, John E., Jr.
Contributor(s):
Title : Liturgia Horarum Feminina: The Office in German for Women [The author compares three German translations of the "Rule" (the "Oxford Rule," the "Berlin Rule," and the "Altenburg Rule") intended for women's houses].
Source: Magistra , 6., 2 (Winter 2000):  Pages 87 - 96.
Year of Publication: 2000.

20. Record Number: 5464
Author(s): Yoshikawa, Naoë Kukita.
Contributor(s):
Title : Veneration of Virgin Martyrs in Margery Kempe's Meditation: Influence of the Sarum Liturgy and Hagiography
Source: Writing Religious Women: Female Spiritual and Textual Practices in Late Medieval England.   Edited by Denis Renevey and Christiania Whitehead .   University of Toronto Press, 2000. Magistra , 6., 2 (Winter 2000):  Pages 177 - 195.
Year of Publication: 2000.

21. Record Number: 4749
Author(s):
Contributor(s):
Title : Gender, Sacrament, and Ritual: The Making and Meaning of Marriage in Late Medieval and Early Modern England
Source: Past and Present , 169., (November 2000):  Pages 63 - 96.
Year of Publication: 2000.

22. Record Number: 4804
Author(s): Meale, Carol M.
Contributor(s):
Title : This is a Deed Bok, the Tother a Quick: Theatre and the Drama of Salvation in the "Book" of Margery Kempe [The author argues that Kempe adopted the tecnhniques of drama in her "Book" in order to add to both her spiritual and her authorial agency].
Source: Medieval Women: Texts and Contexts in Late Medieval Britain. Essays for Felicity Riddy.   Edited by Jocelyn Wogan-Browne, Rosalynn Voaden, Arlyn Diamond, Ann Hutchison, Carol M. Meale, and Lesley Johnson Medieval Women: Texts and Contexts .   Brepols, 2000. Past and Present , 169., (November 2000):  Pages 49 - 67.
Year of Publication: 2000.

23. Record Number: 5457
Author(s): Millett, Bella.
Contributor(s):
Title : Ancrene Wisse and the Book of Hours [the author argues that the instructions for devotions in the "Ancrene Wisse" represent a middle stage between monastic practice and the Book of Hours, the "breviary for the use of the laity;" the Appendix reproduces an excerpt from the "Ancrene Wisse" and from the early Dominican Constitution dealing with the instructions for saying Matins].
Source: Writing Religious Women: Female Spiritual and Textual Practices in Late Medieval England.   Edited by Denis Renevey and Christiania Whitehead .   University of Toronto Press, 2000. Past and Present , 169., (November 2000):  Pages 21 - 40.
Year of Publication: 2000.

24. Record Number: 5387
Author(s): Kidwell, Susan.
Contributor(s):
Title : Gaude Virgo Katherina: The Veneration of St. Katherine in Fifteenth-Century England [the author argues that Dunstable composed the two motets, "Salve scema sanctitatis" and "Gaude Virgo Katherina," for the 1420 wedding of Catherine of Valois and Henry V of England, the former used to celebrate the political unity of England and France while the latter might have been Henry's gift to his bride for a service in the queen's chapel].
Source: Explorations in Renaissance Culture , 25., ( 1999):  Pages 19 - 39.
Year of Publication: 1999.

25. Record Number: 5391
Author(s): Noell, Brian.
Contributor(s):
Title : Marian Lyric in the Cistercian Monastery During the High Middle Ages ["This paper will place lyric poetry dedicated to the Virgin within the Cistercian context. I shall attempt to show that Marian verse, the sequence in particular, was well suited to the devotional needs of the monks of the twelfth- and early thirteenth-century Cistercian houses. Furthermore, I will demonstrate that it conformed well to a monastic environment which focused on the religious value of interactions of the monks with written texts. Finally, I shall illustrate how poetry provided an expanded vocabulary for the expression of the ever growing devotion in the order to Our Lady. The paper will conclude with an analysis of a collection of verse from the early thirteenth century composed by an anonymouse monk of Saint Mary of Noah (La Noë), a Cistercian house in northern France." (Pages 39-40)].
Source: Comitatus , 30., ( 1999):  Pages 37 - 61.
Year of Publication: 1999.

26. Record Number: 11863
Author(s): Morgan, Nigel.
Contributor(s):
Title : Texts and Images of Marian Devotion in English Twelfth-Century Monasticism and Their Influence on the Secular Church [The author briefly discusses surviving evidence, mostly from male Benedictine houses, which involves both devotional and theological material including liturgy, prayers, miracles, exempla, and controversial works, particularly concerning the Conception of the Virgin. Imags of Mary rely on intellectual and theological symbolism rather than on the humanized and affective portrayals that became popular in the thirteenth century. Common motifs include the Virgin as Ecclesia, Wisdom, Bride of Christ, and a crowned queen. Both images and texts were transmitted to the secular world. Title note supplied by Feminae.].
Source: Monasteries and society in medieval Britain: proceedings of the 1994 Harlaxton Symposium.   Edited by Benjamin Thompson Harlaxton medieval studies .   Stamford Watkins , 1999. Comitatus , 30., ( 1999):  Pages 117 - 136.
Year of Publication: 1999.

27. Record Number: 3991
Author(s): Fassler, Margot.
Contributor(s):
Title : Composer and Dramatist: "Melodious Singing and the Freshness of Remorse"
Source: Voice of the Living Light: Hildegard of Bingen and Her World.   Edited by Barbara Newman .   University of California Press, 1998. Studies in Spirituality , 8., ( 1998):  Pages 149 - 175.
Year of Publication: 1998.

28. Record Number: 2968
Author(s): Mueller, Joan.
Contributor(s):
Title : Clare of Assisi and the Agnes Legend: A Franciscan Citing of St. Agnes of Rome as "Mulier Sancta" [discusses the possible source of Clare's references to the "Legend of St. Agnes" in her letters to Agnes of Prague; the author takes excerpts from the Office of Matins for the Feast of St. Agnes of Rome from the "Regula Breviary" and compares them with sections from Clare's letters].
Source: Studies in Spirituality , 8., ( 1998):  Pages 141 - 161.
Year of Publication: 1998.

29. Record Number: 5565
Author(s): Stinson, John.
Contributor(s):
Title : The Dominican Liturgy of the Assumption: Texts and Music for the Divine Office [The author studies the Office for the feast of the Assumption in a set of early fourteenth-century Dominican choir-books made for the Church of San Domenico in Perugia; the Appendix presents an edition of the text and music of the Office (along with thre
Source: The Art of the Book: Its Place in Medieval Worship.   Edited by Margaret M. Manion and Bernard J. Muir .   University of Exeter Press, 1998. Studies in Spirituality , 8., ( 1998):  Pages 163 - 193.
Year of Publication: 1998.

30. Record Number: 3297
Author(s): Hehl, Ernst-Dieter.
Contributor(s):
Title : Maria und das ottonisch-salische Königtum: Urkunden, Liturgie, Bilder
Source: Historisches Jahrbuch , 117., 2 ( 1997):  Pages 52 - 64.
Year of Publication: 1997.

31. Record Number: 1594
Author(s): Oliver, Judith.
Contributor(s):
Title : Worship of the Word: Some Gothic "NonnenbŸcher" in Their Devotional Context [choirbooks, antiphonals, psalters, homilaries and other books necessary for the monastic life; discusses the importance placed on individual words and the influence of needlework on the aesthetics of the manuscripts].
Source: Women and the Book: Assessing the Visual Evidence.   Edited by Lesley Smith and Jane H.M. Taylor .   British Library and University of Toronto Press, 1997. Studies in Spirituality , 8., ( 1998):  Pages 106 - 122.
Year of Publication: 1997.

32. Record Number: 2539
Author(s): Samaha, John.
Contributor(s):
Title : Mary in the Byzantine Mind [overview of Byzantine Mariology in regards to liturgy, theology, and cult practice].
Source: Byzantinoslavica , 58., 2 ( 1997):  Pages 338 - 342.
Year of Publication: 1997.

33. Record Number: 2251
Author(s): Smith, Julie Ann.
Contributor(s):
Title : The Earliest Queen-Making Rites [analysis of the liturgies that consecrated Judith (in 856) and her mother Ermentrude (in 866) as queens].
Source: Church History (Full Text via JSTOR) 66, 1 (March 1997): 18-35. Link Info
Year of Publication: 1997.

34. Record Number: 2392
Author(s): Davidson, Audrey Ekdahl.
Contributor(s):
Title : Hildegard of Bingen (1098-1179): The "Ordo Virtutum" [includes Latin text, English translation, and modern performance scores for three pieces from the "Ordo Virtutum": "Flos campi, No. 38," "Gaudete, O socii, No. 80," and "In principio, No. 87"].
Source: Women Composers: Music Through the Ages.   Edited by Martha Furman Schleifer and Sylvia Glickman .   Volume 1 Composers Born Before 1599. G.K. Hall ; Prentice Hall International, 1996. Viator , 27., ( 1996):  Pages 51 - 60.
Year of Publication: 1996.

35. Record Number: 5508
Author(s): Slocum, Kay Brainerd.
Contributor(s):
Title : The Harmony of Celestial Revelations: Hildegard's Theology of Music
Source: Wisdom Which Encircles Circles: Papers on Hildegard of Bingen.   Edited by Audrey Ekdahl Davidson .   Medieval Institute Publications, Western Michigan University, 1996. Viator , 27., ( 1996):  Pages 81 - 92.
Year of Publication: 1996.

36. Record Number: 2353
Author(s): Blanton-Whetsell, Virginia.
Contributor(s):
Title : St. Aethelthryth's Cult: The Anglo-Saxon Liturgical Evidence [argues that the saint was appropriated by Benedictine monastics as a model of male chastity].
Source: Old English Newsletter , 29., 3 (Spring 1996):
Year of Publication: 1996.

37. Record Number: 2396
Author(s): Holloway, Julia Bolton, Sister
Contributor(s):
Title : Saint Birgitta of Sweden and Brigittine Music
Source: Women Composers: Music Through the Ages.   Edited by Martha Furman Schleifer and Sylvia Glickman .   Volume 1 Composers Born Before 1599. G.K. Hall ; Prentice Hall International, 1996. Old English Newsletter , 29., 3 (Spring 1996):  Pages 78 - 83.
Year of Publication: 1996.

38. Record Number: 2394
Author(s): Yardley, Anne Bagnall.
Contributor(s):
Title : Was Anonymous a Woman? [suggests that some liturgical chants may have been composed by nuns].
Source: Women Composers: Music Through the Ages.   Edited by Martha Furman Schleifer and Sylvia Glickman .   Volume 1 Composers Born Before 1599. G.K. Hall ; Prentice Hall International, 1996. Old English Newsletter , 29., 3 (Spring 1996):  Pages 69 - 72.
Year of Publication: 1996.

39. Record Number: 1433
Author(s): Taylor, Helen Clare.
Contributor(s):
Title : Mulier Quid Ploras? Holy Tears in "The Book of Margery Kempe" [influence of devotional texts, the Psalter, and liturgy on Margery's "rhetoric" of weeping].
Source: Mediaevalia , 19., ( 1996):  Pages 363 - 384. (1996 (for 1993)) Published by the Center for Medieval and Early Renaissance Studies, State University of New York at Binghamton
Year of Publication: 1996.

40. Record Number: 780
Author(s): Fulton, Rachel.
Contributor(s):
Title : Mimetic Devotion, Marian Exegesis, and the Historical Sense of the Song of Songs
Source: Viator , 27., ( 1996):  Pages 85 - 116.
Year of Publication: 1996.

41. Record Number: 2389
Author(s): Touliatos, Diane.
Contributor(s):
Title : Kassia (ca. 810- between 843 and 867) [she wrote the words and music for many well-known hymns ; article includes Greek texts, English translations, and modern performance scores for "Edessa Rejoices" (Hymn to Saints Gurias, Samonas, and Abibus, Confessors and Martyrs at Vespers (November 15)
Source: Women Composers: Music Through the Ages.   Edited by Martha Furman Schleifer and Sylvia Glickman .   Volume 1 Composers Born Before 1599. G.K. Hall ; Prentice Hall International, 1996. Viator , 27., ( 1996):  Pages 1 - 24.
Year of Publication: 1996.

42. Record Number: 2390
Author(s): Pfau, Marianne Richert.
Contributor(s):
Title : Hildegard von Bingen (1098-1178): Biography
Source: Women Composers: Music Through the Ages.   Edited by Martha Furman Schleifer and Sylvia Glickman .   Volume 1 Composers Born Before 1599. G.K. Hall ; Prentice Hall International, 1996. Viator , 27., ( 1996):  Pages 25 - 29.
Year of Publication: 1996.

43. Record Number: 2391
Author(s): Pfau, Marianne Richert.
Contributor(s):
Title : Hildegard von Bingen (1098-1179) : Responsories, Sequences, and Hymns in Hildegard's "Symphonia" [includes Latin text, English translation, and modern performance scores for "Vos flores rosarum", "O clarissima mater", "O lucidissima apostolorum turba", "Cum vox sanguinis", and "O ecclesia"].
Source: Women Composers: Music Through the Ages.   Edited by Martha Furman Schleifer and Sylvia Glickman .   Volume 1 Composers Born Before 1599. G.K. Hall ; Prentice Hall International, 1996. Viator , 27., ( 1996):  Pages 30 - 50.
Year of Publication: 1996.

44. Record Number: 2768
Author(s): Thümmel, Hans Georg.
Contributor(s):
Title : Muttergottesikonen und Mariengnadenbilder
Source: Byzantinoslavica , 56., 3 ( 1995):  Pages 759
Year of Publication: 1995.

45. Record Number: 355
Author(s): Lewis, Gertrud Jaron.
Contributor(s):
Title : Music and Dancing in the Fourteenth- Century Sister- Books
Source: Vox Mystica: Essays on Medieval Mysticism in Honor of Professor Valerie M Lagorio.   Edited by Anne Clark Bartlett, Thomas H. Bestul, Janet Goebel, and William F. Pollard .   D.S. Brewer, 1995. Viator , 27., ( 1996):  Pages 159 - 169.
Year of Publication: 1995.

46. Record Number: 2307
Author(s):
Contributor(s):
Title : Taste and See the Goodness of the Lord: Mechtild of Hackeborn
Source: Hidden Springs: Cistercian Monastic Women. Book Two. Medieval Religious Women Volume Three.   Edited by John A. Nichols and Lillian Thomas Shank, O.S.C.O Cistercian Studies Series .   Cistercian Publications, 1995. Viator , 27., ( 1996):  Pages 509 - 524.
Year of Publication: 1995.

47. Record Number: 32
Author(s): Flint, Valerie I. J.
Contributor(s):
Title : Susanna and the Lothar Crystal: A Liturgical Perspective
Source: Early Medieval Europe , 4., 1 ( 1995):  Pages 61 - 86.
Year of Publication: 1995.

48. Record Number: 42
Author(s): Robertson, Anne Walters.
Contributor(s):
Title : Remembering the Annunciation in Medieval Polyphony
Source: Speculum (Full Text via JSTOR) 70 (1995): 275-304. Link Info
Year of Publication: 1995.

49. Record Number: 102
Author(s): Bhattacharji, Santha.
Contributor(s):
Title : Pearl and the Liturgical Common of Virgins
Source: Medium Aevum , 64., 1 ( 1995):  Pages 37 - 50.
Year of Publication: 1995.

50. Record Number: 3487
Author(s): Bloxam, M. Jennifer.
Contributor(s):
Title : Plainsong and Polyphony for the Blessed Virgin: Notes on Two Masses by Jacob Obrecht
Source: Journal of Musicology (Full Text via JSTOR) 12, 1 (Winter 1994): 51-75. Link Info
Year of Publication: 1994.

51. Record Number: 4392
Author(s):
Contributor(s):
Title : Invitations of the Divine Heart: The Mystical Writings of Mechthild of Hackeborn [The author emphasizes the Christocentric motif of Mechthild's "Book of Special Grace" which was learned and nurtured in the liturgy].
Source: American Benedictine Review , 45., 3 (September 1994):  Pages 321 - 338.
Year of Publication: 1994.

52. Record Number: 10211
Author(s): Herrin, Judith
Contributor(s):
Title : Femina Byzantina: The Council in Trullo on Women [The author looks at the canons from the Quinisext Synod (also known as the Council of Trullo) which concern women. They fall into three broad areas: church services, monasticism, and lay women's behavior. In regard to church services, Canon 70 forbids women to speak during the liturgy. Issues of concern in women's monasticism included the overly elaborate clothing worn by women when they took the veil and the need for priests' wives to join monasteries. Lay women's behavior needed curbing during festivals, at public baths, when dancing, and during ceremonies that smacked of paganism. Title note supplied by Feminae.].
Source: Dumbarton Oaks Papers , 46., ( 1992):  Pages 97 - 105. Journal issue titled: Homo Byzantinus: Papers in Honor of Alexander Kazhdan.
Essay reproduced in Unrivalled Influence: Women and Empire in Byzantium. By Judith Herrin. Princeton University Press, 2013. Pages 115-132.
Year of Publication: 1992.

53. Record Number: 10657
Author(s): Sharpe, Richard.
Contributor(s):
Title : Words and Music by Goscelin of Canterbury [The author suggests that Goscelin of Saint-Bertin wrote the life of Saint Mildrith found in MS Harley 3908 along with the readings and chants that served as the liturgy to celebrate the translation of her relics and the commemoration of the Saint's day. Title note supplied by Feminae.]
Source: Early Music (Full Text via JSTOR) 19, 1 (February 1991): 94-97. Link Info
Year of Publication: 1991.

54. Record Number: 10693
Author(s): Vasvari, Louise O.
Contributor(s):
Title : The Battle of Flesh and Lent in the Libro del Arçipreste: Gastro-genital Rites of Reversal [The author considers the ritualistic carnivalesque "battle" between the feminine, emaciated Lent and the masculine, corpulent Flesh in the "Libro de Buen Amor." Title note supplied by Feminae.].
Source: Corónica , 20., 1 (Spring 1991):  Pages 1 - 15.
Year of Publication: 1991.

55. Record Number: 12763
Author(s):
Contributor(s):
Title : Christian Marriage in Byzantium: The Canonical and Liturgical Tradition [The article provides an introduction to the canonical and liturgical traditions of marriage in Byzantium; the author also discusses the limitations and ideals of such Christian marriages. Title note supplied by Feminae.].
Source: Dumbarton Oaks Papers , 44., ( 1990):  Pages 99 - 107.
Year of Publication: 1990.