Feminae: Medieval Women and Gender Index
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Record Number:
18375
Author(s)/Creator(s):
Fassler , Margot.
Contributor(s):
Title:
Music and the Miraculous: Mary in the Mid-Thirteenth-Century Dominican Sequence Repertory [The early Dominicans felt a special closeness to the Virgin Mary. This was expressed in hymns like the "Salve regina," and in special liturgical sequences for Saturday devotions to Mary. The order, guided by Humbert of Romans, created a unified liturgy that drew upon Parisian models. These were adapted to Dominican needs, including by editing existing compositions, and new compositions were prepared after Humbert's time. Title note supplied by Feminae.].
Source:
Aux origines de la liturgie dominicaine: Le manuscrit Santa Sabina XIV L 1. Edited by Leonard Boyle and Pierre-Marie Gy. École française de Rome, 2004. Pages 229 - 278.
Description:
Article Type:
Essay
Subject
(See Also)
:
Dominican Order
Gerald of Frachet, Hagiographer
Humbert of Romans, Dominican Master General
Liturgy
Mary, Virgin, Saint in Music
Music
Paris
Award Note:
Geographic Area:
France
Century:
13
Primary Evidence:
Illustrations:
Five Figures. Figure One The Antiphon "Salve regina" as found in Santa Sabina XIV L 1. Figure Two Incipits for the Dominican sequence repertory. Figure Three Dominican adaptation of a Parisian sequence text. Figure Four "Salve sancta Christi parens." Figure Five "Tibi cordis in altari."
Table:
Four Tables. Table One Sequences in the mid-thirteenth-century Dominican liturgy. Table Two The core repertory. Table Three Themes and vocabulary prominent in Marian sequences written by Dominicans and adopted by Humbert. Table Four Select Marian sequences written in the twelfth and thirteenth century.
Abstract:
Related Resources:
Author's Affiliation:
Conference Info:
- , -
Year of Publication:
2004.
Language:
English
ISSN/ISBN:
2271056322