Feminae: Medieval Women and Gender Index


381 Record(s) Found in our database

SEE ALSO: maryam, mother of isa (jesus) in the qur'an

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1. Record Number: 38746
Author(s): McHam, Sarah Blake,
Contributor(s):
Title : Visualizing the Immaculate Conception: Donatello, Francesco della Rovere, and the High Altar and Choir Screen at the Church of the Santo in Padua
Source: Renaissance Quarterly , 69., 3 ( 2016):  Pages 831 - 864.
Year of Publication: 2016.

2. Record Number: 32155
Author(s): Nevola, Fabrizio,
Contributor(s):
Title : A Short Note for Francesco di Giorgio Martini's Madonna of the Earthquakes (1467)
Source: Renaissance Studies in Honor of Joseph Connors.   Edited by Machtelt Israëls and Louis A. Waldman .   Villa i Tatti; Harvard University Press, 2013. Renaissance Quarterly , 69., 3 ( 2016):  Pages 213 - 219.
Year of Publication: 2013.

3. Record Number: 32156
Author(s): Štefanac, Samo,
Contributor(s):
Title : The Devotional Context of a Miraculous Image: Niccolò di Giovanni Fiorentino's Madonna at Orebic
Source: Renaissance Studies in Honor of Joseph Connors.   Edited by Machtelt Israëls and Louis A. Waldman .   Villa i Tatti; Harvard University Press, 2013. Renaissance Quarterly , 69., 3 ( 2016):  Pages 220 - 227.
Year of Publication: 2013.

4. Record Number: 30403
Author(s):
Contributor(s):
Title : Anonymous Miracles of the Pege
Source: Miracle Tales from Byzantium   Edited by Alice-Mary Talbot and Scott Fitzgerald Johnson. Dumbarton Oaks Medieval Library, 12.   Harvard University Press, 2012. Renaissance Quarterly , 69., 3 ( 2016):  Pages 204 - 297.
Year of Publication: 2012.

5. Record Number: 29189
Author(s): Prado-Vilar, Francisco,
Contributor(s):
Title : Iudeus sacer: Life, Law and Identity in the "State of Exception" Called "Marian Miracle"
Source: Judaism and Christian Art: Aesthetic Anxieties from the Catacombs to Colonialism.   Edited by Herbert L. Kessler and David Nirenberg .   University of Pennsylvania Press, 2011. Renaissance Quarterly , 69., 3 ( 2016):  Pages 115 - 142.
Year of Publication: 2011.

6. Record Number: 23257
Author(s): Marcelli, Nicoletta
Contributor(s):
Title : A laude della gloriosa Annuntiata di Firenze: Una canzone e un capitolo ternario di Antonio di Matteo di Meglio [Antonio de Meglio was an employee of the chancery of Florence from 1404 to 1448. His song "Ave regina celi" honors the Virgin by recalling major events in her life. The divisions resemble the mysteries of the rosary. An edition of the text accompanies the article. Title note supplied by Feminae.]
Source: Interpres: Rivista di Studi Quattrocenteschi , 28., ( 2009):  Pages 132 - 179.
Year of Publication: 2009.

7. Record Number: 27574
Author(s): Drpic, Ivan,
Contributor(s):
Title : Notes on Byzantine Panagiaria
Source: Byzantine Studies Conference , 35., ( 2009):  Pages 28 - 28.
Year of Publication: 2009.

8. Record Number: 20001
Author(s):
Contributor(s):
Title : Reading the Annunciation
Source: Art History , 30., 3 (June 2007):  Pages 349 - 363.
Year of Publication: 2007.

9. Record Number: 18397
Author(s): Twomey, Lesley K
Contributor(s):
Title : Poverty and Richly Decorated Garments: A Re-Evaluation of Their Significance in the "Vita Christi" of Isabel de Villena
Source: Medieval Clothing and Textiles , 3., ( 2007):  Pages 119 - 134.
Year of Publication: 2007.

10. Record Number: 19217
Author(s): DeLeeuw, Patricia.
Contributor(s):
Title : Mary as Model: The Sacred Becomes Secular in Medieval Art [In this short, introductory essay for an art exhibit, the author traces the themes and representations of Mary in art across the centuries. DeLeeuw argues in part that paintings of a young, beautiful Mary in fashionable clothing served to bridge the gap between religious and secular art. Title note supplied by Feminae.].
Source: Secular Sacred: 11th-16th Century Works from the Boston Public Library and the Museum of Fine Arts, Boston.   Edited by Nancy Netzer .   McMullen Museum of Art, 2006. Medieval Clothing and Textiles , 3., ( 2007):  Pages 64 - 67.
Year of Publication: 2006.

11. Record Number: 15887
Author(s): Anderson, Wendy Love.
Contributor(s):
Title : The Real Presence of Mary: Eucharistic Disbelief and the Limits of Orthodoxy in Fourteenth-Century France [The author analyses the case of Aude Fauré which was recorded in Bishop Jacques Fourniers' inquisitorial "Register." She gave two different accounts of her "error" in belief with the second version accepted by the tribunal and penances assigned. Anderson argues that Aude demonstrates a deeper theological understanding and a more complex spirituality than earlier scholars have recognized. Title notes upplied by Feminae.].
Source: Church History , 75., 4 (December 2006):  Pages 748 - 767.
Year of Publication: 2006.

12. Record Number: 17748
Author(s): Dietl, Cora
Contributor(s):
Title : The Virgin, the Church, and the Heathens: The Innsbruck "Ludus de assumptione beatae Mariae virginis" [The author examines a German language play about the Assumption of the Virgin Mary found in a late 14th Century manuscript. The play presents Mary as mediator and emphasizes the malignity and deceit of the Jews who want to burn her body in revenge. Title note supplied by Feminae.]
Source: European Medieval Drama , 10., ( 2006):  Pages 187 - 205.
Year of Publication: 2006.

13. Record Number: 16280
Author(s): Burns, E. Jane.
Contributor(s):
Title : Saracen Silk and the Virgin's "Chemise": Cultural Crossings in Cloth [The article explores the meanings attached to a relic at Chartres, an undergartment belonging to the Virgin. Burns traces connections from the imagined Western linen "chemise" to Islamic silks and Byzantine cuts of clothing. She concludes by arguing that in this way Chartres became more "Saracen." Title note supplied by Feminae].
Source: Speculum , 81., 2 (April 2006):  Pages 365 - 397.
Year of Publication: 2006.

14. Record Number: 20780
Author(s): Eckhard, Simon
Contributor(s):
Title : The First German Mary Assumption Play (c.1300) and the Mary Portal of Strasbourg Cathedral [Investigates the relationship between thirteenth and fourteenth century German Assumption plays, the Song of Solomon/Song of Songs, and the carvings of Strasbourg Cathedral. Focuses on the plays' and carvings' use of the figures of "Ecclesia" as bride and God as Solomon, with God/Solomon's embrace of "Synagoga" acting as a device to encourage the conversion of Jews. The relationship between Mary and the figure of "Ecclesia" is also discussed. Title note supplied by Feminae].
Source: European Medieval Drama , 9., ( 2005):  Pages 1 - 23.
Year of Publication: 2005.

15. Record Number: 14022
Author(s):
Contributor(s):
Title : A Spectacular Celebration of the Assumption in Siena
Source: Renaissance Quarterly , 58., 2 (Summer 2005):  Pages 435 - 463.
Year of Publication: 2005.

16. Record Number: 20781
Author(s): Kovacs, Lenke
Contributor(s):
Title : The Staging of the "Ludus de assumptione beatae Mariae virginis" (cod. 960, University Library, Innsbruck) [Describes the variations of stage settings and performance venues used for Assumption plays, emphasizing how practical concerns (such as needing to silence the audience) were incorporated into play scripts. Examines the relationship between the Virgin Mary and the Bride in the Song of Songs, and the depiction of Jews and Jerusalem. Title note supplied by Feminae].
Source: European Medieval Drama , 9., ( 2005):  Pages 25 - 34.
Year of Publication: 2005.

17. Record Number: 10536
Author(s): Chavasse, Ruth.
Contributor(s):
Title : Piety, Penance, and Popular Reading in Devotion to the Virgin Mary and Her Miracles: Italian Incunabula and Early Printed Collections
Source: The church and the book: papers read at the 2000 Summer Meeting and the 2001 Winter Meeting of the Ecclesiastical History Society.   Edited by R. N. Swanson Studies in Church History, 38.  2004. Viator , 35., ( 2004):  Pages 53 - 162.
Year of Publication: 2004.

18. Record Number: 10822
Author(s): Góngora, María Eugenia.
Contributor(s):
Title : Feminea Forma and "Virga": Two Images of Incarnation in Hildegard of Bingen's "Symophonia"
Source: The Voice of Silence: Women's Literacy in a Men's Church.   Edited by Thérèse de Hemptinne and María Eugenia Góngora Medieval Church Studies .   Brepols, 2004. Viator , 35., ( 2004):  Pages 23 - 36.
Year of Publication: 2004.

19. Record Number: 10823
Author(s): Flisfisch, María Isabel.
Contributor(s):
Title : The Eve-Mary Dichotomy in the "Symphonia" of Hildegard of Bingen
Source: The Voice of Silence: Women's Literacy in a Men's Church.   Edited by Thérèse de Hemptinne and María Eugenia Góngora Medieval Church Studies .   Brepols, 2004. Viator , 35., ( 2004):  Pages 37 - 46.
Year of Publication: 2004.

20. Record Number: 11058
Author(s): Baroffio, Giacomo.
Contributor(s):
Title : Filia Virgo et Mater: Appunti di mariologia liturgica [The medieval cult of the Virgin Mary was expressed in dedications of churches and liturgical texts. Liturgical sequences of the eleventh and twelfth centuries used multiple Latin terms, biblical and post-biblical, for Mary. This article provides a "lexicographical repertory." Title note supplied by Feminae.].
Source: Figure poetiche e figure teologiche nella mariologia dei secoli XI e XII: Atti del II Convegno Mariologico della Fondazione Ezio Franceschini con la collaborazione della Biblioteca Palatina di Parma, Parma, 19-20 maggio 2000.   Edited by Clelia Maria Piastra and Francesco Santi .   SISMEL, 2004. Viator , 35., ( 2004):  Pages 19 - 30.
Year of Publication: 2004.

21. Record Number: 11059
Author(s): Bisogni, Fabio.
Contributor(s):
Title : L'iconografia mariana nei secoli XI-XII [The cult of the Virgin Mary was adopted by ruling elites, lay and clerical, in the eleventh and twelfth centuries. Seated figures of the Madonna, facing the viewer with the infant Jesus on her lap, predominated with their expressions of the superiority of spiritual power. These derived from Byzantine models, and less formal poses were evolved only later. Title note supplied by Feminae.].
Source: Figure poetiche e figure teologiche nella mariologia dei secoli XI e XII: Atti del II Convegno Mariologico della Fondazione Ezio Franceschini con la collaborazione della Biblioteca Palatina di Parma, Parma, 19-20 maggio 2000.   Edited by Clelia Maria Piastra and Francesco Santi .   SISMEL, 2004. Viator , 35., ( 2004):  Pages 31 - 43.
Year of Publication: 2004.

22. Record Number: 11060
Author(s): Cantarella, Glauco Maria.
Contributor(s):
Title : La verginita e Cluny [Cluniac monks valued not just chastity but virginity. The Virgin Mary was the model of this quality. The "Vita" of Abbot Maiolus of Cluny emphasized his virginity. Some lives of Cluniac abbots combined an emphasis on virginity with one on masculinity; others combined it with a focus on angelic asexuality. Title note supplied by Feminae.].
Source: Figure poetiche e figure teologiche nella mariologia dei secoli XI e XII: Atti del II Convegno Mariologico della Fondazione Ezio Franceschini con la collaborazione della Biblioteca Palatina di Parma, Parma, 19-20 maggio 2000.   Edited by Clelia Maria Piastra and Francesco Santi .   SISMEL, 2004. Viator , 35., ( 2004):  Pages 45 - 60.
Year of Publication: 2004.

23. Record Number: 11061
Author(s): Santi, Francesco
Contributor(s):
Title : Mariologia e cosmologia nei secoli XI e XII: Alcuni esempi [Theologians of the eleventh and twelfth centuries placed Mariology into a spiritual cosmology of creation and redemption. In the writings of theologians like Peter Damian, Honorius of Auxerre and Rupert of Deutz, Mary's role in redemption was planned before creation. The Virgin was depicted as a microcosm of the world before the fall necessitated redemption. Title note supplied by Feminae.]
Source: Figure poetiche e figure teologiche nella mariologia dei secoli XI e XII: Atti del II Convegno Mariologico della Fondazione Ezio Franceschini con la collaborazione della Biblioteca Palatina di Parma, Parma, 19-20 maggio 2000.   Edited by Clelia Maria Piastra and Francesco Santi .   SISMEL, 2004. Viator , 35., ( 2004):  Pages 71 - 107.
Year of Publication: 2004.

24. Record Number: 11062
Author(s): Gastaldelli, Ferruccio.
Contributor(s):
Title : Una mariologia d'avanguardia nel secolo XII: Immacolata Concezione e Assunzione corporea di Maria secondo Goffredo d'Auxerre [Although Geoffroi d'Auxerre is identified with Bernard of Clairvaux's attack on Peter Abelard's theological innovations, he was an innovator in Mariology. Unlike Bernard, Geoffroi believed in Mary's Immaculate Conception and the Assumption of her body into heaven after death. He employed biblical texts as proof, but he also argued that Mary's body was not inferior to her soul. Includes text of "De vocatione sponsae in Cantico Canticorum" and "De verbis sapientiae." Title note supplied by Feminae.].
Source: Figure poetiche e figure teologiche nella mariologia dei secoli XI e XII: Atti del II Convegno Mariologico della Fondazione Ezio Franceschini con la collaborazione della Biblioteca Palatina di Parma, Parma, 19-20 maggio 2000.   Edited by Clelia Maria Piastra and Francesco Santi .   SISMEL, 2004. Viator , 35., ( 2004):  Pages 71 - 107.
Year of Publication: 2004.

25. Record Number: 11063
Author(s): Calabuig, Ignazio.
Contributor(s):
Title : Fonti Anselmiane dei testi mariani di San Bernardo [Bernard of Clairvaux can be found using terminology in his Marian writings that echoes the prayer of Anselm of Canterbury. This is particularly evident in Bernard's description of Mary's mediating role in salvation. It is not clear whether Bernard knew Anselm's Prayers directly or indirectly. Title note supplied by Feminae.].
Source: Figure poetiche e figure teologiche nella mariologia dei secoli XI e XII: Atti del II Convegno Mariologico della Fondazione Ezio Franceschini con la collaborazione della Biblioteca Palatina di Parma, Parma, 19-20 maggio 2000.   Edited by Clelia Maria Piastra and Francesco Santi .   SISMEL, 2004. Viator , 35., ( 2004):  Pages 109 - 127.
Year of Publication: 2004.

26. Record Number: 11064
Author(s): Leonardi, Claudio.
Contributor(s):
Title : La mariologia di Bernardo di Clairvaux nelle "Homeliae in laudibus verginis matris" [Bernard of Clairvaux focused, in his sermons on the Annunciation, on Mary's becoming holy. This precluded his believing in her Immaculate Conception. Mary's humility opened the way to her sanctification and for the virgin birth, just as that virtue opens the way for a Christian to become holy. Title note supplied by Feminae.].
Source: Figure poetiche e figure teologiche nella mariologia dei secoli XI e XII: Atti del II Convegno Mariologico della Fondazione Ezio Franceschini con la collaborazione della Biblioteca Palatina di Parma, Parma, 19-20 maggio 2000.   Edited by Clelia Maria Piastra and Francesco Santi .   SISMEL, 2004. Viator , 35., ( 2004):  Pages 129 - 134.
Year of Publication: 2004.

27. Record Number: 11528
Author(s): Rousseau, Constance M.
Contributor(s):
Title : Produced in Sin: Innocent III's rejectionof the Immaculate Conception [Like Bernard of Clairvaux, Innocent III venerated Mary without believing she was conceived free of Original Sin. Mary was the new Eve, sanctified in her mother's womb but still nourished by menstrual blood, an evidence of sin. Innocent believed Mary's being born in sin ensured Christ's being born with truly human flesh. She was born in sin but helped bring salvation, while Eve was born without sin but helped bring sin and death. Title note supplied by Feminae].
Source: Pope, Church and City: Essays in Honour of Brenda M. Bolton.   Edited by Frances Andrews, Christoph Egger and Constance M. Rousseau Medieval Mediterranean .   Brill, 2004. Viator , 35., ( 2004):  Pages 47 - 58.
Year of Publication: 2004.

28. Record Number: 11750
Author(s): Fassler, Margot.
Contributor(s):
Title : Music and the Miraculous: Mary in the Mid-Thirteenth-Century Dominican Sequence Repertory [The early Dominicans felt a special closeness to the Virgin Mary. This was expressed in hymns like the "Salve regina," and in special liturgical sequences for Saturday devotions to Mary. The order, guided by Humbert of Romans, created a unified liturgy that drew upon Parisian models. These were adapted to Dominican needs, including by editing existing compositions, and new compositions were prepared after Humbert's time. Title note supplied by Feminae.].
Source: Aux origines de la liturgie dominicaine: Le manuscrit Santa Sabina XIV L 1.   Edited by Leonard Boyle and Pierre-Marie Gy .   École française de Rome, 2004. Viator , 35., ( 2004):  Pages 229 - 278.
Year of Publication: 2004.

29. Record Number: 12877
Author(s): Carosi, Carlo.
Contributor(s):
Title : Il document notarile, prova privilegiata in materia di eventi straordinari e miracolosi: la Madonna Bianca di Portovenere (1399) [Notaries were supposed to attest that their documents conformed to reality, including the reporting of miracles. One report was the miraculous glowing image of the Virgin Mary from Portovenere (1399). This "White Madonna" appears in local documents over three centuries. A confraternity rallied round the image briefly, but it was extinguished by the plague in 1400. Title note supplied by Feminae.].
Source: Notai, miracoli e culto dei santi: pubblicita e autenticazione del sacro tra XII e XV secolo, Atti del Seminario internazionale, Roma, 5-7 dicembre 2002.   Edited by Raimondo Michetti .   Dott. A. Giuffre editore, 2004. Viator , 35., ( 2004):  Pages 73 - 96.
Year of Publication: 2004.

30. Record Number: 18562
Author(s): Bacci, Michele
Contributor(s):
Title : Kathreptis, o la Veronica della Vergine [The author explores the iconography of the mother of God from Byzantine and early Russian motifs to late medieval Italian images. The Aracoeli Madonna was the most imporant of the Western pictures of the virgin attributed to the evangelist Luke. Title note supplied by Feminae.]
Source: Iconographica , 3., ( 2004):  Pages 11 - 37.
Year of Publication: 2004.

31. Record Number: 20789
Author(s): Stanbury, Sarah
Contributor(s):
Title : The clock in Filippino Lippi's Annunciation Tondo [Investigates the significance of Lippi's inclusion of a mechanical clock in his painting of the Annunciation in Gimignano through comparative analysis of contemporary works by Ghirlandaio and Botticelli. Issues of the cultural transition from feudal to merchant economy and domestic order are discussed, and the significance of the clock as a memento mori is disputed. Title note supplied by Feminae.]
Source: Studies in Iconography , 25., ( 2004):  Pages 197 - 219.
Year of Publication: 2004.

32. Record Number: 10535
Author(s): Clanchy, Michael.
Contributor(s):
Title : Images of Ladies with Prayer Books: What Do They Signify? [The author analyzes a few images including those of Eleanor of Aquitaine and Yolande of Soissons. He is interested particularly in the meaning of private prayer for these women and the influence that their devotion to Mary had on the use of psalters and books of hours. Title note supplied by Feminae.].
Source: The church and the book: papers read at the 2000 Summer Meeting and the 2001 Winter Meeting of the Ecclesiastical History Society.   Edited by R. N. Swanson Studies in Church History, 38.  2004. Studies in Iconography , 25., ( 2004):  Pages 106 - 122.
Year of Publication: 2004.

33. Record Number: 14638
Author(s):
Contributor(s):
Title : The "Passion Cycle": Images to Contemplate and Imitate amid Clarissan "clausura" [The author argues that the passion cycle in the church of Santa Maria Donna Regina emphasized an "imitatio Mariae," a devotion to the Eucharist, and Franciscan concerns for female viewers. Title note supplied by Feminae.].
Source: The Church of Santa Maria Donna Regina: Art, Iconography, and Patronage in Fourteenth-Century Naples.   Edited by Janis Elliott and Cordelia Warr .   Ashgate, 2004. Studies in Iconography , 25., ( 2004):  Pages 129 - 153.
Year of Publication: 2004.

34. Record Number: 13632
Author(s):
Contributor(s):
Title : Putting on the Girls: Mary's Girlhood and the Performance of Monarchical Authority in Philippe de Mézières's Dramatic Office for the "Presentation of the Virgin in the Temple" [The author finds a connection between the presentation of Mary's feminine virtues and French royal authority. The play, written by courtier Philippe de Mézières, called for a young girl of three or four to portray Mary. Udry draws parallels with conduct literature to argue that Mary's feminine qualities would have been a model not only for men and women but also for the king of France. Title note supplied by Feminae.].
Source: European Medieval Drama , 8., ( 2004):  Pages 1 - 17.
Year of Publication: 2004.

35. Record Number: 20788
Author(s):
Contributor(s):
Title : Immersed in Things of the Body: Humor and Meaning in the Annunciation by Filippo Lippi [Examines the background figures in Lippi's Annunciation at the Palazzo Barberini and the significance of their gesture and movement as an iconographic foil to the interaction between Mary and the Archangel Gabriel; examines the parallels between the work's composition and the use of humor in contemporary drama in illustrating themes of Christ's incarnation. Title note supplied by Feminae.]
Source: Studies in Iconography , 25., ( 2004):  Pages 173 - 196.
Year of Publication: 2004.

36. Record Number: 13633
Author(s): Mazingue, Aurélie.
Contributor(s):
Title : Paroles et présence de Marie dans le "Mystère de l'Assomption" de Rodez [The author analyzes a fifteenth century French play of more than 1700 verses concerning the Virgin Mary's bodily elevation to heaven. Although there is an emphasis on death, Mary adopts a hopeful attitude and encourages others facing their mortality. Title note supplied by Feminae.].
Source: European Medieval Drama , 8., ( 2004):  Pages 173 - 183.
Year of Publication: 2004.

37. Record Number: 11011
Author(s): Muir, Carolyn Diskant.
Contributor(s):
Title : Bride or Bridegroom? Masculine Identity in Mystic Marriages [The author briefly examines two cases, those of Heinrich Seuse and Saint Hermann Joseph. Muir argues that men were less likely to report mystic marriage than women, but they had a wider range of experiences. Most notably they took on both masculine and feminine identities simultaneously. Title note supplied by Feminae.].
Source: Holiness and Masculinity in the Middle Ages.   Edited by P. H. Cullum and Katherine J. Lewis .   Religion and Culture in the Middle Ages Series. University of Wales Press, 2004. European Medieval Drama , 8., ( 2004):  Pages 58 - 78.
Year of Publication: 2004.

38. Record Number: 11424
Author(s): Candelaria, Lorenzo.
Contributor(s):
Title : El Cavaller de Colunya. A Miracle of the Rosary in the Choirbooks of San Pedro Mártir de Toledo
Source: Viator , 35., ( 2004):  Pages 221 - 264.
Year of Publication: 2004.

39. Record Number: 8572
Author(s): Laynesmith, J. L.
Contributor(s):
Title : Constructing Queenship at Coventry: Pagentry and Politics at Margaret of Anjou's 'Secret Harbor' [Coventry, one of the largest cities in England, was particularly loyal to Margaret of Anjou. In 1456 she was welcomed there with great pageantry. In these presentations, the queen was compared to the Virgin Mary as the mother of a royal son and to Saint Margaret as a dragon slayer. These ceremonies underlined her power, not that of her feeble husband, but Margaret did not arrogate the king's royal symbols to herself. Title note supplied by Feminae.].
Source: Fifteenth Century , 3., ( 2003):  Pages 137 - 147. Thematic issue: Authority and Subversion
Year of Publication: 2003.

40. Record Number: 10782
Author(s): Field, Richard S.
Contributor(s):
Title : A Fifteenth-Century Woodcut of the "Death of the Virgin" in a Manuscript of "Der Stachel der Liebe" [The author examines the development and meaning of an iconographic theme, the figure of the kneeling Virgin in woodcut scenes of the Dormition. This devotional image presented Mary as humankind's stongest intercessor with both her son and God. It also served as a model for the good death with Mary kneeling in pious prayer as her earthly life ends. Title note supplied by Feminae.].
Source: Studies in Iconography , 24., ( 2003):  Pages 71 - 137.
Year of Publication: 2003.

41. Record Number: 8068
Author(s): Sheingorn, Pamela.
Contributor(s):
Title : The Wise Mother : The Image of St.Anne Teaching the Virgin Mary [The author argues that medieval images of Saint Anne teaching the Virgin have been ignored by scholars. As a result both the importance of mothers as teachers and the prevalence of literacy among upper and middle class women has been downplayed. Title note supplied by Feminae.]
Source: Gendering the Master Narrative: Women and Power in the Middle Ages.   Edited by Mary C. Erler and Maryanne Kowaleski .   Cornell University Press, 2003. Iconographica , 3., ( 2004):  Pages 105 - 134. This article was first published in Gesta (Full Text via JSTOR) 32, 1 (1993): 69-80. Link Info
Year of Publication: 2003.

42. Record Number: 14668
Author(s): Garzelli, Annarosa.
Contributor(s):
Title : Una postilla sulla Madonna Davanzati [The Madonna Davanzati, a polychrome wooden sculpture recently sold at auction, can be dated to the early fourteenth century. Its style is Sienese with resemblances to the work of Arnolfo di Cambio. [Title note supplied by Feminae.].
Source: Arte Medievale , 2., 40525 ( 2003):  Pages 239 - 241.
Year of Publication: 2003.

43. Record Number: 14554
Author(s): Shenton, Caroline.
Contributor(s):
Title : Philippa of Hainault's Churchings: The Politics of Motherhood at the Court of Edward III [The author argues that Philippa's numerous births and subsequent churchings were opportunities to celebrate the growing royal family which had experienced a difficult start. The humiliations of the regency were to be forgotten and the disappointing mother figure of Isabelle, Edward II's queen, was replaced by her son's devotion to the Virgin. Title note supplied by Feminae.].
Source: Family and Dynasty in Late Medieval England: Proceedings of the 1997 Harlaxton Symposium.   Edited by Richard Eales and Shaun Tyas Harlaxton medieval studies .   Shaun Tyas, 2003. Iconographica , 3., ( 2004):  Pages 105 - 121.
Year of Publication: 2003.

44. Record Number: 9056
Author(s): Williamson, Beth.
Contributor(s):
Title : Liturgical Image or Devotional Image? The London "Madonna of the Firescreen" [The author examines this midfifteenth century panel of Virgin and Child and argues that it was intended for devotional use. The viewer would be drawn to contemplate the mystery of the Incarnation through subtle reminders like the breast milk of the Virgin and the Christ child's genitals. Title note supplied by Feminae.].
Source: Objects, Imafges, and the Word: Art in the Service of the Liturgy.   Edited by Colum Hourihane .   Index of Christian Art, Department of Art and Archaeology, Princeton University in association with Princeton University Press, 2003. Iconographica , 3., ( 2004):  Pages 298 - 318.
Year of Publication: 2003.

45. Record Number: 11828
Author(s): Rawcliffe, Carole
Contributor(s):
Title : Women, Childbirth, and Religion in Later Medieval England [The author traces the means by which the church offered support and aid to women facing childbirth. Rawcliffe also accounts for varied responses provided by popular religion including saints, shrines, and charms. Title note supplied by Feminae.].
Source: Women and Religion in Medieval England.   Edited by Diana Wood .   Oxbow Books, 2003. Iconographica , 3., ( 2004):  Pages 91 - 117.
Year of Publication: 2003.

46. Record Number: 11434
Author(s): Dunlop, Anne.
Contributor(s):
Title : Flesh and the Feminine: Early-Renaissance Images of the Madonna with Eve at Her Feet
Source: Oxford Art Journal , 25., 2 ( 2002):  Pages 127 - 147.
Year of Publication: 2002.

47. Record Number: 12272
Author(s): Zeman, Georg.
Contributor(s):
Title : Eine altniederländische Silberstiftzeichnung und ihre Bedeutung für Jan van Eycks Dresdner Marienaltar [The author explains the relationship between van Eyck's drawing "Madonna with Child" (Leipzig) and the triptych Altar of St. Mary (Dresden), suggesting a draft drawing. Title note supplied by Feminae.].
Source: Zeitschrift für Kunstgeschichte , 65., 1 ( 2002):  Pages 91 - 104.
Year of Publication: 2002.

48. Record Number: 12273
Author(s): von Perger, Mischa.
Contributor(s):
Title : Wer pflückt die Rose? Beschriftete Heiligenschine bei Martin Schongauer [Author deciphers and interprets texts on halos in two of Schongauer's works. Title note supplied by Feminae.].
Source: Zeitschrift für Kunstgeschichte , 65., 3 ( 2002):  Pages 400 - 410.
Year of Publication: 2002.

49. Record Number: 9363
Author(s): Pentcheva, Bissera V.
Contributor(s):
Title : Picturing the Process of Writing: The Virgin as the "Muse" of Poetic Inspiration
Source: Byzantine Studies Conference. Abstracts of Papers , 28., ( 2002):  Pages 56
Year of Publication: 2002.

50. Record Number: 7442
Author(s): Dockray-Miller, Mary.
Contributor(s):
Title : The Maternal Performance of the Virgin Mary in the Old English "Advent"
Source: NWSA Journal , 14., 2 (Summer 2002):  Pages 38 - 55.
Year of Publication: 2002.

51. Record Number: 7848
Author(s):
Contributor(s):
Title : Hoccleve, the Virgin, and the Politics of Complaint
Source: PMLA: Publications of the Modern Language Association of America , 117., 5 (October 2002):  Pages 1172 - 1187.
Year of Publication: 2002.

52. Record Number: 6639
Author(s): Gill, Miriam.
Contributor(s):
Title : Female Piety and Impiety: Selected Images of Women in Wall Paintings in England After 1300 [The author examines paintings on three themes: Saint Anne teaching the Virgin to read, the warning to gossips, and the seven corporal works of mercy; the three mural subjects all comment on desirable female behavior].
Source: Gender and Holiness: Men, Women, and Saints in Late Medieval Europe.   Edited by Samantha J. E. Riches and Sarah Salih .   Routledge, 2002. PMLA: Publications of the Modern Language Association of America , 117., 5 (October 2002):  Pages 101 - 120.
Year of Publication: 2002.

53. Record Number: 6616
Author(s): Johnson, Geraldine A.
Contributor(s):
Title : Beautiful Brides and Model Mothers: The Devotional and Talismanic Functions of Early Modern Marian Reliefs [The author discusses fifteenth century madonna and child reliefs in regard to their production, devotional uses, levels of contemplation evoked, and as magical objects for marriage and the procreation of male babies].
Source: The Material Culture of Sex, Procreation, and Marriage in Premodern Europe.   Edited by Anne L. McClanan and Karen Rosoff Encarnación .   Palgrave, 2002. PMLA: Publications of the Modern Language Association of America , 117., 5 (October 2002):  Pages 135 - 161.
Year of Publication: 2002.

54. Record Number: 8474
Author(s): Resnick, Irven M.
Contributor(s):
Title : PS.- Albert the Great on the Physiognomy of Jesus and Mary [The author analyzes the Latin text "Mariale" which in earlier years was attributed to Albert the Great. The "Mariale" author used medical and philosophical authorities to establish the most perfect human bodies for Mary and Christ. In so doing, the author makes Mary a real historical person, rather than a theological symbol. Title note supplied by Feminae.].
Source: Mediaeval Studies , 64., ( 2002):  Pages 217 - 240.
Year of Publication: 2002.

55. Record Number: 7817
Author(s): Clark, Anne L.
Contributor(s):
Title : The Priesthood of the Virgin Mary: Gender Trouble in the Twelfth Century [The author examines the writings of Hildegard of Bingen and Elisabeth of Schönau and the representation of Mary on the silver eucharistic chalice from Cologne. Though Mary is shown with her hands raised in prayer, her association with other male figures on the chalice suggests an affirmation of male priestly prerogatives. Hildegard and Elisabeth emphasize their visions and virginity, not to argue for the ordination of women, but to indicate the roles they and other religious women played in the church. Title note supplied by Feminae.].
Source: Journal of Feminist Studies in Religion , 18., 1 (Spring 2002):  Pages 5 - 24.
Year of Publication: 2002.

56. Record Number: 5874
Author(s): Jennings, Margaret.
Contributor(s):
Title : The Three Marys of Bourges [The author briefly explores the representations of the Virgin Mary, Mary Magdalene, and Mary of Egypt in the Cathedral of Bourges and comments on the theological meaning of their lives].
Source: Downside Review , 119., 414 (January 2001):  Pages 35 - 50.
Year of Publication: 2001.

57. Record Number: 5909
Author(s): Czarnecki, James G.
Contributor(s):
Title : Giovanni del Biondo's "Standing Madonna and Child": An Image of Mercy in the Late Trecento [the image of Madonna and Child is related to Mary's intercessory role; a standing Madonna, however, usually is depicted at burial sites; all of these standing images evoke Mary's personification of mercy shown to sinners, seeking mercy for the deceased person].
Source: Visions of Holiness: Art and Devotion in Renaissance Italy.   Edited by Andrew Ladis and Shelley E. Zuraw .   Georgia Museum of Art, University of Georgia, 2001. Downside Review , 119., 414 (January 2001):  Pages 93 - 100.
Year of Publication: 2001.

58. Record Number: 5910
Author(s): Zuraw, Shelley E.
Contributor(s):
Title : The Efficacious Madonna in Quattrocento Rome: Spirituality in the Service of Papal Power [depictions of Madonna and Child in Renaissance Rome are more stately and remote than those done contemporaneously in Florence; a partial explanation is the continuous Roman tradition of iconic painting tied to images ascribed to Saint Luke as painter; another factor is the formality of the papal court; contemporaneous Florentine paintings are more intimate because they are designed for families, even the most powerful households in the city; Florentine motifs can be found borrowed in Rome by the more adventurous artists].
Source: Visions of Holiness: Art and Devotion in Renaissance Italy.   Edited by Andrew Ladis and Shelley E. Zuraw .   Georgia Museum of Art, University of Georgia, 2001. Downside Review , 119., 414 (January 2001):  Pages 101 - 121.
Year of Publication: 2001.

59. Record Number: 5911
Author(s): Solberg, Gail E.
Contributor(s):
Title : The "Madonna Avvocata" Icon at Orte and Geography [cities near Rome and in the papacy's political orbit imitated the processions and artistic styles of the Eternal City; Orte, however, was between Rome and Spoleto, with political ties to both; the "Madonna Avvocata" done by the Sienese painter Taddeo di Bartolo borrows from both the Roman "San Sisto Madonna" and an image in Spoleto that resembles the Byzantine depiction of Mary called the hagiosopitissa. The choice of Taddeo to paint this image reflects a deliberate choice of Orte's leaders to acknowledge both Roman and Umbrian influences on their city].
Source: Visions of Holiness: Art and Devotion in Renaissance Italy.   Edited by Andrew Ladis and Shelley E. Zuraw .   Georgia Museum of Art, University of Georgia, 2001. Downside Review , 119., 414 (January 2001):  Pages 122 - 135.
Year of Publication: 2001.

60. Record Number: 5912
Author(s): Ladis, Andrew.
Contributor(s):
Title : The Music of Devotion: Image, Voice, and the Imagination in a "Madonna of Humility" by Domenico di Bartolo [Domenico di Bartolo adapted for his painting "Madonna of Humility" the Sienese practice of attaching jewelry to works of art; this reflected Marian titles like "star of the sea" and "precious gem," with their luminous implications; Domenico also made great use of musical imagery, with its liturgical references].
Source: Visions of Holiness: Art and Devotion in Renaissance Italy.   Edited by Andrew Ladis and Shelley E. Zuraw .   Georgia Museum of Art, University of Georgia, 2001. Downside Review , 119., 414 (January 2001):  Pages 163 - 177.
Year of Publication: 2001.

61. Record Number: 6717
Author(s): Power, Kim E.
Contributor(s):
Title : From Ecclesiology to Mariology: Patristic Traces and Innovation in the "Speculum virginum"
Source: Listen, Daughter: The "Speculum virginum" and the Formation of Religious Women in the Middle Ages.   Edited by Constant J. Mews .   The New Middle Ages Series. Palgrave, 2001. Downside Review , 119., 414 (January 2001):  Pages 85 - 110.
Year of Publication: 2001.

62. Record Number: 6067
Author(s): Mortimer, Julia.
Contributor(s):
Title : Reflections in "The Myroure of Oure Ladye": The Translation of a Desiring Body [the author analyzes a number of Brigittine texts, in particular the "Myroure of Oure Ladye" written for the nuns at Syon; the author notes the efforts made to minimize Bridget's individual voice and the instances where Bridget identifies herself with the Virgin Mary's experiences through dissolving body boundaries].
Source: Mystics Quarterly , 27., 2 (June 2001):  Pages 58 - 76.
Year of Publication: 2001.

63. Record Number: 8523
Author(s): Van Deun, Peter.
Contributor(s):
Title : La Parenté de la Vierge et du Christ dans une exégèse byzantine de Matthieu 1, 15-16 [The author explores a short Byzantine text associated with the "Unionum definitiones" by Maximus the Confessor. The text advances a new genealogy for Mary, so that she and Joseph are not first cousins. The author presents a transcription of the brief Gre
Source: Analecta Bollandiana , 119., 1 (juin 2001):  Pages 33 - 39.
Year of Publication: 2001.

64. Record Number: 11153
Author(s): Dockray-Miller, Mary.
Contributor(s):
Title : Maternity and Performance: Mary in the Old English "Advent"
Source: Old English Newsletter , 34., 3 (Spring 2001): Appendix A: Abstracts of Papers in Anglo-Saxon Studies. Conference paper presented at the Thirty-Sixth International Congress on Medieval Studies, the Medieval Institute, Western Michigan University, May 3-6, 2001, Nineteenth Symposium on the Sources of A
Year of Publication: 2001.

65. Record Number: 6079
Author(s): Taylor, Steven M.
Contributor(s):
Title : Christine de Pizan's Spiritual Intercessions for Her Sisters in Christ [The author briefly surveys Christine's writings that incorporate prayers on behalf of women; he points out the importance of patience and the intercessory role of the Virgin Mary in these prayers].
Source: Magistra , 7., 1 (Summer 2001):  Pages 52 - 66.
Year of Publication: 2001.

66. Record Number: 5884
Author(s):
Contributor(s):
Title : The Theotokos as Protectress: The "Akathistos Hymn" and the Siege of Constantinople
Source: Byzantine Studies Conference. Abstracts of Papers , 27., ( 2001):  Pages 4
Year of Publication: 2001.

67. Record Number: 6403
Author(s):
Contributor(s):
Title : The Origin of Special Veneration of the Mother of God at the Trinity-Sergius Monastery: The Iconographical Evidence [the author argues that some form of special veneration of the Virgin Mary began at the Trinity Monastery in the first half of the fifteenth century; the representation of Mary appearing to Sergius and offering her protection did not take on a standard form during the late Middle Ages].
Source: Russian History , 28., 40182 ( 2001):  Pages 303 - 314. Festschrift for Thomas S. Noonan
Year of Publication: 2001.

68. Record Number: 5977
Author(s): Price, Merrall Llewelyn.
Contributor(s):
Title : Purifying Violence: Sanctity and the Somatic
Source: Gender and Conflict in the Middle Ages. Gender and Medieval Studies Conference, York, January 5-7 2001. .  2001. Russian History , 28., 40182 ( 2001):
Year of Publication: 2001.

69. Record Number: 8548
Author(s): Koppelman, Kate.
Contributor(s):
Title : Devotional Ambivalence: The Virgin Mary as "Empresse of Helle" [The author examines the Middle English miracle of the Virgin in which the clerk Theophilus prays for her help in saving his soul from the devil. Rather than the mild mother figure, Mary is here portrayed as the queen of Hell who aggressively and angrily confronts first Theophilus and then the devil. The author, using psychoanalytic theory, argues that the devout would be filled with anxiety in praying to a Mary who is presented as an unpredictable and powerful figure. Title note supplied by Feminae.].
Source: Essays in Medieval Studies: Proceeding of the Illinois Medieval Association (Full Text via Project Muse) 18 (2001): 67-82 Link Info
Year of Publication: 2001.

70. Record Number: 7441
Author(s): Daley, Brian E., S.J.
Contributor(s):
Title : At the Hour of Our Death: Mary's Dormition and Christian Dying in Late Patristic and Early Byzantine Literature [The author argues that in early Byzantium Mary's death and translation served as the only clear hope for humanity after death. The key was that a human, not just the son of God, shared in the glorious life of the resurrection and was there as a patron to help humankind on its journey. Title note supplied by Feminae.].
Source: Dumbarton Oaks Papers (Full Text via JSTOR) 55 (2001): 71-89. Link Info
Year of Publication: 2001.

71. Record Number: 10183
Author(s): Psaki, F. Regina.
Contributor(s):
Title : Women's Voices and Medieval Song: An Interview with Anne Azéma and Shira Kammen [Azéma and Kammen performed medieval music for the "Medieval and Renaissance Lyric" course at the University of Oregon. Afterwards the students and teacher (F. Regina Psaki) asked the two musicians about their performance practice, troubadour verse and music, and the various kinds of evidence that informed their repertoire. Title note supplied by Feminae.].
Source: Medieval Feminist Forum , 32., (Fall 2001):  Pages 14 - 23.
Year of Publication: 2001.

72. Record Number: 5693
Author(s): Villers, Caroline, Robert Gibbs, Rebecca Hellen and Annette King
Contributor(s):
Title : Simone dei Crocefissi's "Dream of the Virgin" in the Society of Antiquaries, London [The authors discuss the cleaning and restoration of the painting, arguing that the expensive pigments and care taken by the artist indicate an important commission, perhaps for a women's monastery in Bologna].
Source: Burlington Magazine , 142., 1169 (August 2000):  Pages 481 - 486.
Year of Publication: 2000.

73. Record Number: 4548
Author(s): Fassler, Margot.
Contributor(s):
Title : Mary's Nativity, Fulbert of Chartres, and the "Stirps Jesse": Liturgical Innovation circa 1000 and Its Afterlife
Source: Speculum , 75., 2 (April 2000):  Pages 389 - 434.
Year of Publication: 2000.

74. Record Number: 4675
Author(s): Pasztor, Edith.
Contributor(s):
Title : Angela da Foligno [The visions of Angela of Foligno are mediated through both her words in the vernacular and the Latin words of Brother Arnold. Both were aware of the limits of words to describe her experiences. Angela's visions, like those of other Umbrian women, focus particularly on the Passion of Jesus, but she also saw herself holding the Christ Child. Her Marian visions, unlike those of Clare of Montefalco, emphasize Mary's poverty and humility].
Source: Donne e sante: Studi sulla religiosità femminile nel Medio Evo. Edith Pasztor .   Edizioni Studium, 2000. Speculum , 75., 2 (April 2000):  Pages 275 - 302. Originally published as "Le visioni di Angela da Foligno nella religiosità femminile italiana del suo tempo," in Atti del Convegno di studi per il VII Centenario della conversione della B. Angela da Foligno (1285- 1985) (Perugia, 1987), 287-311.
Year of Publication: 2000.

75. Record Number: 5446
Author(s): Chavasse, Ruth.
Contributor(s):
Title : The Virgin Mary: Consoler, Protector, and Social Worker in Quattrocento Miracle Tales [The author examines women's problems and needs as represented in such miracle texts as the late fifteenth century "Miracoli della Vergine Maria" and the poem by Lorenzo de' Oppizi, "Miracoli della Vergine della Carcere," a catalog of the miracles worked
Source: Women in Italian Renaissance Culture and Society.   Edited by Letizia Panizza .   European Humanities Research Centre, University of Oxford, 2000. Speculum , 75., 2 (April 2000):  Pages 138 - 164.
Year of Publication: 2000.

76. Record Number: 5461
Author(s): Whitehead, Christiania.
Contributor(s):
Title : A Fortress and a Shield: The Representation of the Virgin in the "Château d'amour" of Robert Grosseteste
Source: Writing Religious Women: Female Spiritual and Textual Practices in Late Medieval England.   Edited by Denis Renevey and Christiania Whitehead .   University of Toronto Press, 2000. Speculum , 75., 2 (April 2000):  Pages 109 - 132.
Year of Publication: 2000.

77. Record Number: 5498
Author(s): Bodarwé, Katrinette.
Contributor(s):
Title : Roman Martyrs and Their Veneration in Ottonian Saxony: The Case of the "sanctimoniales" of Essen
Source: Early Medieval Europe , 9., 3 ( 2000):  Pages 345 - 365.
Year of Publication: 2000.

78. Record Number: 6186
Author(s): Niero, Antonio.
Contributor(s):
Title : La Madonna dei Miracoli nella Storia della Pietà Veneziana: Breve Profilo [in 1409 Francesco Amadi paid for a painting of the Madonna and child with Saints James and Anthony, both protective figures; miraculous powers were soon ascribed to this image; by 1480 enough miracles had been reported to motivate moving the image from its street corner shrine into a church; S. Maria dei Miracoli was built especially to house the image; Sixtus IV and the Patriarch of Venice authorized the foundation of a convent of Poor Clares in conjunction with the image in the 1480s; the first half of the article deals with the origins of the cult in the fifteenth century while the rest of the article considers its later history through the twentieth century].
Source: Studi Veneziani , 40., ( 2000):  Pages 179 - 206.
Year of Publication: 2000.

79. Record Number: 6608
Author(s): Galimberti, Paolo M.
Contributor(s):
Title : Le Lettere di indulgenza per la Scuola delle Quattro Marie di Milano [the Scuola delle Quattro Marie, a Milanese confraternity, is little documented before the 14th century; at that period an altar of the Four Marys can be identified in the old cathedral which honored the Virgin, her supposed sisters, and the Magdalene; but no chapel of that name existed there or in the new cathedral in the Middle Ages; the surviving indulgences document the transformation of a group of "raccomandati della Vergine Maria" into a formal "scuola" or meeting at the cathedral; this development coincided with the stabilization of the Visconti regime; the article concludes with critical editions of the four indulgence letters].
Source: Archivio Storico Lombardo , 6., ( 2000):  Pages 67 - 109.
Year of Publication: 2000.

80. Record Number: 4579
Author(s): Hopenwasser, Nanda and Signe Wegener
Contributor(s):
Title : Vox Matris: The Influence of St. Birgitta's "Revelations" on "The Book of Margery Kempe": St. Birgitta and Margery Kempe as Wives and Mothers
Source: Crossing the Bridge: Comparative Essays on Medieval European and Heian Japanese Women Writers.   Edited by Barbara Stevenson and Cynthia Ho .   Palgrave, 2000. Burlington Magazine , 142., 1169 (August 2000):  Pages 61 - 85.
Year of Publication: 2000.

81. Record Number: 8677
Author(s): De Bingen, Hildegarde and Laurence. Moulinier
Contributor(s): Børresen, Kari Elisabeth, reviewer
Title : Rhetorical Images of the Virgin: The Icon of the "Usual Miracle" at the Blachernai [The author connects the icon of Mary at the Blachernai (which was revealed every Friday by the miraculous raising of a silk cover) with a new image-type in which Mary raises her hands in prayer and has a medallion that contains the Christ child hovering on her chest. The author argues that this image was influenced by Neoplatonic ideas to represent both the presence of the Holy Spirit and the embodiment of the incarnation. The author also connects the new image type to the Komnenoi dynasty which had various political reasons to champion orthodoxy. In the Appendix the author surveys publications on seals to identify instances of the orans Virgin with the hovering medallion. Title note supplied by Feminae.].
Source: Res: Anthropology and Aesthetics , 38., (Autumn 2000):  Pages 34 - 55.
Year of Publication: 2000.

82. Record Number: 5462
Author(s): Boklund-Lagopoulou, Karin.
Contributor(s):
Title : Yate of Heven: Conceptions of the Female Body in the Religious Lyrics [The author explores a variety of images including Jesus as nourishing mother, the soul as the bride of Christ, the body as the site of decay and corruption, and the closed, virginal body].
Source: Writing Religious Women: Female Spiritual and Textual Practices in Late Medieval England.   Edited by Denis Renevey and Christiania Whitehead .   University of Toronto Press, 2000. Burlington Magazine , 142., 1169 (August 2000):  Pages 133 - 154.
Year of Publication: 2000.

83. Record Number: 10643
Author(s): Dunlop, Anne.
Contributor(s):
Title : Once More on the Patronage of Ambrogio Lorenzetti's Frescoes at S. Galgano Montesiepi [In suggesting a new patron for the frescoes (a lay-brother associated with the monastery), Dunlop explores the Virgin Mary's role in the paintings done by Lorenzetti. The theme of calling and acceptance is represented both in the Annunciation and in the one scene from Galgano's life. Mary is also presented as the Queen of Heaven to her Cistercian knightly followers. Title note supplied by Feminae.].
Source: Zeitschrift für Kunstgeschichte , 63., ( 2000):  Pages 387 - 403.
Year of Publication: 2000.

84. Record Number: 14835
Author(s): Hamburger, Jeffrey.
Contributor(s):
Title : Seeing and Believing: The Suspicion of Sight and the Authentication of Vision in Late Medieval Art [Late medieval art and visionary theology both reveal an ambivalence about the role of corporeal sight in religion. A desire for direct vision of the divine was coupled with skepticism about claims to bodily sight. Images that aped bodily experience, especially in Flemish art, also gave some theologians cause for concern. Title note supplied by Feminae.].
Source: Imagination und Wirklichkeit: Zum Verhältnis von mentalen und realen Bilder in der Kunst der frühen Neuzeit.   Edited by Alessandro Nova and Klaus Krüger .   Von Zabern, 2000. Zeitschrift für Kunstgeschichte , 63., ( 2000):  Pages 47 - 70.
Year of Publication: 2000.

85. Record Number: 4246
Author(s): Remensnyder, Amy G.
Contributor(s):
Title : The Colonization of Sacred Architecture: The Virgin Mary, Mosques, and Temples in Medieval Spain and Early Sixteenth-Century Mexico
Source: Monks and Nuns, Saints and Outcasts: Religion in Medieval Society. Essays in Honor of Lester K. Little.   Edited by Sharon Farmer and Barbara H. Rosenwein .   Cornell University Press, 2000. Burlington Magazine , 142., 1169 (August 2000):  Pages 189 - 219.
Year of Publication: 2000.

86. Record Number: 4598
Author(s): Lehfeldt, Elizabeth A.
Contributor(s):
Title : Ruling Sexuality: The Political Legitimacy of Isabel of Castile
Source: Renaissance Quarterly (Full Text via JSTOR) 53, 1 (Spring 2000): 31-56. Link Info
Year of Publication: 2000.

87. Record Number: 5146
Author(s): Plesch, Véronique.
Contributor(s):
Title : Enguerrand Quarton's "Coronation of the Virgin": This World and the Next, the Dogma and the Devotion, the Individual and the Community [The author argues that the painting in the Carthusian hospital chapel linked the Coronation with the Last Judgement to emphasize the importance of Mary's role as mediator, especially for those souls in purgatory].
Source: Historical Reflections/ Reflexions historiques , 26., 1 (Spring 2000):  Pages 189 - 221.
Year of Publication: 2000.

88. Record Number: 5497
Author(s): Lifshitz, Felice.
Contributor(s):
Title : Gender and Exemplarity East of the Middle Rhine: Jesus, Mary, and the Saints in Manuscript Context
Source: Early Medieval Europe , 9., 3 ( 2000):  Pages 325 - 343.
Year of Publication: 2000.

89. Record Number: 4499
Author(s): Everhart, Deborah.
Contributor(s):
Title : Anna Komnene, Learned Women, and the Book in Byzantine Art [The author examines the representation of women in art with books or scrolls and argues that it was probably influenced by the female members of the imperial family who valued and promoted learning].
Source: Anna Komnene and Her Times.   Edited by Thalia Gouma-Peterson .   Garland Publishing, 2000. Early Medieval Europe , 9., 3 ( 2000):  Pages 125 - 156.
Year of Publication: 2000.

90. Record Number: 5362
Author(s): Smine, Rima E.
Contributor(s):
Title : The Virgin and Child Enthroned in Syriac Lectionaries: Vatican Syr. 559 and London British Library Add. 7170 and its Byzantine Origin
Source: Byzantine Studies Conference. Abstracts of Papers , 26., ( 2000):  Pages 110 - 111.
Year of Publication: 2000.

91. Record Number: 4748
Author(s): Herrin, Judith
Contributor(s):
Title : The Imperial Feminine in Byzantium [the author argues that Byzantine tradition provided for occasions when empresses had to assume power; this did not challenge the patriarchal order nor did it establish a fixed role for empresses; however, empresses had three sure resources (role as imperial hostess, mother of the emperor's heir, and power over the quarters, staff, and treasury of the empress) which allowed them to take an often active role in politics].
Source: Past and Present , 169., (November 2000):  Pages 3 - 35. Reproduced in Unrivalled Influence: Women and Empire in Byzantium. By Judith Herrin. Princeton University Press, 2013. Pages 161-193.
Year of Publication: 2000.

92. Record Number: 5041
Author(s):
Contributor(s):
Title : Matristics: Female Godlanguage in the Middle Ages [The author examines the work of Hildegard of Bingen, Bridget of Sweden, and Julian of Norwich to reshape the understanding of divinity away from a male-centered deity toward a more holistic image of God].
Source: Revue d'Histoire Ecclésiastique , 95., 3 (juillet-septembre 2000):  Pages 343 - 362.
Year of Publication: 2000.

93. Record Number: 5396
Author(s):
Contributor(s):
Title : The Immaculate Conception in the Works of Peter Auriol [the author analyzes Auriol's commentary on Book III of Peter Lombard's "Sentences" and his two treatises, "De Conceptione Beatae Mariae Virginis" and "Repercussorium editum contra adversarium innocentiae matris Dei;" the author is particularly interested in establishing the time sequence in which Auriol produced the three texts].
Source: Vivarium , 38., 1 ( 2000):  Pages 5 - 34.
Year of Publication: 2000.

94. Record Number: 4685
Author(s):
Contributor(s):
Title : Learned Reading, Vernacular Seeing: Jacques Daret's "Presentation in the Temple"
Source: Art Bulletin (Full Text via JSTOR) 82, 3 (September 2000): 428-452. Link Info
Year of Publication: 2000.

95. Record Number: 4623
Author(s): Tarr, Roger P.
Contributor(s):
Title : Ecce Virgo Concipiet: The Iconography and Context of Duccio's London "Annunciation"
Source: Viator , 31., ( 2000):  Pages 185 - 213.
Year of Publication: 2000.

96. Record Number: 5459
Author(s): Selman, Rebecca.
Contributor(s):
Title : Spirituality and Sex Change: "Horologium sapientiae" and "Speculum devotorum" [The author argues that the "Speculum devotorum" was written for women; the intended readers, possibly Bridgettine nuns, were presented with the figures of Mary and Bridget as models].
Source: Writing Religious Women: Female Spiritual and Textual Practices in Late Medieval England.   Edited by Denis Renevey and Christiania Whitehead .   University of Toronto Press, 2000. Viator , 31., ( 2000):  Pages 63 - 79.
Year of Publication: 2000.

97. Record Number: 4806
Author(s): Phillips, Helen.
Contributor(s):
Title : Almighty and Al Merciable Queene: Marian Titles and Marian Lyrics [The author examines the contradictions in praising a woman so highly; in general the references to Mary cast female power as safely abstract].
Source: Medieval Women: Texts and Contexts in Late Medieval Britain. Essays for Felicity Riddy.   Edited by Jocelyn Wogan-Browne, Rosalynn Voaden, Arlyn Diamond, Ann Hutchison, Carol M. Meale, and Lesley Johnson Medieval Women: Texts and Contexts .   Brepols, 2000. Viator , 31., ( 2000):  Pages 83 - 99.
Year of Publication: 2000.

98. Record Number: 6853
Author(s): Williamson, Magnus.
Contributor(s):
Title : Royal Image-Making and Textual Interplay in Gilbert Banaster's "O Maria et Elizabeth" [The author argues that Banaster's motet was commissioned to celebrate Elizabeth of York's Pregnancy in 1486 through music for the Feast of the Visitation. Henry VII was anxious to bolster Tudor legitimacy and an heir from Edward IV's daughter was greatly desired. The Latin text and translation of "O Maria et Elizabeth" is reproduced on pages 244-245. The appendices reproduce Banaster's poem, "Miraculum sancti Thome martyris," which was written in English and a list of the corrodies granted by the Crown to Banaster. Title note supplied by Feminae.].
Source: Early Music History , 19., ( 2000):  Pages 237 - 278.
Year of Publication: 2000.

99. Record Number: 5379
Author(s): Hamilton, Bernard
Contributor(s):
Title : Our Lady of Saidnaiya: An Orthodox Shrine Revered by Muslims and Knights Templar at the Time of the Crusades [the fortified convent of Saidnaiya (often Sardeney in the Middle Ages) near Damascus holds an icon of the Virgin that has been credited with miraculous powers, including exuding sacred oil, since at least 1175 C. E.].
Source: The Holy Land, holy lands, and Christian history: papers read at the 1998 Summer Meeting and the 1999 Winter Meeting of the Ecclesiastical History Society.   Edited by R. N. Swanson Studies in Church History, 36.  2000. Early Music History , 19., ( 2000):  Pages 207 - 215.
Year of Publication: 2000.

100. Record Number: 4611
Author(s): Resnick, Irven M.
Contributor(s):
Title : Marriage in Medieval Culture: Consent Theory and the Case of Joseph and Mary [The author argues that the Church emphasized the importance of consent in order to remove marriage from the control of the laity; yet in order to prove consent practical, theologians came around to conjugal relations as a sure sign of consent].
Source: Church History , 69., 2 (June 2000):  Pages 350 - 371.
Year of Publication: 2000.

101. Record Number: 5575
Author(s): Peikola, Matti.
Contributor(s):
Title : And After All, Myn Aue-Marie Almost to the Ende: "Pierce the Ploughman's Crede" and Lolland Expositions of the "Ave Maria" [the author uses two Lollard commentaries to explain the objections to the "Ave Maria" prayer presented in "Pierce the Ploughman;" not only did Lollards object to the additions of words to the Bible text, but they were also opposed to the indulgences promised for reciting the prayer and their connections with the Pope; in an Appendix the author reproduces an indulgence on the "Ave Maria" in Middle English from Cambridge, Trinity College, MS R.3.21, fol. 216v].
Source: English Studies , 81., 4 ( 2000):  Pages 273 - 292.
Year of Publication: 2000.

102. Record Number: 4361
Author(s): Hans-Collas, Ilona.
Contributor(s):
Title : Moselle- Une peinture murale gothique conservée dans l'ancien couvent des Récollets à Metz [The author briefly describes a badly damaged painting of the Annunciation in a Franciscan monastery (for friars) known as the Récollets].
Source: Bulletin Monumental , 157., ( 1999):  Pages 301 - 303.
Year of Publication: 1999.

103. Record Number: 4434
Author(s): Kwakkelstein, Michael W.
Contributor(s):
Title : The Use of Sculptural Models by Italian Renaissance Painters: Leonardo da Vinci's "Madonna of the Rocks" Reconsidered in Light of His Working Procedures
Source: Gazette des Beaux-Arts , 133., 1563 (avril 1999):  Pages 181 - 198.
Year of Publication: 1999.

104. Record Number: 5656
Author(s): Bausi, Francesco.
Contributor(s):
Title : Le Lodi della Madonna nella poesia religiosa di Ugolino Verino [the poet Ugolino Verino wrote many religious poems in Latin; among these is a set of four poems dedicated to the conception, birth, dormition, and assumption of the Virgin Mary; Verino used Biblical and medieval sources, including the "Legenda Aurea," but made little use of classical texts; Marian themes also figure in Verino's poems about Charlemagne and Esther].
Source: Interpres: Rivista di Studi Quattrocenteschi , 18., ( 1999):  Pages 275 - 289.
Year of Publication: 1999.

105. Record Number: 7951
Author(s): Bolard, Laurent.
Contributor(s):
Title : Thalamus Virginis. Images de la "Devotio moderna" dans la peinture italienne du XVe siècle
Source: Revue de l'Histoire des Religions , 216., 1 (janvier-mars 1999):  Pages 87 - 110.
Year of Publication: 1999.

106. Record Number: 3953
Author(s): Jacobus, Laura.
Contributor(s):
Title : Giotto's "Annunciation" in the Arena Chapel, Padua [the Appendix reproduces a Latin text of the Annunciation "Cantatur evangelius cum ludo (Gospel singing with a play)]
Source: Art Bulletin (Full Text via JSTOR) 81,1 (March 1999): 93-107. Link Info
Year of Publication: 1999.

107. Record Number: 3965
Author(s): Rosenthal, Judith.
Contributor(s):
Title : Margery Kempe and Medieval Anti-Judaic Ideology
Source: Medieval Encounters: Jewish, Christian, and Muslim Culture in Confluence and Dialogue , 5., 3 ( 1999):  Pages 409 - 420.
Year of Publication: 1999.

108. Record Number: 3542
Author(s): Hale, Rosemary Drage.
Contributor(s):
Title : Rocking the Cradle: Margaretha Ebner (Be)Holds the Divine [The author explores fourteenth century Dominican convent literature in which the nuns assumed the role of Mary and engaged in a tactile relationship with a figure or image of Christ].
Source: Performance and Transformation: New Approaches to Late Medieval Spirituality.   Edited by Mary A. Suydam and Joanna E. Ziegler .   St. Martin's Press, 1999. Medieval Encounters: Jewish, Christian, and Muslim Culture in Confluence and Dialogue , 5., 3 ( 1999):  Pages 211 - 239.
Year of Publication: 1999.

109. Record Number: 5689
Author(s): Cannon, Joanna
Contributor(s):
Title : The Stoclet "Man of Sorrows": A Thirteenth-century Italian Diptych Reunited [The author argues that the small panel formed a devotional diptych with a painting of the Virgin and Child; the author points out that the two panels engage each other and draw the viewer into the drama].
Source: Burlington Magazine (Full Text via JSTOR) 141, 1151 (February 1999): 107-112. Link Info
Year of Publication: 1999.

110. Record Number: 4271
Author(s): Otter, Monika.
Contributor(s):
Title : Closed Doors: An Epithalamium for Queen Edith, Widow and Virgin
Source: Constructions of Widowhood and Virginity in the Middle Ages.   Edited by Cindy L. Carlson and Angela Jane Weisl .   St. Martin's Press, 1999.  Pages 63 - 92.
Year of Publication: 1999.

111. Record Number: 3982
Author(s): Shoemaker, Stephen J.
Contributor(s):
Title : The Sahidic Coptic Homily on the Dormition of the Virgin Attributed to Evodius of Rome: An Edition from Morgan MSS 596 and 598 with Translation
Source: Analecta Bollandiana , 117., 40241 ( 1999):  Pages 241 - 283.
Year of Publication: 1999.

112. Record Number: 4715
Author(s): Parra-Pirela, Carlos Hugo.
Contributor(s):
Title : Preaching by Hildegard and Aelred on the Purification of Mary [though their methods and gender emphases differed, both Hildegard and Aelred delivered a moral message to their listeners with an eschatological emphasis; the author includes a parallel chronology for Hildegard and Aelred as well as a comparison of the textual parallels in Hildegard's two sermons on the Purification of Mary].
Source: Magistra , 5., 1 (Summer 1999):  Pages 43 - 68.
Year of Publication: 1999.

113. Record Number: 5350
Author(s): Pentcheva, Bissera V.
Contributor(s):
Title : A New Image of the Virgin in Eleventh- and Twelfth-Century Constantinople [a new image of the Virgin appeared on coins in the mid-eleventh century; she appears with her hands raised in prayer and on her chest there is a medallion depicting the blessing Christ Child; the image is sometimes called the Virgin "Episkepsis" (Visitation and Protection), although several other types ("Blanchernitissa," "Panagiotissa," "Playtera," and "Znamenie") are also associated with this iconographic representation].
Source: Byzantine Studies Conference. Abstracts of Papers , 25., ( 1999):  Pages 34
Year of Publication: 1999.

114. Record Number: 4277
Author(s): Roberts, Anna.
Contributor(s):
Title : Like a Virgin: Mary and Her Doubters in the N-Town Cycle
Source: Constructions of Widowhood and Virginity in the Middle Ages.   Edited by Cindy L. Carlson and Angela Jane Weisl .   St. Martin's Press, 1999. Byzantine Studies Conference. Abstracts of Papers , 25., ( 1999):  Pages 199 - 217.
Year of Publication: 1999.

115. Record Number: 3963
Author(s): Stone, Carole.
Contributor(s):
Title : Anti-Semitism in the Miracle Tales of the Virgin
Source: Medieval Encounters: Jewish, Christian, and Muslim Culture in Confluence and Dialogue , 5., 3 ( 1999):  Pages 364 - 374.
Year of Publication: 1999.

116. Record Number: 3826
Author(s): Shoemaker, Stephen J.
Contributor(s):
Title : Let Us Go and Burn Her Body : The Image of the Jews in the Early Dormition Traditions
Source: Church History (Full Text via JSTOR) 68, 4 (Dec. 1999): 775-823. Link Info
Year of Publication: 1999.

117. Record Number: 3954
Author(s): Gifford, E. Melanie.
Contributor(s):
Title : Van Eyck's Washington "Annunciation" : Technical Evidence for Iconographic Development
Source: Art Bulletin (Full Text via JSTOR) 81,1 (March 1999): 108-116. Link Info
Year of Publication: 1999.

118. Record Number: 4381
Author(s):
Contributor(s):
Title : The Candlemas Vision and Marie d'Oignies's Role in Its Dissemination [the author explores the visions associated with Candlemas, the Feast day commemorating the presentation of the infant Jesus in the temple and the purification of the Virgin Mary, in the writings associated with Gertrude the Great, Mechthild of Hackeborn, Angela of Foligno, Henry Suso, Bridget of Sweden, and Margery Kempe].
Source: New Trends in Feminine Spirituality: The Holy Women of Liège and Their Impact.   Edited by Juliette Dor, Lesley Johnson, and Jocelyn Wogan-Browne Medieval Women: Texts and Contexts, 2.   Brepols, 1999.  Pages 195 - 214.
Year of Publication: 1999.

119. Record Number: 4438
Author(s): Boenig, Robert.
Contributor(s):
Title : Alma Redemptoris Mater, "Gaude Maria," and The Prioress's Tale [The author describes the difficulty of "Gaude Maria" and suggests that Chaucer chose "Alma Redemptoris Mater" instead because it is much easier to sing and emphasizes the clergeon's young age and vulnerability].
Source: Notes and Queries , 3 (September 1999):  Pages 321 - 326.
Year of Publication: 1999.

120. Record Number: 4307
Author(s): Edden, Valerie.
Contributor(s):
Title : The Mantle of Elijah: Carmelite Spirituality in England in the Fourteenth Century [The author examines two essential elements in male carmelite spiritualty: the heritage of Elijah and the devotion to the Virgin Mary as a model for the religious life and as a patron and mediator for the order].
Source: The Medieval Mystical Tradition England, Ireland, and Wales. Exeter Symposium VI. Papers read at Charney Manor, July 1999.   Edited by Marion Glasscoe .   D. S. Brewer, 1999. Notes and Queries , 3 (September 1999):  Pages 67 - 83.
Year of Publication: 1999.

121. Record Number: 4309
Author(s): Yoshikawa, Naoë Kukita.
Contributor(s):
Title : The Role of the Virgin Mary and the Structure of Meditation in the "Book of Margery Kempe"
Source: The Medieval Mystical Tradition England, Ireland, and Wales. Exeter Symposium VI. Papers read at Charney Manor, July 1999.   Edited by Marion Glasscoe .   D. S. Brewer, 1999. Notes and Queries , 3 (September 1999):  Pages 224 - 227.
Year of Publication: 1999.

122. Record Number: 5391
Author(s): Noell, Brian.
Contributor(s):
Title : Marian Lyric in the Cistercian Monastery During the High Middle Ages ["This paper will place lyric poetry dedicated to the Virgin within the Cistercian context. I shall attempt to show that Marian verse, the sequence in particular, was well suited to the devotional needs of the monks of the twelfth- and early thirteenth-century Cistercian houses. Furthermore, I will demonstrate that it conformed well to a monastic environment which focused on the religious value of interactions of the monks with written texts. Finally, I shall illustrate how poetry provided an expanded vocabulary for the expression of the ever growing devotion in the order to Our Lady. The paper will conclude with an analysis of a collection of verse from the early thirteenth century composed by an anonymouse monk of Saint Mary of Noah (La Noë), a Cistercian house in northern France." (Pages 39-40)].
Source: Comitatus , 30., ( 1999):  Pages 37 - 61.
Year of Publication: 1999.

123. Record Number: 4313
Author(s): Coletti, Theresa.
Contributor(s):
Title : Genealogy, Sexuality, and Sacred Power: The Saint Anne Dedication of the Digby "Candlemas Day and the Killing of the Children of Israel"
Source: Journal of Medieval and Early Modern Studies , 29., 1 (Winter 1999):  Pages 25 - 59.
Year of Publication: 1999.

124. Record Number: 3955
Author(s): Purtle, Carol J.
Contributor(s):
Title : Van Eyck's Washington "Annunciation" : Narrative Time and Metaphoric Tradition
Source: Art Bulletin (Full Text via JSTOR) 81,1 (March 1999): 117-125. Link Info
Year of Publication: 1999.

125. Record Number: 11863
Author(s): Morgan, Nigel.
Contributor(s):
Title : Texts and Images of Marian Devotion in English Twelfth-Century Monasticism and Their Influence on the Secular Church [The author briefly discusses surviving evidence, mostly from male Benedictine houses, which involves both devotional and theological material including liturgy, prayers, miracles, exempla, and controversial works, particularly concerning the Conception of the Virgin. Imags of Mary rely on intellectual and theological symbolism rather than on the humanized and affective portrayals that became popular in the thirteenth century. Common motifs include the Virgin as Ecclesia, Wisdom, Bride of Christ, and a crowned queen. Both images and texts were transmitted to the secular world. Title note supplied by Feminae.].
Source: Monasteries and society in medieval Britain: proceedings of the 1994 Harlaxton Symposium.   Edited by Benjamin Thompson Harlaxton medieval studies .   Stamford Watkins , 1999.  Pages 117 - 136.
Year of Publication: 1999.

126. Record Number: 5047
Author(s): McAvoy, Liz Herbert.
Contributor(s):
Title : Spiritual Virgin to Virgin Mother: The Confessions of Margery Kempe [The author argues that Margery's struggle to relinquish her sexuality and motherhood paradoxically gives her models for framing her spirituality].
Source: Parergon: Journal of the Australian and New Zealand Association for Medieval and Early Modern Studies, New Series , 17., 1 (July 1999):  Pages 9 - 44.
Year of Publication: 1999.

127. Record Number: 4024
Author(s): Chamberlayne, Joanna L.
Contributor(s):
Title : Crowns and Virgins: Queenmaking During the Wars of the Roses [the author analyzes the roles of the English queen: to be beautiful, chaste, and noble; to complement the king's actions with mercy and peacemaking; and to provide heirs while retaining a quasi-virginal state; the author looks at the case of Elizabeth Woodville who had been twice married, a violation of the longstanding practice that kings married virgins.]
Source: Young Medieval Women.   Edited by Katherine J. Lewis, Noel James Menuge, and Kim M. Phillips .   St. Martin's Press, 1999. Parergon: Journal of the Australian and New Zealand Association for Medieval and Early Modern Studies, New Series , 17., 1 (July 1999):  Pages 47 - 68.
Year of Publication: 1999.

128. Record Number: 3548
Author(s): Mooney, Catherine M.
Contributor(s):
Title : Imitatio Christi or "Imitatio Mariae"? Clare of Assisi and Her Interpreters [The author argues that Clare represents herself as a follower and imitator of Christ throughout her writings; it is only subsequent hagiography and iconography that portray Clare as a follower not of Christ but of Mary].
Source: Gendered Voices: Medieval Saints and Their Interpreters.   Edited by Catherine M. Mooney .   University of Pennsylvania Press, 1999. Parergon: Journal of the Australian and New Zealand Association for Medieval and Early Modern Studies, New Series , 17., 1 (July 1999):  Pages 52 - 77.
Year of Publication: 1999.

129. Record Number: 3991
Author(s): Fassler, Margot.
Contributor(s):
Title : Composer and Dramatist: "Melodious Singing and the Freshness of Remorse"
Source: Voice of the Living Light: Hildegard of Bingen and Her World.   Edited by Barbara Newman .   University of California Press, 1998. Mystics Quarterly , 24., 4 (December 1998):  Pages 149 - 175.
Year of Publication: 1998.

130. Record Number: 6318
Author(s): Macha, Jürgen and Martin J. Schubert
Contributor(s):
Title : Ein unbekanntes marienlegenden-Fragment aus Krakau
Source: Zeitschrift für deutsche Philologie , 117., 3 ( 1998):  Pages 361 - 380.
Year of Publication: 1998.

131. Record Number: 3339
Author(s): Sella, Barbara.
Contributor(s):
Title : Northern Italian Confraternities and the Immaculate Conception in the Fourteenth Century [the Appendix provides a transcription of the 1347 statutes of the Consorzio della Donna in Cremona].
Source: Journal of Ecclesiastical History , 49., 4 (October 1998):  Pages 599 - 619.
Year of Publication: 1998.

132. Record Number: 5054
Author(s): Nocentini, Silvia.
Contributor(s):
Title : Una sequenza inedita di Raimondo da Capua [Raymond of Capua composed the "Vita" of Agnes of Montepulciano in 1365 after a brief stay in Montepulciano; he reports a liturgical sequence without music, that Agnes heard the angels sing in a vision of Mary seen shortly before Agnes' death; this sequence, with the rest of the "Vita," manifests Raymond's triumphant vision of Mary's glory; Catherine of Siena, even in Raymond's hagiographic work, conveys a more human vision of Mary's joys and sorrows].
Source: Medioevo e Rinascimento , ( 1998):  Pages 205 - 221.
Year of Publication: 1998.

133. Record Number: 5957
Author(s): Jacobus, Laura.
Contributor(s):
Title : Piety and Propriety in the Arena Chapel [the author argues that the "Early Life of the Virgin" frescoes in the Arena Chapel were intended in part to convey models of behavior to the wife, mother, and daughter of Enrico Scrovegni, the patron; using devotional works and secular conduct literature the author argues that the ideals for upper class women's behavior (modesty, chastity, courtliness, humility, charity, and attention to their husbands and families) were linked to piety and represented by Giotto in the images of the Virgin and other holy women].
Source: Renaissance studies : journal of the Society for Renaissance Studies , 12., 2 (June 1998):  Pages 177 - 205.
Year of Publication: 1998.

134. Record Number: 5684
Author(s): Henry, Tom.
Contributor(s):
Title : New Documents for Signorelli's "Annunciation" at Volterra [in the Appendix the author provides transcriptions of three documents: Payments to Signorelli for the Volterra "Annunciation," 7 January 1490 to 13 May 1491; The Company of the Virgin Mary sell their old altarpiece, 4 June 1491- 21 April 1494; Ippolito Cigna's account of his restoration of the "Annunciation," published 1740- 1741].
Source: Burlington Magazine (Full Text via JSTOR) 140, 1144 (July 1998): 474-478. Link Info
Year of Publication: 1998.

135. Record Number: 5565
Author(s): Stinson, John.
Contributor(s):
Title : The Dominican Liturgy of the Assumption: Texts and Music for the Divine Office [The author studies the Office for the feast of the Assumption in a set of early fourteenth-century Dominican choir-books made for the Church of San Domenico in Perugia; the Appendix presents an edition of the text and music of the Office (along with thre
Source: The Art of the Book: Its Place in Medieval Worship.   Edited by Margaret M. Manion and Bernard J. Muir .   University of Exeter Press, 1998.  Pages 163 - 193.
Year of Publication: 1998.

136. Record Number: 5686
Author(s): Gordon, Dillian.
Contributor(s):
Title : Zanobi Strozzi's "Annunciation" in the National Gallery [the recently discovered signature on the "Annunciation" makes it easier to identify Strozzi's work from other pupils of Fra Angelico; the author compares Strozzi's "Annunciation" to others done around the same time by Fra Angelico and his workshop].
Source: Burlington Magazine (Full Text via JSTOR) 140, 1145 (August 1998): 517-524. Link Info
Year of Publication: 1998.

137. Record Number: 3333
Author(s): Koutava-Delivoria, Barbara.
Contributor(s):
Title : Figures féminines dans la littérature mariale (XIIe- XIlIe siècles) [The author analyses three stories from Gautier de Coinci's "Miracles de Nostre Dame: the Empress, Saint Leocadie, and the Young Girl from Arras].
Source: Moyen Age , 104., 40241 ( 1998):  Pages 435 - 459.
Year of Publication: 1998.

138. Record Number: 4352
Author(s): Williamson, Beth.
Contributor(s):
Title : The Virgin "Lactans" as Second Eve: Image of the "Salvatrix" [the author analyzes the iconography of a painting by Carlo da Camerino, depicting the Virgin nursing the infant Christ with Eve reclining below; Margaret Miles had argued that the painting juxtaposes Mary's goodness with Eve's sinful body (and the bodies of the female viewers); the author argues that the panel creates a "complex allegory not only of the Virgin's centrality to human redemption but also of Eve's crucial role in this process"].
Source: Studies in Iconography , 19., ( 1998):  Pages 105 - 138.
Year of Publication: 1998.

139. Record Number: 5564
Author(s): Manion, Margaret M.
Contributor(s):
Title : An Unusual Image of the Assumption in a Fourteenth-Century Dominican Choir-Book [within the initial the Virgin sits beside Christ, leaning on his shoulder and holding his hand; the author argues that the close, tender relationship depicted draws upon the "Song of Songs"; this image of the Assumption was soon displaced by the majestic
Source: The Art of the Book: Its Place in Medieval Worship.   Edited by Margaret M. Manion and Bernard J. Muir .   University of Exeter Press, 1998. Studies in Iconography , 19., ( 1998):  Pages 153 - 161.
Year of Publication: 1998.

140. Record Number: 4292
Author(s): Garber, Rebecca L.R.
Contributor(s):
Title : Where is the Body? Images of Eve and Mary in the "Scivias" [The author argues that Hildegard redeems Eve through Mary and emphasizes the positive roles that women play in salvation].
Source: Hildegard of Bingen: A book of Essays.   Edited by Maud Burnett McInerney .   Garland Publishing, 1998. Studies in Iconography , 19., ( 1998):  Pages 103 - 132.
Year of Publication: 1998.

141. Record Number: 3275
Author(s): Ready, Kathryn J.
Contributor(s):
Title : The Marian Lyrics of Jacopone da Todi and Friar William Herebert: The Life and the Letter
Source: Franciscan Studies , 55., ( 1998):  Pages 221 - 238.
Year of Publication: 1998.

142. Record Number: 3564
Author(s): Weed, Stanley E.
Contributor(s):
Title : My Sister, Bride, and Mother: Aspects of Female Piety in Some Images of the "Virgo Inter Virgines" [The author argues that art representing the Virgin among virgins carried multiple layers of symbolism; the art work examined was produced for an audience of nuns].
Source: Magistra , 4., 1 (Summer 1998):  Pages 3 - 26.
Year of Publication: 1998.

143. Record Number: 4157
Author(s): Despres, Denise L.
Contributor(s):
Title : Immaculate Flesh and the Social Body: Mary and the Jews
Source: Jewish History , 12., 1 (Spring 1998):  Pages 47 - 69.
Year of Publication: 1998.

144. Record Number: 3467
Author(s): Brown, Cynthia J.
Contributor(s):
Title : Variance and Late Medieval "Mouvance": Reading an Edition of George Chastellain's "Louange à la tresglorieuse Vierge" [appendix includes an edition of the text, variant readings, and English translation].
Source: Disputatio: An International Transdisciplinary Journal of the Late Middle Ages , 3., ( 1998):  Pages 123 - 175. Translation, Transformation, and Transubstantiation in the Late Middle Ages
Year of Publication: 1998.

145. Record Number: 3396
Author(s): Neff, Amy.
Contributor(s):
Title : The Pain of "Compassio": Mary's Labor at the Foot of the Cross
Source: Art Bulletin (Full Text via JSTOR) 80, 2 (June 1998): 254-273. Link Info
Year of Publication: 1998.

146. Record Number: 12300
Author(s): Gärtner, Kurt.
Contributor(s):
Title : Ein neues Fragment von Bruder Philipps "Marienleben" im Stadtarchiv Burghausen [The author describes and edits new fragments (early 14th c.) of the "Marienleben" by Bruder Philipp. Title note supplied by Feminae.].
Source: Zeitschrift für Deutsches Altertum und Deutsche Literatur , 127., 2 ( 1998):  Pages 182 - 190.
Year of Publication: 1998.

147. Record Number: 3068
Author(s): McAvoy, Liz Herbert.
Contributor(s):
Title : The Moders Service: Motherhood as Matrix in Julian of Norwich [argues that Julian's perception of motherhood became the matrix out of which she fashioned an imagery connected with female biology and developed her unique insight into God's love].
Source: Mystics Quarterly , 24., 4 (December 1998):  Pages 181 - 197.
Year of Publication: 1998.

148. Record Number: 2986
Author(s): Holbert, Kelly.
Contributor(s):
Title : The Vindication of a Controversial Early Thirteenth-Century "Vierge Ouvrante" in the Walters Art Gallery
Source: Journal of the Walters Art Gallery , 55/56., ( 1997/1998):  Pages 101 - 121.
Year of Publication: 1997/1998.

149. Record Number: 2264
Author(s): Elkins, Sharon.
Contributor(s):
Title : Gertrude the Great and the Virgin Mary [in her visions Gertrude describes an ambiguous relationship with Mary ; because of her christocentric spirituality, Gertrude emphasized Mary's royal power and role as mother-in-law rather than the more standard image of Mary as the tender-hearted intercessor].
Source: Church History (Full Text via JSTOR) 66, 4 (Dec. 1997): 720-734. Link Info
Year of Publication: 1997.

150. Record Number: 447
Author(s): Krustev, Georgi.
Contributor(s):
Title : A Poem by Maria Comnene Palaeologina from Manuscript No. 177 of the Ivan Dujcev Centre for Slavo-Byzantine Studies [suggests that the author of the poem was the illegitimate daughter of Michael VIII Palaeologus and was married to Abaka, the Mongol ruler of Persia; she may have found Codex No. 177 in Persia and donated it to the Monastery of the Chora in Constantinople; article includes the text of the poem].
Source: Byzantinoslavica , 58., 1 ( 1997):  Pages 71 - 77.
Year of Publication: 1997.

151. Record Number: 3297
Author(s): Hehl, Ernst-Dieter.
Contributor(s):
Title : Maria und das ottonisch-salische Königtum: Urkunden, Liturgie, Bilder
Source: Historisches Jahrbuch , 117., 2 ( 1997):  Pages 52 - 64.
Year of Publication: 1997.

152. Record Number: 3618
Author(s): Wrightson, Kellinde.
Contributor(s):
Title : Drápa af Maríugrát, the Joys and Sorrows of the Virgin and Christ, and the Dominican Rosary
Source: Saga Book , 24., 5 ( 1997):  Pages 283 - 292.
Year of Publication: 1997.

153. Record Number: 4831
Author(s): Butcher, Mary.
Contributor(s):
Title : A Homily for the Nativity of the Virgin Mary [The author presents an edition with translation of an Old English homily from Cambridge, Corpus Christi College MS 367 part II fos 11- 16].
Source: Bulletin of the John Rylands University Library of Manchester , 79., 3 (Autumn 1997):  Pages 93 - 118.
Year of Publication: 1997.

154. Record Number: 5602
Author(s): Dallaj, Arnalda.
Contributor(s):
Title : Orazione e pittura tra "propaganda" e devozione al tempo di Sisto IV: il caso della Madonna della Misericordia di Ganna [once Sixtus IV issued a decree favoring the doctrine of the Immaculate Conception, texts and images favoring that doctrine proliferated; some texts, genuine or spurious, promised indulgences to the devout; and they featured excerpts from Leonardo Nogarolo's office for the feast of Mary Immaculate; the image of the Madonna della Misericordia at Varese is such an image; the church also features the monogram of the Name of Jesus popularized by the Franciscan Observants; the entire complex benefited from patronage by the Sforza family].
Source: Revue Mabillon: Nouvelle Série , 8., 69 ( 1997):  Pages 237 - 262.
Year of Publication: 1997.

155. Record Number: 5680
Author(s): Thomas, Anabel.
Contributor(s):
Title : A New Date for Neri di Bicci's S. Giovannino dei Cavalieri "Coronation of the Virgin" [the author presents document transcriptions in the article's Appendix that prove that Neri di Bicci was selected by the nuns of S. Niccolò dei Frieri to paint an altarpiece in 1488; further document extracts indicate the nuns' additional efforts to make the high altar more splendid].
Source: Burlington Magazine (Full Text via JSTOR) 139, 1127 (February 1997): 103-106. Link Info
Year of Publication: 1997.

156. Record Number: 2748
Author(s): de Martel, Gérard.
Contributor(s):
Title : Un sermon anonyme sur Ruth 1, 22 pour la nativité de la Vierge Marie (Cambridge, Gonville and Caius College 358/585) [includes an edited version of the Latin sermon].
Source: Mediaeval Studies , 59., ( 1997):  Pages 1 - 18.
Year of Publication: 1997.

157. Record Number: 2480
Author(s): Black, Nancy B.
Contributor(s):
Title : Woman as Savior: The Virgin Mary and the Empress of Rome in Gautier de Coinci's "Miracles" [analysis of the thirteenth century text and its manuscript illustrations, emphasizing the chastity and spiritual authority of the empress; Gautier addressed his text to the abbess of Notre Dame at Soissons and the abbess of Fontevrault].
Source: Romanic Review , 88., 4 (November 1997):  Pages 503 - 517.
Year of Publication: 1997.

158. Record Number: 3148
Author(s): Kalas, Gregor.
Contributor(s):
Title : Queening Intercession: The Virgin Intervenes as an Empress at S. Maria Antiqua (Rome)
Source: Byzantine Studies Conference. Abstracts of Papers , 23., ( 1997):  Pages 10
Year of Publication: 1997.

159. Record Number: 2507
Author(s): Stottlemyer, Ronald.
Contributor(s):
Title : Birgitta of Sweden and the Divine Mysteries of Motherhood [discussion of her theology of motherhood that was based on her vision of Mary giving birth to the baby Jesus].
Source: Medieval Feminist Newsletter , 24., (Fall 1997):  Pages 31 - 37.
Year of Publication: 1997.

160. Record Number: 20981
Author(s): Reed, Teresa P
Contributor(s):
Title : Shadows of the Law: Chaucer's "Man of Law's Tale," Exemplarity and Narrativity
Source: Mediaevalia , 21., 2 ( 1997):  Pages 231 - 248.
Year of Publication: 1997.

161. Record Number: 2059
Author(s): Snow-Obenaus, Katya.
Contributor(s):
Title : Medieval Attitudes Towards Women as Reflected in the Songs of Heinrich von Morungen [analyzes the contrasting imagery of the singer's lady as a destructive force and as a figure of radiant goodness akin to the Virgin Mary].
Source: Germanic Notes and Reviews , 28., 2 (Fall 1997):  Pages 121 - 127.
Year of Publication: 1997.

162. Record Number: 3669
Author(s): Holmes, Megan.
Contributor(s):
Title : Disrobing the Virgin: The "Madonna Lactans" in Fifteenth-Century Florentine Art [the author argues that the popularity of the "Madonna lactans" waned from the 1440s through the 1470s because increased naturialism made the bare breast problematic; when the motif reappeared in the late fifteenth century , it was modified by making the Virgin less immediate and less accessible].
Source: Picturing Women in Renaissance and Baroque Italy.   Edited by Geraldine A. Johnson and Sara F. Mathews Grieco .   Cambridge University Press, 1997. Germanic Notes and Reviews , 28., 2 (Fall 1997):  Pages 167 - 195.
Year of Publication: 1997.

163. Record Number: 6668
Author(s): Ambrosio, Francis J.
Contributor(s):
Title : On Seeing Fra Angelico's San Marco "Annunciation": The Place of Art [the author meditates on the meaning of Fra Angelico's painting at the monastery of San Marco; Ambrosio explores the painter's understanding of Dominican beliefs and practices as well as more general ideas including Mary as a metaphor for freedom and contemplation].
Source: Italian History and Culture , 3., ( 1997):  Pages 87 - 154.
Year of Publication: 1997.

164. Record Number: 2910
Author(s): Yoshikawa, Naoë Kukita.
Contributor(s):
Title : Symbolic Grain and Symbolic Bread: Relationships Between the Ancient Grain Goddess and the Virgin Mary in the Late Middle Ages
Source: Magistra , 3., 1 (Summer 1997):  Pages 108 - 141.
Year of Publication: 1997.

165. Record Number: 2893
Author(s): Webb, Diana.
Contributor(s):
Title : Queen and Patron [explores the special relationship that many Italian cities had with the Virgin Mary; imagery and texts evoke her mercy, charity and royalty].
Source: Queens and Queenship in Medieval Europe: Proceedings of a Conference Held at King's College London, April 1995.   Edited by Anne J. Duggan .   Boydell Press, 1997. Magistra , 3., 1 (Summer 1997):  Pages 205 - 221.
Year of Publication: 1997.

166. Record Number: 2275
Author(s): Tasioulas, J.A.
Contributor(s):
Title : Between Doctrine and Domesticity: The Portrayal of Mary in the N-Town Plays [argues that the N-Town author sought to emphasize both Mary's purity and humanity in the depiction of her conception and childhood].
Source: Medieval Women in Their Communities.   Edited by Diane Watt .   University of Toronto Press, 1997. Magistra , 3., 1 (Summer 1997):  Pages 222 - 245.
Year of Publication: 1997.

167. Record Number: 5681
Author(s): Callegari, Raimondo.
Contributor(s):
Title : Bernardo Bembo and Pietro Lombardo; News from the "Nonianum" [The author argues that the newly discovered low-relief sculpture of the Virgin and Child was commissioned by the humanist Bernardo Bembo and sculpted by Pietro Lombardo who, with his workshop, did many such images of the Virgin and Child in the 1480s].
Source: Burlington Magazine (Full Text via JSTOR) 139, 1137 (December 1997): 862-866. Link Info
Year of Publication: 1997.

168. Record Number: 2892
Author(s): Stroll, Mary.
Contributor(s):
Title : Maria "Regina":"Papal Symbol
Source: Queens and Queenship in Medieval Europe: Proceedings of a Conference Held at King's College London, April 1995.   Edited by Anne J. Duggan .   Boydell Press, 1997.  Pages 173 - 203.
Year of Publication: 1997.

169. Record Number: 20792
Author(s): Rittey, Joanne
Contributor(s):
Title : Woman as Vessel in the Joseph d' Arimathie
Source: Parergon: Journal of the Australian and New Zealand Association for Medieval and Early Modern Studies , 15., 1 ( 1997):  Pages 101 - 116.
Year of Publication: 1997.

170. Record Number: 5682
Author(s): Wolohojian, Stephan S.
Contributor(s):
Title : Francesco di Simone Ferrucci's Fogg "Virgin and Child" and the Martini Chapel in S. Giobbe, Venice [The author argues that Francesco di Simone's large marble relief fills the empty frame of the Martini chapel altarpiece].
Source: Burlington Magazine (Full Text via JSTOR) 139, 1137 (December 1997): 867-869. Link Info
Year of Publication: 1997.

171. Record Number: 2981
Author(s): Flynn, St. John E.
Contributor(s):
Title : The Saint of the Womanly Body: Raimon de Cornet's Fourteenth-Century Male Poetics [analyzes links between the Virgin and Bernard of Clairvaux in Raimon de Cornet's two religious poems which are written from a male point of view; the appendix gives the Latin texts of the two poems followed by the English translations].
Source: Sex and Gender in Medieval and Renaissance Texts: The Latin Tradition.   Edited by Barbara K. Gold, Paul Allen Miller, and Charles Platter .   State University of New York Press, 1997.  Pages 91 - 109.
Year of Publication: 1997.

172. Record Number: 20791
Author(s): Wrightson, Kellinde
Contributor(s):
Title : The Jilted Fiancée: The Old Icelandic Miracle Poem "Vitnisvísur af Maríu" and its Modern English Translation
Source: Parergon: Journal of the Australian and New Zealand Association for Medieval and Early Modern Studies , 15., 1 ( 1997):  Pages 117 - 136.
Year of Publication: 1997.

173. Record Number: 5657
Author(s): Chandler, S. Bernard.
Contributor(s):
Title : Sabadino degli Arienti come traduttore e scrivano [Sabadino degli Arienti translated works honoring the Virgin Mary; he also transcribed literary works, including Mario Filelfo's "Glycephile"].
Source: Rivista di Studi Italiani , 15., 1 (giugno 1997):  Pages 121 - 126.
Year of Publication: 1997.

174. Record Number: 2704
Author(s): Evans, Ruth.
Contributor(s):
Title : When a Body Meets a Body: Fergus and Mary in the York Cycle [argues that the staging and audience reaction to the "other" embodied by the crossdressing actor as Mary and the feminized figure of Fergus the Jew play upon complex symbolisms of gender and social group].
Source: New Medieval Literatures , 1., ( 1997):  Pages 193 - 212.
Year of Publication: 1997.

175. Record Number: 1601
Author(s): Penketh, Sandra.
Contributor(s):
Title : Women and Books of Hours [discusses women's use and reading of books of hours ; suggests that many of the illustrations were intended to extol such virtues as obedience, humility, and purity ; and analyzes some female owner portraits].
Source: Women and the Book: Assessing the Visual Evidence.   Edited by Lesley Smith and Jane H.M. Taylor .   British Library and University of Toronto Press, 1997. New Medieval Literatures , 1., ( 1997):  Pages 266 - 281.
Year of Publication: 1997.

176. Record Number: 3286
Author(s): Nolte, Theodor.
Contributor(s):
Title : O frau, wie bitte ist dein salz/Ach frau, das ist mein zucker nar: Bilder und Projektionen der Frau bei Oswald von Wolkenstein
Source: Jahrbuch der Oswald von Wolkenstein Gesellschaft , 9., ( 1996/1997):  Pages 121 - 138.
Year of Publication: 1996/1997.

177. Record Number: 3290
Author(s): Beutin, Wolfgang
Contributor(s):
Title : Säkularisierungs- und Spiritualisierungstendenzen in der Dichtung und im mystischen Schrifttum des späten Mittelalters. Mit einem Exkurs: Dantes "Matelda" und deutsche Frauenmystik
Source: Jahrbuch der Oswald von Wolkenstein Gesellschaft , 9., ( 1996/1997):  Pages 361 - 372.
Year of Publication: 1996/1997.

178. Record Number: 820
Author(s): Chavasse, Ruth.
Contributor(s):
Title : Latin Lay Piety and Vernacular Lay Piety in Word and Image: Venice, 1471- Early 1500s [devotion to the Virgin Mary].
Source: Renaissance studies : journal of the Society for Renaissance Studies , 10., 3 (Sept. 1996):  Pages 319 - 342.
Year of Publication: 1996.

179. Record Number: 954
Author(s): Gros, Gérard.
Contributor(s):
Title : Guillaume Alecis et Jean Bouchet: Pour un style français de l' oraison mariale?
Source: Moyen Age , 102., 1 ( 1996):  Pages 81 - 92.
Year of Publication: 1996.

180. Record Number: 1058
Author(s): Lucchesi, Enzo.
Contributor(s):
Title : D' une vie de Marie à une homélie sur la Passion
Source: Analecta Bollandiana , 114., 40241 ( 1996):  Pages 269 - 272.
Year of Publication: 1996.

181. Record Number: 1196
Author(s): Sinclair, K. V.
Contributor(s):
Title : Un élément datable de la piété du "livre de la vertu du sacrement de mariage et du reconfort des dames mariees" de Philippe de Mézières [analysis of the thirteenth chapter "Oroison a la Vierge Marie"].
Source: Recherches de Théologie ancienne et médiévale , 63., ( 1996):  Pages 156 - 176.
Year of Publication: 1996.

182. Record Number: 1561
Author(s): Signori, Gabriela.
Contributor(s):
Title : The Miracle Kitchen and Its Ingredients: A Methodical and Critical Approach to Marian Shrine Wonders (10th to 13th Century)
Source: Hagiographica: Rivista di agiografia e biografia della società internazionale per lo studio del Medioevo Latino/ Journal of Hagiography and Biography of Società Internazionale per lo studio del Medioevo Latino , 3., ( 1996):  Pages 277 - 303.
Year of Publication: 1996.

183. Record Number: 1855
Author(s): Wulstan, David.
Contributor(s):
Title : Decadal Songs in the "Cantigas de Santa Maria" [argues that the songs which appear at every tenth number are set off, not only because they are "cantigas de loor" rather than narratives, but also because they share structural elements, rhythms, and melodies that come from Galician traditions].
Source: Bulletin of the Cantigueiros de Santa Maria , 8., (Spring 1996):  Pages 35 - 58.
Year of Publication: 1996.

184. Record Number: 2381
Author(s): Rose-Lefmann, Deborah.
Contributor(s):
Title : As It Is Painted: Reflections of Image-Based Devotional Practices in the "Confessions" of Katherine Tucher [her journal records mystical visions of the intercession of Mary, the crucifixion, and Christ as the bridegroom; all are strongly influenced by popular religious paintings and prints].
Source: Studia Mystica New Series , 17., 2 ( 1996):  Pages 185 - 204.
Year of Publication: 1996.

185. Record Number: 3486
Author(s): Vilatte, Sylvie.
Contributor(s):
Title : La "déuote Image noire de Nostre-Dame" du Puy-en-Velay: histoire du reliquaire roman et de son noircissement [The author argues that the Virgin from Puy-en-Velay had her face blackened in the fourteenth century in response to pressures from crusades and efforts to convert the Muslims].
Source: Revue Belge de Philologie et d'Historie , 74., 2 ( 1996):  Pages 727 - 760.
Year of Publication: 1996.

186. Record Number: 9506
Author(s): Flory, David A.
Contributor(s):
Title : The Social Uses of Religious Literature: Challenging Authority in the Thirteenth-Century Marian Miracle Tale [The author argues that the miracles were addressed to a popular audience that needed an all-powerful advocate like Mary since Jesus was identified with the authoritarian Church. The authors of the miracle tales may also have been uneasy about the withdrawal of the liturgy from the laity and the increasing emphasis on a very strict orthodoxy. Title note supplied by Feminae.].
Source: Essays in Medieval Studies , 13., ( 1996):
Year of Publication: 1996.

187. Record Number: 3582
Author(s): Sheingorn, Pamela.
Contributor(s):
Title : The Maternal Behavior of God: Divine Father as Fantasy Husband
Source: Medieval Mothering.   Edited by John Carmi Parsons and Bonnie Wheeler .   Garland Publishing, 1996. Jahrbuch der Oswald von Wolkenstein Gesellschaft , 9., ( 1996/1997):  Pages 77 - 99.
Year of Publication: 1996.

188. Record Number: 24735
Author(s): Despres, Denise L.
Contributor(s):
Title : Mary of the Eucharist: Cultic Anti-Judaism in Some Fourteenth-Century English Devotional Manuscripts
Source: From Witness to Witchcraft: Jews and Judaism in Medieval Christian Thought.   Edited by Jeremy Cohen .   Harrassowitz Verlag, 1996. Essays in Medieval Studies , 13., ( 1996):  Pages 375 - 401.
Year of Publication: 1996.

189. Record Number: 3583
Author(s): Hale, Rosemary Drage.
Contributor(s):
Title : Joseph as Mother: Adaptation and Appropriation in the Construction of Male Virtue
Source: Medieval Mothering.   Edited by John Carmi Parsons and Bonnie Wheeler .   Garland Publishing, 1996. Jahrbuch der Oswald von Wolkenstein Gesellschaft , 9., ( 1996/1997):  Pages 101 - 116.
Year of Publication: 1996.

190. Record Number: 13838
Author(s): Gibson, Gail McMurray.
Contributor(s):
Title : Blessing from Sun and Moon: Churching as Women's Theater [The author argues for a more complex understanding of churching. While acknowledging the element of clerical misogyny, Gibson believes that women experienced a corporate identity and bodily power from the female-only ritual. Title note supplied by Feminae.].
Source: Bodies and Disciplines: Intersections of Literature and History in Fifteenth-Century England.   Edited by Barbara A. Hanawalt and David Wallace .   Medieval Cultures series, 9. University of Minnesota Press, 1996. Jahrbuch der Oswald von Wolkenstein Gesellschaft , 9., ( 1996/1997):  Pages 139 - 154.
Year of Publication: 1996.

191. Record Number: 1852
Author(s): Kay, Sarah.
Contributor(s):
Title : Holy Mary Intervenes for the Clergy in the "Cantigas" of Alfonso X and in the "Milagros" of Berceo: Observations Concerning the Implicit Audience
Source: Bulletin of the Cantigueiros de Santa Maria , 8., (Spring 1996):  Pages 3 - 13.
Year of Publication: 1996.

192. Record Number: 1566
Author(s): Yoshikawa, Naoë Kukita.
Contributor(s):
Title : Searching for the Image of New "Ecclesia": Margery Kempe's Spiritual Pilgrimage Reconsidered
Source: Medieval Perspectives , 11., ( 1996):  Pages 125 - 138. Proceedings of the Twenty-First Annual Conference of the Southeastern Medieval Association
Year of Publication: 1996.

193. Record Number: 2541
Author(s): Nolan, Kathleen.
Contributor(s):
Title : Ploratus et Ululatus: The Mothers in the Massacre of the Innocents at Chartres Cathedral [argues that female viewers of the Frieze cared about the welfare of their children, saw the Virgin at Chartres as a protector of children, and recognized mourning as a particularly female responsibility ; also surveys twelfth-century representations of the Massacre in manuscript illuminations and sculpture].
Source: Studies in Iconography , 17., ( 1996):  Pages 95 - 141.
Year of Publication: 1996.

194. Record Number: 9516
Author(s): Demori Stanicic, Zoraida.
Contributor(s):
Title : Two Icons of Medieval Hvar
Source: Hortus Artium Medievalium , 2., ( 1996):  Pages 43 - 54.
Year of Publication: 1996.

195. Record Number: 790
Author(s): Lewis, Gertrud Jaron.
Contributor(s):
Title : Margareta the Lame and Her Theological Questioning
Source: Mystics Quarterly , 22., 4 (Dec. 1996):  Pages 133 - 143.
Year of Publication: 1996.

196. Record Number: 5676
Author(s): Karkov, Catherine E.
Contributor(s):
Title : Francesco Botticini's Palmieri Altar-piece [Matteo Palmieri commissioned the altarpiece from Botticini; the panel includes donor portraits of his wife Niccolosa (in a Benedictine habit) and himself; after Matteo's death Botticini and Niccolosa executed a document in 1477 agreeing that the contract for the altarpiece had been fulfilled; Niccolosa and Matteo's nephew acquired a chapel in S. Pier Maggiore where the altarpiece was installed and where Matteo was buried; the Appendix provides transcriptions of six documents, four concerning Botticini, one about the Palmieri chapel, and the first being the agreement between Niccolosa and Botticini].
Source: Burlington Magazine (Full Text via JSTOR) 138, 1118 (May 1996): 308-314. Link Info
Year of Publication: 1996.

197. Record Number: 1633
Author(s): Karkov, Catherine E.
Contributor(s):
Title : Protected Sex: A New Look at the "Cantigas de Santa María" [analysis of the various kinds of sexual activities and the Virgin Mary's actions of punishment, forgivness, and protection].
Source: Romance Languages Annual , 8., ( 1996):  Pages 561 - 572.
Year of Publication: 1996.

198. Record Number: 871
Author(s):
Contributor(s):
Title : The Struggle Over Mary's Body: Theological and Dramatic Resolution in the N- Town Assumption Play
Source: JEGP: Journal of English and Germanic Philology , 95., 2 (Apr. 1996):  Pages 190 - 203.
Year of Publication: 1996.

199. Record Number: 1853
Author(s):
Contributor(s):
Title : Berceo's "Milagros" and the "Cantigas de Santa Maria" : The Question of Intended Audience [The author argues, based on the inter-Church political concerns of many of the miracles, that Berceo primarily addressed monastics and clergy].
Source: Bulletin of the Cantigueiros de Santa Maria , 8., (Spring 1996):  Pages 15 - 29.
Year of Publication: 1996.

200. Record Number: 1856
Author(s): Kinkade, Richard P.
Contributor(s):
Title : Don Juan Manuel's Father, Infante Manuel, in the "Cantigas de Santa María" [analysis of the historical content in Cantigas 366, 376, and 382 which concern Infante Manuel].
Source: Bulletin of the Cantigueiros de Santa Maria , 8., (Spring 1996):  Pages 59 - 75.
Year of Publication: 1996.

201. Record Number: 1582
Author(s): Marvin, Corey J.
Contributor(s):
Title : I Will Thee Not Forsake: The Kristevan Maternal Space in Chaucer's "Prioress's Tale" and John of Garland's "Stella maris"
Source: Exemplaria: A Journal of Theory in Medieval and Renaissance Studies , 8., 1 (Spring 1996):  Pages 35 - 58.
Year of Publication: 1996.

202. Record Number: 782
Author(s): O' Gorman, Richard.
Contributor(s):
Title : Robert de Boron's "Joseph D' Arimathie" and the Evolving Doctrine of the Immaculate Conception
Source: Romance Notes , 37., 1 (Fall 1996):  Pages 23 - 30.
Year of Publication: 1996.

203. Record Number: 953
Author(s): O' Gorman, Richard.
Contributor(s):
Title : Le Dit de la Rose: dit allégorique en forme de prière en l' honneur de la Viege" [two parts]
Source: Moyen Age , 102., 1 ( 1996):  Pages 57 - 71. and 102, 2 (1996): 217-227 [two parts].
Year of Publication: 1996.

204. Record Number: 1182
Author(s): Hardman, Phillipa.
Contributor(s):
Title : Lydgate's "Life of Our Lady": A Text in Transition
Source: Medium Aevum , 65., 2 ( 1996):  Pages 248 - 268.
Year of Publication: 1996.

205. Record Number: 3580
Author(s): Parsons, John Carmi.
Contributor(s):
Title : The Pregnant Queen as Counsellor and the Medieval Construction of Motherhood
Source: Medieval Mothering.   Edited by John Carmi Parsons and Bonnie Wheeler .   Garland Publishing, 1996. Medium Aevum , 65., 2 ( 1996):  Pages 39 - 61.
Year of Publication: 1996.

206. Record Number: 1563
Author(s): Brumbaugh- Walter, Lynnea.
Contributor(s):
Title : The Grace of That Mutual Glance: Reciprocal Gazing and Unholy Voyeurism in "The Life of Christina of Markyate" [analyzes the nurturing, mutual gazes Christina shares with her rescuer, the hermit Roger, and the Virgin Mary ; these gazes are contrasted with the public voyeuristic gazes that Christina's Mother Beatrix arranges to destroy her daughter's chastity]
Source: Medieval Perspectives , 11., ( 1996):  Pages 74 - 95. Proceedings of the Twenty-First Annual Conference of the Southeastern Medieval Association
Year of Publication: 1996.

207. Record Number: 4845
Author(s): Parry, Joseph D.
Contributor(s):
Title : Narration and Quattrocento Annunciation Paintings [Winner of the 1996 Allen D. Breck Award].
Source: Journal of the Rocky Mountain Medieval and Renaissance Association , ( 1995/1996):  Pages 188 - 200.
Year of Publication: 1995/1996.

208. Record Number: 260
Author(s): Filax, Elaine.
Contributor(s):
Title : Female Ideal: Chaucer's Second Nun
Source: Sovereign Lady: Essays on Women in Middle English Literature.   Edited by Muriel Whitaker .   Garland Publishing, 1995. Annali d'Italianistica , 13., ( 1995):  Pages 133 - 156.
Year of Publication: 1995.

209. Record Number: 1464
Author(s): Martens, Didier.
Contributor(s):
Title : La Vierge en majesté de l'ancien retable de la 5é d'Evora: Une oeuvre Brugeoise des années 1500 [ascribed to the Master of the André Madonna on stylistic grounds].
Source: Gazette des Beaux-Arts , 126., 1523 (décembre 1995):  Pages 211 - 212.
Year of Publication: 1995.

210. Record Number: 1686
Author(s): Kulp-Hill, Kathleen.
Contributor(s):
Title : The Captions to the Miniatures of the "Codice Rico" of the "Cantigas de Santa Maria," a Translation [English Translation of the captions for the 194 "cantigas"].
Source: Bulletin of the Cantigueiros de Santa Maria , 7., (Spring 1995):  Pages 3 - 64.
Year of Publication: 1995.

211. Record Number: 2724
Author(s): Sheridan, J. Mark, O.S.B.
Contributor(s):
Title : Steersman of the Mind: The Virgin Mary as Ideal Nun (an Interpretation of Luke 1:29 by Rufus of Shotep) [Rufus emphasizes her prudence, study of scripture, and spiritual vigilance].
Source: Studia Patristica , 30., ( 1995):  Pages 265 - 269. Papers Presented at the Twelfth International Conference on Patristic Studies Held in Oxford. Biblica et Apocrypha, Ascetica, Liturgica
Year of Publication: 1995.

212. Record Number: 2837
Author(s): Kune, Cobie.
Contributor(s):
Title : Maria in der Hoffnung: Zu den Graviditätsszenen in den deutschen religiösen Dramen des späten Mittelalters
Source: Amsterdamer Beiträge zur älteren Germanistik , 41., ( 1995):  Pages 217 - 227.
Year of Publication: 1995.

213. Record Number: 5673
Author(s): Gordon, Dillian and Anabel Thomas
Contributor(s):
Title : A New Document for the High Altar-piece for S. Benedetto Fuori della Porta Pinti, Florence [the document from the State Archives in Florence records the commission in 1407 of an altarpiece at S. Benedetto by a wealthy layman].
Source: Burlington Magazine (Full Text via JSTOR) 137, 1112 (November 1995): 720-722. Link Info
Year of Publication: 1995.

214. Record Number: 5669
Author(s): Von Teuffel, Christa Gardner.
Contributor(s):
Title : The Contract for Perugino's "Assumption of the Virgin" at Vallambrosa [between 1498 and 1500, Perugino was commissioned to paint the altarpiece for the monks at Vallambrosa by Don Biagio Milanesi, member of a wealthy family and general of the order; the Appendix presents five documents related to the painting, including the contract, further instructions, a subcontract, a record of payment, and excerpts from Don Biagio's brother's will, demonstrating the family's support of the Vallambrosan order].
Source: Burlington Magazine (Full Text via JSTOR) 137, 1106 (May 1995): 307-312. Link Info
Year of Publication: 1995.

215. Record Number: 5674
Author(s): Gordon, Dillian.
Contributor(s):
Title : The Altar-piece by Lorenzo Monaco in the National Gallery, London [the author argues that Monaco's "Coronation of the Virgin" now in the National Gallery was the center panel of the altarpiece for S. Benedetto commissioned in 1407 by a wealthy layman; the text of that commission is reproduced in the Appendix, page 722 of the preceding article].
Source: Burlington Magazine (Full Text via JSTOR) 137, 1112 (November 1995): 723-727. Link Info
Year of Publication: 1995.

216. Record Number: 6778
Author(s): Cowgill, Jane.
Contributor(s):
Title : Chaucer's Missing Children ["In the lyrics, the drama, and in Chaucer's religious tales, then, the sufferings of mothers and children are made analogous to those of Mary and Christ. Children are appropriate, even essential, to this genre because, in their relationships to their mothers, they embody one of the central mysteries of the faith. Conversely, the relationships between fathers and suffering children, while presented as significant in the tales of tragedy and morality, hint at but cannot carry the same spiritual valence. Further, to recapitulate my introductory remarks, children are largely absent from the romances and fabliaux because they would be a hindrance to the internal necessities of those forms. Children are depicted in 'The Canterbury Tales' not according to any principles of realism, but according to their appropriateness to particular literary genres." p. 5 of the electronic version available through Project Muse].
Source: Essays in Medieval Studies , 12., ( 1995):  Pages 1 - 5. and 1-2 (notes) [in the electronic version available through Project Muse]. Issue title: Children and the Family in the Middle Ages.
Year of Publication: 1995.

217. Record Number: 5670
Author(s): Nash, Susie.
Contributor(s):
Title : A Fifteenth-Century French Manuscript and an Unknown Painting by Robert Campin [the author suggests that the illustration of the Virgin and child in the D'Ailly Hours was copied from a now-lost panel painting by Robert Campin; the author speculates that commissioners of manuscripts wanted copies of their favorite religious images in their prayer books in part because of their proven efficacy].
Source: Burlington Magazine (Full Text via JSTOR) 137, 1108 (July 1995): 428-437. Link Info
Year of Publication: 1995.

218. Record Number: 1208
Author(s): Birkel, Michael.
Contributor(s):
Title : A Meditation on the Magnificat Attributable to Guigo II
Source: Magistra , 1., 2 (Winter 1995):  Pages 249 - 265.
Year of Publication: 1995.

219. Record Number: 489
Author(s): Wallace, Patricia.
Contributor(s):
Title : Queenship and Knowledge in the Second English "Ordo" and the Old English "Christ I" [Thirtieth International Congress on Medieval Studies, the Medieval Institute, Western Michigan University, May 4-7, 1995. Thirtieth Symposium on the Sources of Anglo- Saxon Culture, co- sponsered by the Institute and CEMERS, Binghamton University. Session 200].
Source: Old English Newsletter , 28., 3 (Spring 1995):
Year of Publication: 1995.

220. Record Number: 6314
Author(s): Denner, Eva-Maria.
Contributor(s):
Title : Serua secretum, custodi commisum, absconde creditum: Historisch-systematische Untersuchung der "Expositio super Canticum Marie" Hugos von St. Viktor
Source: Sacris erudiri , 35., ( 1995):  Pages 139 - 171.
Year of Publication: 1995.

221. Record Number: 1162
Author(s): van Dijk, Ann.
Contributor(s):
Title : Domus Sanctae Dei Genetricis Mariae: Art and Liturgy in the Oratory of Pope John VII (705-707)
Source: Byzantine Studies Conference. Abstracts of Papers , 21., ( 1995):  Pages 76
Year of Publication: 1995.

222. Record Number: 191
Author(s): da Costa Fontes, Manuel.
Contributor(s):
Title : Idolatra de Maria: An Anti-Christian Jewish Ballad?
Source: Romance Philology , 48., 3 (Feb. 1995):  Pages 255 - 264.
Year of Publication: 1995.

223. Record Number: 1359
Author(s): Roberts, Anna.
Contributor(s):
Title : Mary's Obedience and Power in the "Trial of Mary and Joseph"
Source: Comparative Drama , 29., 3 (Fall 1995):  Pages 348 - 362.
Year of Publication: 1995.

224. Record Number: 2449
Author(s):
Contributor(s):
Title : The "Liber miraculorum" of Unterlinden: An Icon in Its Convent Setting [importance of images in nuns' and lay peoples' devotional practices based on a manuscript that records the miracles worked by an icon of Mary ; role played by spiritual advisers as the givers of images].
Source: The Sacred Image East and West.   Edited by Robert Ousterhout and Leslie Brubaker .   Illinois Byzantine Studies IV. University of Illinois Press, 1995. Comparative Drama , 29., 3 (Fall 1995):  Pages 147 - 190. Reprinted in The Visual and the Visionary: Art and Female Spirituality in Late Medieval Germany. By Jeffrey F. Hamburger. Zone Books, 1998. Pages 279-315.
Year of Publication: 1995.

225. Record Number: 4683
Author(s):
Contributor(s):
Title : Hail Most Saintly Lady: Change and Continuity in Marian Altarpieces [The author analyzes two Sienese altarpieces in detail with comparisons to Florentine and Paduan altarpieces].
Source: Siena, Florence, and Padua: Art, Society, and Religion, 1280-1400. Volume II: Case Studies.   Edited by Diana Norman .   Yale University Press in association with The Open University, 1995. Comparative Drama , 29., 3 (Fall 1995):  Pages 194 - 215.
Year of Publication: 1995.

226. Record Number: 1160
Author(s):
Contributor(s):
Title : The Cult of the Mother of God "Osenóvifsa" (She Who Overshadows)
Source: Byzantine Studies Conference. Abstracts of Papers , 21., ( 1995):  Pages 46 Full article later published as "The Cult of the Mother of God "Osianovitsa" (She Who Overshadows)." Probleme der Kunst (Sofia, Bulgaria) Issue dedicated to Professor Dr. E. Bakalova (1998):25-30.
Year of Publication: 1995.

227. Record Number: 1652
Author(s):
Contributor(s):
Title : Costanza de Castilla and the Gynaeceum of Compassion [Costanza, royal princess and prioress, wrote for a female audience and celebrated the feminine virtues of compassion and motherhood].
Source: Writing Women in Late Medieval and Early Modern Spain: The Mothers of Saint Teresa of Avila. Ronald E. Surtz .   University of Pennsylvania Press, 1995. Byzantine Studies Conference. Abstracts of Papers , 21., ( 1995):  Pages 41 - 67.
Year of Publication: 1995.

228. Record Number: 1653
Author(s):
Contributor(s):
Title : María de Ajofrín: The Scourge of Toledo [María was a holy woman associated with the Hieronymite order, but not a nun; in her later years a series of visions charged her with the responsibility of denouncing problems in Toledo including clerical immorality, lack of charity, and Judaizing among New Christians].
Source: Writing Women in Late Medieval and Early Modern Spain: The Mothers of Saint Teresa of Avila. Ronald E. Surtz .   University of Pennsylvania Press, 1995. Byzantine Studies Conference. Abstracts of Papers , 21., ( 1995):  Pages 68 - 84.
Year of Publication: 1995.

229. Record Number: 429
Author(s):
Contributor(s):
Title : Saint Anne: A Holy Grandmother and Her Children
Source: Sanctity and Motherhood: Essays on Holy Mothers in the Middle Ages.   Edited by Anneke B. Mulder-Bakker Garland Medieval Casebooks, 14.   Garland Publishing, 1995. Byzantine Studies Conference. Abstracts of Papers , 21., ( 1995):  Pages 31 - 65.
Year of Publication: 1995.

230. Record Number: 2841
Author(s):
Contributor(s):
Title : I gioielli della madonna predestinata: Eine 'Inter'miszelle, ausgehend von Bruden Hansens Marienliedern
Source: Amsterdamer Beiträge zur älteren Germanistik , ( 1995):  Pages 205 - 220.
Year of Publication: 1995.

231. Record Number: 2448
Author(s):
Contributor(s):
Title : Reflections on St. Luke's Hand: Icons and the Nature of Aura in the Burgundian Low Countries During the Fifteenth Century [argues that the fifteen copies of Cambrai's "Virgin and Child" icon were commissioned as part of a fund raising effort for the liberation of Constantinople from the Ottomans].
Source: The Sacred Image East and West.   Edited by Robert Ousterhout and Leslie Brubaker .   Illinois Byzantine Studies IV. University of Illinois Press, 1995. Amsterdamer Beiträge zur älteren Germanistik , ( 1995):  Pages 132 - 146.
Year of Publication: 1995.

232. Record Number: 340
Author(s): Vasvari, Louise O
Contributor(s):
Title : Joseph on the Margin: The Mérode Tryptic and Medieval Spectacle [Joseph as Cuckold in paintings and in mystery plays]
Source: Mediaevalia , 18., ( 1995):  Pages 163 - 189. (1995 (for 1992)) Published by the Center for Medieval and Early Renaissance Studies, State University of New York at Binghamton
Year of Publication: 1995.

233. Record Number: 187
Author(s): Hunt, Lucy-Anne.
Contributor(s):
Title : Fine Incense of Virginity: A Late Twelfth Century Wallpainting of the Annuciation at the Monastery of the Syrians, Egypt
Source: Byzantine and Modern Greek Studies , 19., ( 1995):  Pages 182 - 232.
Year of Publication: 1995.

234. Record Number: 42
Author(s): Robertson, Anne Walters.
Contributor(s):
Title : Remembering the Annunciation in Medieval Polyphony
Source: Speculum (Full Text via JSTOR) 70 (1995): 275-304. Link Info
Year of Publication: 1995.

235. Record Number: 103
Author(s): Stokes, Charity Scott.
Contributor(s):
Title : Thomas Hoccleve's Mother of God and Balade to the Virgin and Christ: Latin and Anglo-Norman Sources
Source: Medium Aevum , 64., 1 ( 1995):  Pages 74 - 84.
Year of Publication: 1995.

236. Record Number: 2447
Author(s): Ousterhout, Robert.
Contributor(s):
Title : The Virgin of the Chora: An Image and Its Contexts [discussion of the mosaic icon of the Virgin in the church of the Chora Monastery in terms of its part in a decorative program that called upon a complex symbolism; also discusses the importance of the Virgin "orans" motif in the related images known as "Blachernitissa," "Episkepsis," and "Platytera"].
Source: The Sacred Image East and West.   Edited by Robert Ousterhout and Leslie Brubaker .   Illinois Byzantine Studies IV. University of Illinois Press, 1995. Medium Aevum , 64., 1 ( 1995):  Pages 91 - 109.
Year of Publication: 1995.

237. Record Number: 352
Author(s): Boyd, Beverly.
Contributor(s):
Title : Chaucer's Moments in the "Kneeling World" [mysticism and devotion to Mary in Chaucer's ABC and Canterbury Tales].
Source: Vox Mystica: Essays on Medieval Mysticism in Honor of Professor Valerie M Lagorio.   Edited by Anne Clark Bartlett, Thomas H. Bestul, Janet Goebel, and William F. Pollard .   D.S. Brewer, 1995. Medium Aevum , 64., 1 ( 1995):  Pages 99 - 105.
Year of Publication: 1995.

238. Record Number: 1201
Author(s): Breeze, Andrew.
Contributor(s):
Title : Master John of St. Davids, Adam and Eve, and the Rose Amongst Thorns [discussion of the sources used in the two poems attributed to Master John].
Source: Studia Celtica , 29., ( 1995):  Pages 225 - 235.
Year of Publication: 1995.

239. Record Number: 357
Author(s): Hayes, Stephen E.
Contributor(s):
Title : Of Three Workings in Man's Soul: A Middle English Prose Meditation on the Annunciation
Source: Vox Mystica: Essays on Medieval Mysticism in Honor of Professor Valerie M Lagorio.   Edited by Anne Clark Bartlett, Thomas H. Bestul, Janet Goebel, and William F. Pollard .   D.S. Brewer, 1995. Studia Celtica , 29., ( 1995):  Pages 177 - 199.
Year of Publication: 1995.

240. Record Number: 1687
Author(s): Schaffer, Martha E.
Contributor(s):
Title : Marginal Notes in the Toledo Manuscript of Alfonso El Sabio's "Cantigas de Santa Maria": Observations on Composition, Correction, Compilation, and Performance [author argues that the manuscript was used as a performance copy].
Source: Bulletin of the Cantigueiros de Santa Maria , 7., (Spring 1995):  Pages 65 - 84.
Year of Publication: 1995.

241. Record Number: 2694
Author(s): Schiferl, Ellen.
Contributor(s):
Title : Caritas and the Iconography of Italian Confraternity Art [explores the iconography of the Madonna della Misericordia, the Madonna of Humility, and the Flagellation of Christ within the lay context of the confraternity where the themes of charity, humility, and mercy were expressed by love for one's neighbor, love for God, and the hope of salvation; also includes an appendix that lists Italian confraternity art, both sculpture and painting, for each of the three themes, 1300-1515].
Source: Studies in Iconography , 14., ( 1995):  Pages 207 - 246.
Year of Publication: 1995.

242. Record Number: 6629
Author(s): Tylus, Jane.
Contributor(s):
Title : Mystical Enunciations: Mary, the Devil, and Quattrocento Spirituality [the author argues that Catherine Vigri's text, "Sette armi spirituali," written for the guidance of her Poor Clare sisters, embodies the era's growing doubts about mysticism and the ways to authenticate visions; the Virgin Mary at the Annunciation plays a central role for Catherine Vigri because she prefigures the mystic in the "clausura" of the convent, aware of diabolical dangers and maternal in her protection and love for her sisters].
Source: Annali d'Italianistica , 13., ( 1995):  Pages 219 - 242. Women Mystic Writers. Edited by Dino S. Cervigni
Year of Publication: 1995.

243. Record Number: 445
Author(s): Parsons, John Carmi.
Contributor(s):
Title : Queen's Intercession in Thirteenth- Century England [contradictory nature of the queen's role as intercessor].
Source: Power of the Weak: Studies on Medieval Women. A selection of a papers presented at the annual conference of the Centre for Medieval Studies, University of Toronto, Feb. 1990.   Edited by Jennifer Carpenter and Sally- Beth MacLean .   University of Illinois Press, 1995. Annali d'Italianistica , 13., ( 1995):  Pages 147 - 177.
Year of Publication: 1995.

244. Record Number: 3487
Author(s): Bloxam, M. Jennifer.
Contributor(s):
Title : Plainsong and Polyphony for the Blessed Virgin: Notes on Two Masses by Jacob Obrecht
Source: Journal of Musicology (Full Text via JSTOR) 12, 1 (Winter 1994): 51-75. Link Info
Year of Publication: 1994.

245. Record Number: 1810
Author(s): Gould, Cecil.
Contributor(s):
Title : The Early History of Leonardo's "Vierge aux Rochers" in the Louvre [argues that the earlier version of the painting was commandered by Il Moro as a wedding gift for his niece, Bianca Maria Sforza, and her new husband, the Emperor Maximilian I].
Source: Gazette des Beaux-Arts , 124., 1511 (décembre 1994):  Pages 215 - 222.
Year of Publication: 1994.

246. Record Number: 4160
Author(s): Vetrani, Anthony J.
Contributor(s):
Title : Christian Allegory in Selected "Milagros" of Gonzalo de Berceo [The author examines the use of allegory in two "Milagros," one of which is "The Pregnant Abbess"].
Source: Journal of Hispanic Philology , 18., 37623 (Otoño/Invierno-Primavera 1994):  Pages 179 - 193.
Year of Publication: 1994.

247. Record Number: 5577
Author(s): Morgan, Nigel.
Contributor(s):
Title : The Coronation of the Virgin by the Trinity and Other Texts and Images of the Glorification of Mary in Fifteenth-Century England
Source: England in the Fifteenth Century: Proceedings of the 1992 Harlaxton Symposium. .  Harlaxton Medieval Studies , 4., ( 1994):  Pages 223 - 241.
Year of Publication: 1994.

248. Record Number: 9775
Author(s): Miligi, Giuseppe.
Contributor(s):
Title : Francescanesimo al femminile: Chiara d’Assisi ed Eustochia da Messina [Franciscan hagiography described Francis as "another Christ" and Clare as "another Mary." These hagiographers saw Mary’s role as active, not passive. An early copy of Clare’s Rule ties her to Eustochia of Messina, an outstanding 15th century follower of that Rule. Title note supplied by Feminae.].
Source: Francescanesimo al femminile: Chiara d'Assisi ed Eustochia da Messina.   Edited by Giuseppe Miligi et al .   EDAS, 1994. Harlaxton Medieval Studies , 4., ( 1994):  Pages 11 - 40.
Year of Publication: 1994.

249. Record Number: 899
Author(s): Cotsonis, John.
Contributor(s):
Title : Virgin with the "Tongues of Fire" on Byzantine Lead Seals
Source: Dumbarton Oaks Papers (Full Text via JSTOR) 49 (1994): 221-227. Link Info
Year of Publication: 1994.

250. Record Number: 5569
Author(s): Duclow, Donald F.
Contributor(s):
Title : The Virgin's "Good Death": The Dormition in Fifteenth-Century Drama and Art [The author argues that the Virgin's dormition served as a model for dying well; handbooks in the "ars moriendi" tradition also emphasize a serene, holy death with the consoling intervention of the Virgin Mary].
Source: Fifteenth Century Studies , 21., ( 1994):  Pages 55 - 86.
Year of Publication: 1994.

251. Record Number: 3277
Author(s): Marchand, James W. and Spurgeon Baldwin
Contributor(s):
Title : Singers of the Virgin in Thirteenth-Century Spain
Source: Bulletin of Hispanic Studies , 71., 2 (April 1994):  Pages 169 - 184.
Year of Publication: 1994.

252. Record Number: 1807
Author(s): Maginnis, Hayden B.J.
Contributor(s):
Title : Duccio's Rucellai: "Madonna" and the Origins of Florentine Painting
Source: Gazette des Beaux-Arts , 123., 1503 (avril 1994):  Pages 147 - 164.
Year of Publication: 1994.

253. Record Number: 1235
Author(s): Clayton, Mary.
Contributor(s):
Title : Centralism and Uniformity Versus Localism and Diversity: The Virgin and Native Saints in the Monastic Reform
Source: Peritia: Journal of the Medieval Academy of Ireland , 8., ( 1994):  Pages 95 - 106.
Year of Publication: 1994.

254. Record Number: 2727
Author(s): Hunt, Alison M.
Contributor(s):
Title : Maculating Mary: The Detractors of the N-Town Cycle's "Trial of Joseph and Mary" [suggests two literary traditions that give resonance to the characters Bakbytere and Reyse Sclaundyr: slanderers in romance whose envy reveals the hero's true worth and dissenters in anti-Lollard Church writings who threaten communal peace].
Source: Philological Quarterly , 73., 1 (Winter 1994):  Pages 11 - 29.
Year of Publication: 1994.

255. Record Number: 1588
Author(s): Dobrov, Gregory W.
Contributor(s):
Title : A Dialogue with Death: Ritual Lament and the "Threnos Theotokou" of Romanos Melodos [a "kontakion," a dramatic and complex chanted dialogue, in this case, between Mary and Christ, exploring paradoxes of gender, body, and voice].
Source: Greek, Roman, and Byzantine Studies , 35., 4 (Winter 1994):  Pages 385 - 405.
Year of Publication: 1994.

256. Record Number: 3620
Author(s): Dobrov, Gregory W.
Contributor(s):
Title : Voicing the Virgin: Dialogic Invention of the Theotokos in the Sixth-Century Kontakion
Source: Byzantine Studies Conference. Abstracts of Papers , 20., ( 1994):  Pages 9 - 10.
Year of Publication: 1994.

257. Record Number: 4189
Author(s): Breeze, Andrew.
Contributor(s):
Title : Two Bardic Themes: The Virgin and Child, and "Ave-Eva"
Source: Medium Aevum , 63., 1 ( 1994):  Pages 17 - 33.
Year of Publication: 1994.

258. Record Number: 3463
Author(s): Schibanoff, Susan.
Contributor(s):
Title : Botticelli's "Madonna del Magnificat": Constructing the Woman Writer in Early Humanist Italy
Source: PMLA: Publications of the Modern Language Association of America (Full Text via JSTOR) 109, 2 (March 1994): 190-206. Link Info
Year of Publication: 1994.

259. Record Number: 4632
Author(s): Carpenter, Dwayne E.
Contributor(s):
Title : A Sorcerer Defends the Virgin: Merlin in the "Cantigas de Santa Maria" [in "Cantiga 108" Merlin disputes the Incarnation with a Jew; the Virgin punishes the Jew by giving him a deformed son who serves as an instrument to convert many Jews].
Source: Bulletin of the Cantigueiros de Santa Maria , 5., (Spring 1993):  Pages 5 - 24.
Year of Publication: 1993.

260. Record Number: 14249
Author(s):
Contributor(s):
Title : Marie, l'art el la société [confrence announced for 1993 dedicated to the topic of the Virgin Mary, art and society].
Source: Revue d'Histoire de l'Église de France , 79., 202 (janvier-juin 1993):  Pages 227
Year of Publication: 1993.

261. Record Number: 12728
Author(s): Hull, Vida J.
Contributor(s):
Title : The Sex of the Savior in Renaissance Art: The Revelations of Saint Bridget and the Nude Christ Child in Renaissance Art [Bridget's description of the nude Christ child at the Nativity, written during the fourteenth century, had a strong influence on fifteenth century visual representations of the Christ child, who was often depicted as naked infant with genitals in open view. The exposure of the Christ child's penis is a moment of revelation that displays His gender and also exemplifies His humanity. This was a common motif in the Brigittine scenes of the Nativity and the Adoration of the Shepherds, but was later transferred into other contexts, such as the Adoration of the Magi and devotional images of the Virgin and Child. Title note supplied by Feminae.].
Source: Studies in Iconography , 15., ( 1993):  Pages 77 - 112.
Year of Publication: 1993.

262. Record Number: 11050
Author(s): Bloxam, M. Jennifer.
Contributor(s):
Title : La Contenance Italienne: The Motets on "Beata es Maria" by Compère, Obrecht, and Brumel [The author explores the influence of the "lauda," a popular Italian religious song, on three related motets in praise of the Virgin Mary. Title note supplied by Feminae.].
Source: Early Music History (Full Text via JSTOR) 11 (1992): 39-89. Link Info
Year of Publication: 1992.

263. Record Number: 10364
Author(s): Shell, Janice and Grazioso Sironi
Contributor(s):
Title : Cecilia Gallerani: Leonardo’s Lady with an Ermine [The authors identify the sitter for Leonardo’s portrait as Cecilia Gallerani, the mistress of Duke Ludovico Sforza. It is not the lady’s resemblance to other women in other contemporary portraits but the iconography of the painting that identifies her. She holds an ermine (weasel) because Sforza's emblem was the ermine, or because the Greek word for ermine is “gale” (a pun on the lady’s surname). Cecilia may also have been the model for the pointing angel in Leonardo’s “Virgin of the Rocks.” The Appendix transcribes six Latin documents concerning Cecilia. Title note supplied by Feminae.].
Source: Artibus et Historiae , 13., 25 ( 1992):  Pages 47 - 66.
Year of Publication: 1992.

264. Record Number: 6603
Author(s): Blum, Shirley Neilsen.
Contributor(s):
Title : Hans Memling's "Annunciation" with Angelic Attendants [the author argues that Memling's interpretation is unique in his emphasis on Mary and the doctrinal meaning of the moment of the incarnation; the author cites imagery and iconography that convey purity, the nuptial bed, and the blessed womb].
Source: Metropolitan Museum Journal , 27., ( 1992):  Pages 43 - 58.
Year of Publication: 1992.

265. Record Number: 8631
Author(s): Moody, D. Branch.
Contributor(s):
Title : Healing Power in the Marian Miracle Books of Bavarian Healing Shrines, 1489-1523 A.D [The author looks at the representations of healing in several early printed books of miracles, all based on a group of events at Bavarian shrines dedicated to the Virgin. Title note supplied by Feminae.].
Source: Journal of the History of Medicine and Allied Sciences , 47., 1 (January 1992):  Pages 68 - 90.
Year of Publication: 1992.

266. Record Number: 8777
Author(s): O'Gorman, Richard.
Contributor(s):
Title : The "Stabat mater" in Middle French Verse: An Edition of Paris, Bibliothèque nationale, fr 24865 [The author discusses the relationship between this manuscript, which includes a Middle French version of the "Stabat mater," and five other manuscript versions. The Appendix presents editions of the text from BN fr 24865 and from the much different version in Poitiers, Bibliothèque Municipale 95. Title note supplied by Feminae.].
Source: Franciscan Studies , 52., ( 1992):  Pages 191 - 201.
Year of Publication: 1992.

267. Record Number: 10007
Author(s): Kinkade, Richard P.
Contributor(s):
Title : Alfonso X, "Cantiga 235," and the Events of 1269-1278 ["Cantiga 235," one of hundreds of lyrics Alfonso wrote in praise of the Virgin Mary, gives a broad historical perspective on the poet’s reign as King of Castile. While the poem praises Mary throughout, it also chronicles a series of personal betrayals and gives insight into the king’s own ill health and suffering. The article includes a detailed account of the major events in Alfonso’s reign, including the execution of his own brother on the charge of sodomy. Title note supplied by Feminae.].
Source: Speculum , 67., 2 (April 1992):  Pages 284 - 323.
Year of Publication: 1992.

268. Record Number: 10224
Author(s): Cassidy, Brendan
Contributor(s):
Title : Orcagna’s Tabernacle in Florence: Design and Function [In the mid-fourteenth century, Andrea Orcagna was commissioned to design a new shrine to house an image of the Madonna in the Church of Orsanmichele in Florence. The author describes the original appearance of the shrine and the devotional purposes it served, as well as the shrine’s relationship to an earlier tabernacle that stood in Orsanmichele. The shrine provided a focus for devotion to the Virgin, and although it was not originally designed for celebration of the Mass, it was at some point converted to include an altar for that purpose. Title note supplied by Feminae.].
Source: Zeitschrift für Kunstgeschichte , 55., ( 1992):  Pages 180 - 211.
Year of Publication: 1992.

269. Record Number: 10279
Author(s): Ladis, Andrew.
Contributor(s):
Title : Immortal Queen and Mortal Bride: the Marian Imagery of Ambrogio Lorenzetti's Cycle at Montesiepi [The author describes the depiction of Mary as both a bride and a queen in one fourteenth-century cycle. Title note supplied by Feminae.].
Source: Gazette des beaux-arts , 119., (mai-juin 1992):  Pages 189 - 200.
Year of Publication: 1992.

270. Record Number: 4630
Author(s): González-Casanovas, R. J.
Contributor(s):
Title : Marian Devotion as Gendered Discourse in Berceo and Alfonso X: Popular Reception of the "Milagros" and "Cantigas" [the author compares two miracle stories that appear in both Berceo and Alfonso X, "The Marvelous Birth" and "The Drunk Monk;" the author argues that gender plays a major role for both authors, with Berceo transforming the Virgin Mary into a cultural icon of chivalry, while Alfonso "reintroduces the maternal imagery into his 'Cantigas de Santa Maria' in such a way that it humanizes the effects of an embodied devotion and socializes the effects of a spiritualized courtesy" (Page 23)].
Source: Bulletin of the Cantigueiros de Santa Maria , 4., (Spring 1992):  Pages 17 - 31.
Year of Publication: 1992.

271. Record Number: 20784
Author(s): Zalewska, Katarzyna
Contributor(s):
Title : Corona Beatissime Virginis Mariae Das mittelalterliche gemalte Marientraktat aus der Bernhardinerkirche in Breslau [Examines the scenes illustrated in the pictorial medallions of the panel painting, with particular emphasis on their relationship to contemporary Franciscan interpretations of the Coronation of the Virgin. Title note supplied by Feminae.]
Source: Zeitschrift für Kunstgeschichte , 51., ( 1992):  Pages 57 - 65.
Year of Publication: 1992.

272. Record Number: 20786
Author(s): Thürlemann, Felix
Contributor(s):
Title : Das Lukas-Tryptichon in Stolzenhain: Ein verlorenes Hauptwerk von Robert Campin in einer Kopie aus der Werkstatt Derick Baegerts [Compares the different versions of the triptych's middle panel and related issues of provenance; also examines Baegerts work with that of Campin (specifically the Merode Triptych). Minute details of the painting-such as the scenic background and use of evangelists' symbols-are used to delineate the work of Baegert from that of his workshop. Title note supplied by Feminae.]
Source: Zeitschrift für Kunstgeschichte , 51., ( 1992):  Pages 524 - 564.
Year of Publication: 1992.

273. Record Number: 10518
Author(s): Dalarun, Jacques.
Contributor(s):
Title : The Clerical Gaze [The author examines misogyny in clerical literature through the verse and prose writings of three prelates of twelfth century France: Marbod of Rennes, Hildebert of Lavardin, and Geoffrey of Vendome. In the eleventh century, churchmen thought about women in terms of an antithesis between Eve (who represented the sinful and deceptive nature of women) and the Virgin Mary (who represented the unattainable ideal of the virtuous woman). During the twelfth century, the distinctions between Eve and Mary became even starker, and Mary Magdalene (the repentant prostitute) became a figure who took a position between the two extremes. For male clerics as well as female worshippers, Mary Magdalene represented a way for the sinful woman to gain redemption. Title note supplied by Feminae.].
Source: A History of Women in the West. Volume 2: Silences of the Middle Ages.   Edited by Christiane Klapisch-Zuber .   Belknap Press of Harvard University Press, 1992. Bulletin of the Cantigueiros de Santa Maria , 4., (Spring 1992):  Pages 15 - 42.
Year of Publication: 1992.

274. Record Number: 8682
Author(s): Gordon, Dillian.
Contributor(s):
Title : A New Discovery in the Wilton Diptych [The author announces a small detail found during intense examination prior to cleaning. At the top of the banner there is a tiny map showing an island with a white castle. The author argues that it is intended to represent the island of Britain that is given to Mary as the "dos Mariae." King Richard is waiting to receive back the banner in order to rule Britain with the blessing of the Virgin. Title note supplied by Feminae.].
Source: Burlington Magazine (Full Text via JSTOR) 134, 1075 (October 1992): 662-667. Link Info
Year of Publication: 1992.

275. Record Number: 8690
Author(s): Gilchrist, Roberta.
Contributor(s):
Title : Blessed Art Thou Among Women: the Archaeology of Female Piety [The author discusses the orientation, archaeological, and iconographic details of medieval British cloisters and other women’s monastic buildings. Title note supplied by Feminae.].
Source: Woman is a Worthy Wight: Women in English Society c. 1200-1500.   Edited by P.J.P. Goldberg .   Alan Sutton Publishing, 1992.  Pages 212 - 226.
Year of Publication: 1992.

276. Record Number: 9488
Author(s): Friedman, John B.
Contributor(s):
Title : Nicholas's "Angelus ad Virginem" and the mocking of Noah [The author considers the humorous inversion in the “Miller’s Tale” of the Noah and Gabriel Biblical episodes within the context of other, similar kinds of medieval literary and artistic parodies. Title note supplied by Feminae.].
Source: Yearbook of English Studies , 22., ( 1992):  Pages 162 - 180.
Year of Publication: 1992.

277. Record Number: 11429
Author(s): Wright, Rosemary Muir.
Contributor(s):
Title : The Virgin in the Sun and in the Tree [The author explores motifs and theological ideas which contributed to the image of the coronation of the Virgin. Wright argues that secular queenship has very little in common with this image that placed Mary above mortal women. Title note supplied by Feminae.].
Source: Women and Sovereignty.   Edited by Louise Olga Fradenburg. Cosmos: The Yearbook of the Traditional Cosmology Society, volume 7 Cosmos: The Yearbook of the Traditional Cosmology Society, 7.   Edinburgh University Press, 1992. Yearbook of English Studies , 22., ( 1992):  Pages 36 - 59.
Year of Publication: 1992.

278. Record Number: 9065
Author(s): Baldwin, Spurgeon and James W. Marchand
Contributor(s):
Title : The Virgin Mary as Advocate before the Heavenly Court [The authors examine works of literature (in French, Castilian, and Catalan) that represent the Virgin Mary as the advocate for humankind. In these works, Satan sues for jurisdiction over humanity before the heavenly court, and Mary appears as defense counsel for humanity. The article gives detailed descriptions of the legal procedures that form the literary context of these works. Title note supplied by Feminae.].
Source: Medievalia et Humanistica , 18., ( 1992):  Pages 79 - 94.
Year of Publication: 1992.

279. Record Number: 10994
Author(s): Neaman, Judith S.
Contributor(s):
Title : Magnification as Metaphor [The Song of Mary, the "Magnificat," became a source of word play on the idea of magnification. This metaphor can be found in connection to stained glass, including Suger's windows at St. Denis. An interest in mirrors turned Mary into the perfect reflection of the divine will. Title note supplied by Feminae.].
Source: England in the Thirteenth Century: Proceedings of the 1989 Harlaxton Symposium.   Edited by W.M. Ormrod Harlaxton Medieval Studies .   Stamford Watkins , 1991. Mystics Quarterly , 17., 3 ( 1991):  Pages 105 - 122.
Year of Publication: 1991.

280. Record Number: 12288
Author(s): Kazhdan, A. P. and A.-M. Talbot
Contributor(s):
Title : Women and Iconoclasm [The authors briefly survey women's activities in support of icons, including those individuals who were later honored as saints, women who wrote hymns, and female correspondents of Abbot Theodore of Stoudios. Although iconoclasm was defeated, many of its principles triumphed including anti-feminism. Women's public roles were curtailedand their efforts to defend icons were obscured in the historic record. Title note supplied by Feminae.].
Source: Byzantinische Zeitschrift , 84., ( 1991):  Pages 391 - 408. Reprinted in Women and Religious Life in Byzantium. By Alice-Mary Talbot. Variorum Collected Studies Series. Ashgate, 2001. Article 3
Year of Publication: 1991.

281. Record Number: 6460
Author(s): Nardi, Carlo.
Contributor(s):
Title : La "Leggenda riccardiana" di Santa Maria all' Impruneta: un anonimo oppositore del pievano Stefano alla fine del Trecento? [The image of Mary at Santa Maria all' Impruneta came to be attributed to Saint Luke; foundation of the shrine was dated by the "Leggenda" to the reign of Pope Urban II with an image created by a painter named "Luca;" the "Leggenda" gives an unusually accurate description of the image of the Virgin and Child, and it reuses earlier material in its discussion of the history of the shrine; the text also reflects the eventual displacement of other local patrons by the Buondelmonte family; the article concludes with three transcriptions from the "Storia di Santa Maria dell' Impruneta"].
Source: Archivio Storico Italiano , 149., ( 1991):  Pages 503 - 551.
Year of Publication: 1991.

282. Record Number: 8486
Author(s): Guerrini, Paola.
Contributor(s):
Title : Il Bessarione a Grottaferrata: un'ipotesi sulla donazione dell'icona [Bessarion of Nicaea, while a cardinal resident in Rome, was commendatory abbot of the abbey at Grottaferrata. Among his donations to the abbey was an icon of the Virgin Mary painted in a Byzantine pictorial style. Although some elements of the painting are common to Rome in the Middle Ages, some elements, especially the inclusion of Saint Nilus in the triptych, are purely local to Grottaferrata. Title note supplied by Feminae.].
Source: Studi Medievali , 32., 2 (Dicembre 1991):  Pages 807 - 814.
Year of Publication: 1991.

283. Record Number: 10734
Author(s): Bynum, Caroline Walker.
Contributor(s):
Title : The Body of Christ in the Later Middle Ages: A Reply to Leo Steinberg [The author argues against Steinberg’s notion that Renaissance painters focused on Christ’s penis in order to make a theological statement about sexuality; she suggests instead that fifteenth-century artists show Jesus as both male and female, and saw his as a generative body. Title note supplied by Feminae.].
Source: Fragmentation and Redemption: Essays on Gender and the Human Body in Medieval Religion. Caroline Walker Bynum .   MIT Press, 1991. Studi Medievali , 32., 2 (Dicembre 1991):  Pages 79 - 118.
Year of Publication: 1991.

284. Record Number: 10889
Author(s): Massip, J. Francesc
Contributor(s):
Title : The Staging of the Assumption in Europe [The death and Assumption of the Virgin Mary was one of the most widely enacted sequences in late medieval religious dramas. Various staging solutions were used across Europe: horizontal staging in churches; urban staging on fixed, horizontal stages; church staging with a vertical arrangement; urban staging on a moveable stage; and urban staging on a fixed vertical stage. While performances in the North often featured demons and devils, displays in the South featured sets that depicted the heavens and made use of aerial machines. Title note supplied by Feminae.].
Source: Comparative Drama , 25., 1 ( 1991):  Pages 17 - 28.
Year of Publication: 1991.

285. Record Number: 10890
Author(s): Nichols, Ann Eljenholm.
Contributor(s):
Title : The Hierosphthitic Topos, or the Fate of Fergus: Notes on the N-Town Assumption [The "N-Town Assumption of Mary Play" contains a reference to the apocryphal story of Fergus, a Jew who interrupts the Virgin Mary’s funeral by attacking her bier as it is carried by the Apostles. In some versions of the story, Fergus is punished for his
Source: Comparative Drama , 25., 1 ( 1991):  Pages 29 - 41.
Year of Publication: 1991.

286. Record Number: 11082
Author(s): Nauman, Jonathan.
Contributor(s):
Title : The Role of the Blessed Virgin in the York Cycle [The author argues that the York Marian plays transform the stock scenarios, strictures, and stereotypes of medieval dramatic convention. Title note supplied by Feminae.].
Source: Philological Quarterly , 70., 4 ( 1991):  Pages 423 - 431.
Year of Publication: 1991.

287. Record Number: 10603
Author(s): Mayberry, Nancy.
Contributor(s):
Title : The Controversy over the Immaculate Conception in Medieval and Renaissance Art, Literature, and Society [The belief that Mary was freed from original sin had taken root by the late twelfth century. Dominicans placed this cleansing after Mary's conception; Franciscans placed it before, a "pre-redemption." The Franciscan position gradually triumphed, not just in theology but also in populat devotion as witnessed by art and literature. Title note supplied by Feminae.].
Source: Journal of Medieval and Renaissance Studies , 21., 2 (Fall 1991):  Pages 207 - 224.
Year of Publication: 1991.

288. Record Number: 12689
Author(s): Storm, Melvin.
Contributor(s):
Title : The Miller, the Virgin, and the Wife of Bath [The author argues that Chaucer intended readers to see parallels between Alison in the "Miller's Tale" and the Wife of Bath. Storm further argues that both women are compared unfavorably with the Virgin Mary, and the Wife of Bath in particular is faulted for both physical and spiritual barrenness. Title note supplied by Feminae.].
Source: Neophilologus , 75., ( 1991):  Pages 291 - 303.
Year of Publication: 1991.

289. Record Number: 11217
Author(s): Twomey, Michael W.
Contributor(s):
Title : Christ’s Leap and Mary’s Clean Catch in “Piers Plowman” B.12.136-44a and C.14.81-88a [In his allegorical poem, William Langland combines conventional images of Christ and Mary in order to represent how Christ’s love and Mary’s purity played a key role in the foundation of the Church. The poet achieves this effect through poetic devices, including allusion and metaphor. Title note supplied by Feminae.].
Source: Yearbook of Langland Studies , 5., ( 1991):  Pages 165 - 174.
Year of Publication: 1991.

290. Record Number: 10993
Author(s): Morgan, Nigel.
Contributor(s):
Title : Texts and Images of Marian Devotion in Thirteenth-Century England [Many lay practices focused on the Virgin Mary developed in the thirteenth century. They required a basic knowledge of Latin to read books of hours. Many of the most popular ideas, such as Mary the intercessor, were found in art. Much of thirteenth century Marian art from England has been lost; but illuminated manuscripts employ the most common motifs, including Mary pleading bare-breasted for sinful humanity. The Appendix presents Middle English language texts of Marian antiphons, hymns, and prayers of the Sarum Hours from an early fifteenth century manuscript of "The Prymer or Lay Folks' Prayer Book." Title note supplied by Feminae.].
Source: England in the Thirteenth Century: Proceedings of the 1989 Harlaxton Symposium.   Edited by W.M. Ormrod Harlaxton Medieval Studies .   Stamford Watkins , 1991. Yearbook of Langland Studies , 5., ( 1991):  Pages 69 - 103.
Year of Publication: 1991.

291. Record Number: 11225
Author(s):
Contributor(s):
Title : A Relic, Some Pictures and the Mothers of Florence in the Late Fourteenth Century
Source: Gesta (Full Text via JSTOR) 30, 2 (1991): 91-99. Link Info
Year of Publication: 1991.

292. Record Number: 10893
Author(s):
Contributor(s):
Title : Marian Politics in Quattrocento Florence: The Renewed Dedication of Santa Maria del Fiore in 1412 [The author argues that the political leaders of Florence chose in 1412 to identify the state with the Virgin Mary in the rededication of the cathedral to "Santa Maria del Fiore." The lily symbolized not only Mary's purity but also the city of Florence. M
Source: Renaissance Quarterly , 44., 4 (Winter 1991):  Pages 673 - 719.
Year of Publication: 1991.

293. Record Number: 13056
Author(s):
Contributor(s):
Title : Tradition et renouveau dans la "Ballade pour prier Notre Dame" de Villon [The author argues that the poet entreats his mother to recite his prayer because she is a humble believer. Villon's rhetoric and acrostic signature suggest that he puts his faith in the powers of literature. Title note supplied by Feminae.].
Source: Romance Quarterly , 38., 4 (November 1991):  Pages 387 - 397.
Year of Publication: 1991.

294. Record Number: 10891
Author(s): Hunt, Lucy-Anne
Contributor(s):
Title : A Woman’s Prayer to Saint Sergios in Latin Syria: Interpreting a Thirteenth-century Icon at Mount Sinai [The icons at Saint Catherine’s Monastery at Mount Sinai include one depicting a black-veiled woman keeling in prayer before an equestrian Saint Sergios. The symbolic significance of the woman’s black veil is unknown, but the painting may indicate the imp
Source: Byzantine and Modern Greek Studies , 15., ( 1991):  Pages 96 - 145.
Year of Publication: 1991.

295. Record Number: 11077
Author(s): Stanbury, Sarah.
Contributor(s):
Title : The Virgin’s Gaze: Spectacle and Transgression in Middle English Lyrics of the Passion [The article shows that the Virgin's dual role as spectacle and spectator in Middle English Passion lyrics transgresses cultural proscriptions of female gazing. Title note supplied by Feminae.].
Source: PMLA: Publications of the Modern Language Association of America (Full Text via JSTOR) 106, 5 (May 1991): 1083-1093. Link Info
Year of Publication: 1991.

296. Record Number: 10692
Author(s): Hult, David F.
Contributor(s):
Title : Epigraphs as a Clue to the Conceptualization and Organization of the "Cantigas de Santa Maria" [The article studies the prose epigraphs in the "Cantigas de Santa Maria" to elucidate the organization and design of the poem,showing that Alfonso aims to develop and sustain a focus on Mary as a subject and even "heroine" of the poem. Title note supplied by Feminae.].
Source: Corónica , 19., 2 (Spring 1991):  Pages 57 - 88.
Year of Publication: 1991.

297. Record Number: 13047
Author(s): O'Gorman, Richard.
Contributor(s):
Title : A Middle French Prayer to the Virgin against the Seven Deadly Sins: Text of Copenhagen, MS Gl. kgl. Saml. 3447 [Article concludes with the text of the prayer, "Oroison devote a la Vierge Marie mere de Dieu contre les sept pechiez mortelz." Title note supplied by Feminae.].
Source: Manuscripta , 35., 2 (July 1991):  Pages 138 - 145.
Year of Publication: 1991.

298. Record Number: 8951
Author(s): Breeze, Andrew.
Contributor(s):
Title : Two Bardic Themes: The Trinity in the Blessed Virgin's Womb, and the Rain of Folly [The author explores the theme of the Trinity in the Virgin's womb, beginning with the Irish poet Donnchadh Mór Ó Dálaigh. Breeze traces the theme in Welsh, English, and Continental verse as well as in sculptures known as "vierges ouvrantes." These statues of the Virgin and child open to reveal another scene inside, sometimes the Trinity in her womb as discussed here, but also other motifs including the Joys of the Virgin or her Sorrows. Title note supplied by Feminae.].
Source: Celtica , 22., ( 1991):  Pages 1 - 15.
Year of Publication: 1991.

299. Record Number: 10686
Author(s): Terkla, Dan.
Contributor(s):
Title : A Basochien Proto-Drama and Its Mariological Context: "L'Advocacie Nostre Dame" [This French text about the Last Judgement dramatizes a confrontation between the Virgin Mary (as advocate for mankind) and Satan (in the role of the prosecutor). Scholars disagree about whether the text can be classified as a poem or a drama, and the author argues that it is a precursor to the burlesque lawsuits of the Basochiens. The text illustrates the intersection of two phenomena in medieval France, as the poem parodies both the fictional trials enacted by the Basochiens (lawyers in training) and the worship practices of the cult of the Virgin. Title note supplied by Feminae.].
Source: Medieval Perspectives , 6., ( 1991):  Pages 87 - 100.
Year of Publication: 1991.

300. Record Number: 11072
Author(s): Barratt, Alexandra.
Contributor(s):
Title : The Virgin and the Visionary in the Revelations of St. Elizabeth [The article argues that the "Revelations" commonly attributed to Elizabeth of Thuringia were in fact written by her obscure great-niece, Elizabeth of Toess; it examines the "Revelations" in order to consider more generally what they reveal about the nature of medieval women’s visionary writing. Title note supplied by Feminae.].
Source: Mystics Quarterly , 17., 3 ( 1991):  Pages 125 - 136.
Year of Publication: 1991.

301. Record Number: 13258
Author(s): Ashley, Kathleen and Pamela Sheingorn
Contributor(s):
Title : Introduction [The story of Saint Anne evolved to fill gaps in the biblical narrative of Mary's life. Anne's supposed three marriages, each of which produced a daughter named Mary [Trinubium Annae], made her grandmother of the Holy Kinship, including Jesus and some apostles. This cult, tied to believe in Mary's Immaculate Conception, peaked in the later Middle Ages, declining thereafter even in Catholic countries. Among Anne's roles was protection of married women, including those who wanted to get pregnant. Title note supplied by Feminae.].
Source: Interpreting Cultural Symbols: Saint Anne in Late Medieval Society.   Edited by Kathleen Ashley and Pamela Sheingorn .   The University of Georgia Press, 1990. Comparative Drama , 25., 1 ( 1991):  Pages 1 - 68.
Year of Publication: 1990.

302. Record Number: 12674
Author(s): Coudert, Allison.
Contributor(s):
Title : Exemplary Biblical Couples and the Sacrament of Marriage [The author explores the church's attitude toward marriage through medieval interpretations of Adam and Eve, Mary and Joseph, and the soul and Christ. Coudert concludes that the church's views on sexuality and women were decidedly hostile. Title note supplied by Feminae.].
Source: Homo Carnalis: The Carnal Aspect of Medieval Human Life.   Edited by Helen Rodite Lemay Acta .   Center for Medieval and Early Renaissance Studies, State University of New York at Binghamton, 1990. Comparative Drama , 25., 1 ( 1991):  Pages 59 - 83. Papers presented at a conference held at the State University of New York at Stony Brook in 1987
Year of Publication: 1990.

303. Record Number: 10871
Author(s): De Villalmonte, Alejandro.
Contributor(s):
Title : Duns Escoto, la Inmaculada y el pecado original
Source: Collectanea Franciscana , 60., ( 1990):  Pages 137 - 153.
Year of Publication: 1990.

304. Record Number: 13263
Author(s): Sheingorn, Pamela.
Contributor(s):
Title : Appropriating the Holy Kinship: Gender and Family History [The descent of Jesus could be traced in the male line from Jesse, father of King David, or in the female line from the family of Saint Anne. Late medieval pictures of the Holy Kinship focus on Anne as grandmother with her daughters, the three Marys, and their young children. These mothers were important, however, only because of their male children. There was a gradual shift away from this Kinship to male-oriented nuclear families, especially when the Trinubium Annae was challenged by reforming scholars. Title note supplied by Feminae.].
Source: Interpreting Cultural Symbols: Saint Anne in Late Medieval Society.   Edited by Kathleen Ashley and Pamela Sheingorn .   The University of Georgia Press, 1990. Comparative Drama , 25., 1 ( 1991):  Pages 169 - 198.
Year of Publication: 1990.

305. Record Number: 12682
Author(s): Corrie, Rebecca W.
Contributor(s):
Title : The Political Meaning of Coppo di Marcovaldo's Madonna and Child in Siena
Source: Gesta (Full Text via JSTOR) 29, 1 (1990): 61-75. Link Info
Year of Publication: 1990.

306. Record Number: 11722
Author(s): Greenspan, Kate.
Contributor(s):
Title : Matre Donante: The Embrace of Christ as the Virgin's Gift in the Visions of 13th-Century Italian Women [The author examines accounts of visionaries who were invited to embrace the Christ child by the Virgin Mary. In becoming a second mother they took on some of Mary's intercessory functions and advocated for sinners. Greenspan analyzes in particular the "vita" of Agnes of Montepulciano written by Rayomond of Capua. Title note supplied by Feminae.].
Source: Studia Mystica , 13., 40212 ( 1990):  Pages 26 - 37.
Year of Publication: 1990.

307. Record Number: 12736
Author(s): Takacs, Sarolta A.
Contributor(s):
Title : Manuel Philes’ Meditation on an Icon of the Virgin Mary [This devotional poem by the fourteenth century Greek poet represents a progression from a meditation of a concrete object (an icon of the Virgin Mary) to a mystical or metaphysical plane of understanding. The author gives a line by line analysis of the language of the poem, which employs numerous rhetorical devices to connect allusions to the burning bush (which typographically prefigures the Virgin Mary) to imagery of divine fire. Title note supplied by Feminae.].
Source: Byzantinische Forschungen , 15., ( 1990):  Pages 277 - 288.
Year of Publication: 1990.

308. Record Number: 12755
Author(s): Leveto, Paula D.
Contributor(s):
Title : The Marian Theme of the Frescoes in Santa Maria at Castelseprio
Source: Art Bulletin , 72., 3 ( 1990):  Pages 391 - 413.
Year of Publication: 1990.

309. Record Number: 13260
Author(s): Gibson, Gail McMurray.
Contributor(s):
Title : Saint Anne and the Religion of Childbed: Some East Anglian Texts and Talismans [The feast of Saint Anne existed in England before it received official recognition in 1382. East Anglian devotion to Anne focused on family ties and childbirth. Osbern Bokenham's poems about Anne were written for Katherine Denston, who desired vainly the birth of a son. Title note supplied by Feminae.].
Source: Interpreting Cultural Symbols: Saint Anne in Late Medieval Society.   Edited by Kathleen Ashley and Pamela Sheingorn .   The University of Georgia Press, 1990.  Pages 95 - 110.
Year of Publication: 1990.

310. Record Number: 12764
Author(s): Kazhdan, Alexander P.
Contributor(s):
Title : Byzantine Hagiography and Sex in the Fifth to Twelfth Centuries [The author discusses the numerous erotic tales (often having to do with demonic temptation of saints) to be found within Byzantine hagiography. Title note supplied by Feminae.].
Source: Dumbarton Oaks Papers , 44., ( 1990):  Pages 131 - 143.
Year of Publication: 1990.

311. Record Number: 6680
Author(s): Boureau, Alain.
Contributor(s):
Title : L'Imene e l'ulivo. La Verginità femminile nel discorso della chiesa nel XIII secolo [Christian theology emphasized the spiritual element in virginity, dedication to a chaste life, not purely physical integrity; by the thirteenth century this quality tended to be identified with celibate clergy and monastics; this development parallels the flourishing cult of the Virgin Mary, who pardoned sinners and shared human woes, offering a mediating presence; this intermediary role was further developed in the identification of Mary with the Church].
Source: Quaderni Storici , 3 (dicembre 1990):  Pages 791 - 803.
Year of Publication: 1990.

312. Record Number: 12762
Author(s): Hale, Rosemary Drage.
Contributor(s):
Title : Imitatio Mariae: Motherhood Motifs in Devotional Memoirs [The author discusses what she calls “spiritual motherhood” or “mother mysticism” (visionary appearances of Jesus as an infant, used to express the same desire for mystical union with God as is often expressed by the imagery of spiritual marriage) in South German fourteenth-century Dominican devotional writing. She discusses in particular the mystics Christine Ebner, Adelheide Langmann and Margarete Ebner. Title note supplied by Feminae.].
Source: Mystics Quarterly , 16., 4 ( 1990):  Pages 193 - 203.
Year of Publication: 1990.

313. Record Number: 12766
Author(s): Kalavrezou, Ioli Despina.
Contributor(s):
Title : Images of the Mother: When the Virgin Mary Became Meter Theou [The author discusses the ways in which Mary’s motherhood became an increasingly important feature of Byzantine hagiography and iconography. Title note supplied by Feminae.].
Source: Dumbarton Oaks Papers , 44., ( 1990):  Pages 165 - 172.
Year of Publication: 1990.

314. Record Number: 13259
Author(s): Sautman, Francesca.
Contributor(s):
Title : Saint Anne in Folk Tradition: Late Medieval France [A French text relates Saint Anne's birth from the thigh of her father and her upbringing by a deer. This tale has roots in Celtic stories about miraculous births and wild children. Anne was associated with vegetation, including grape vines and wood, and with water, including rain, and with childbirth. Title note supplied by Feminae.].
Source: Interpreting Cultural Symbols: Saint Anne in Late Medieval Society.   Edited by Kathleen Ashley and Pamela Sheingorn .   The University of Georgia Press, 1990. Dumbarton Oaks Papers , 44., ( 1990):  Pages 69 - 94.
Year of Publication: 1990.

315. Record Number: 12680
Author(s): Valdez Del Alamo, Elizabeth
Contributor(s):
Title : Triumphal Visions and Monastic Devotion: The Annunciation Relief of Santo Domingo de Silos
Source: Gesta (Full Text via JSTOR) 29, 2 (1990): 167-188. Link Info
Year of Publication: 1990.

316. Record Number: 12870
Author(s):
Contributor(s):
Title : Chaucer's Singular Prayer [The author studies Chaucer's An ABC as a prayer addressing the Virgin Mary. Title note supplied by Feminae.].
Source: Medium Ævum , 59., 2 ( 1990):  Pages 191 - 213.
Year of Publication: 1990.

317. Record Number: 12771
Author(s): Casey, Michael.
Contributor(s):
Title : Bernard of Clairvaux and the Assumption [The author discusses Bernard of Clairvaux’s Marian writings, with particular attention to this treatment of the Assumption. Title note supplied by Feminae.].
Source: Word and Spirit , 12., ( 1990):  Pages 21 - 41.
Year of Publication: 1990.

318. Record Number: 12794
Author(s): McKinnell, John S.
Contributor(s):
Title : Producing the York Mary Plays [The author discusses the problems facing modern producers of mystery plays, using a production of the Death, Assumption, and Coronation of the Virgin as his primary example. Title note supplied by Feminae.].
Source: Medieval English Theatre , 12., 2 ( 1990):  Pages 101 - 123.
Year of Publication: 1990.

319. Record Number: 12793
Author(s): Twycross, Meg.
Contributor(s):
Title : As the Sun With His Beams When He is Most Bright [The author studies the origins of the episode of "Joseph's Doubts" in the N-.town Mary Play, a play which appears to conflate parts of two other plays). Title note supplied by Feminae.].
Source: Medieval English Theatre , 12., 1 ( 1990):  Pages 34 - 79.
Year of Publication: 1990.

320. Record Number: 12740
Author(s): Breeze, Andrew.
Contributor(s):
Title : The Virgin Mary, Daughter of Her Son [The “mater et filia” topos, or the notion of the Virgin Mary as being simultaneously the mother and daughter of Christ, originated in the writings of late Antiquity but the theme also appears in the early poetry of Ireland and Britain. The first known reference to the topos in Ireland occurs in the seventh century Latin poem; an eleventh century poem written in the Irish language is perhaps the oldest vernacular example of the topos. The earliest example of the topos in Welsh poetry probably dates from around 1400. In all these instances, poets borrow and adapt ideas about the Virgin Mary from Continental sources like sermons, Church teachings, or poetry. Title note supplied by Feminae.].
Source: Études Celtiques , 27., ( 1990):  Pages 267 - 283.
Year of Publication: 1990.

321. Record Number: 12730
Author(s): Breeze, Andrew.
Contributor(s):
Title : The Blessed Virgin's Joys and Sorrows [Based upon a comparison with analogous material in English, Latin, and Anglo-Norman texts, the author establishes the dating and attribution of three religious poems (two in Welsh and one in Irish) that concern the Virgin's joys and sorrows. Although the manuscripts attribute the three poems to three thirteenth century poets, the textual evidence indicates that they were actually written by three entirely different poets in the fourteenth century. Title note supplied by Feminae.].
Source: Cambridge Medieval Celtic Studies , 19., (Summer 1990):  Pages 41 - 54.
Year of Publication: 1990.

322. Record Number: 13261
Author(s): Ashley, Kathleen.
Contributor(s):
Title : Image and Ideology: Saint Anne in Late Medieval Drama and Narrative [The cult of Saint Anne offered a means of performing meaning(s). The Huy Nativity Play has Anne and other kin visit Mary and the infant Jesus, gazing adoringly at the baby as he gazes back. In the N-Town Mary Play, Anne is the lynchpin of the Holy Kinship, mediating between marriage and ideas of chastity. The Digby Candelmas Play was enacted on Saint Anne's Day. It shows role reversal, including a soldier being beaten with spindles for his role in the Massacre of the Innocents. Title note supplied by Feminae.].
Source: Interpreting Cultural Symbols: Saint Anne in Late Medieval Society.   Edited by Kathleen Ashley and Pamela Sheingorn .   The University of Georgia Press, 1990. Cambridge Medieval Celtic Studies , 19., (Summer 1990):  Pages 111 - 130.
Year of Publication: 1990.

323. Record Number: 12746
Author(s): Bergman, Robert P.
Contributor(s):
Title : The Earliest Eleousa: A Coptic Ivory in the Walters Gallery [The author sets the date of the ivory Virgin and Child between the late sixth and early seventh century, and the iconography of the sculpture (which resembles other ivories carved in a similar style) confirms its attribution to an early Christian Egyptian workshop. Title note supplied by Feminae.].
Source: Journal of the Walters Art Gallery , 48., ( 1990):  Pages 37 - 56.
Year of Publication: 1990.

324. Record Number: 23295
Author(s):
Contributor(s):
Title : Early 15th-Century Polyphonic Settings of Song of Songs Antiphons [The popularity of the Song of Songs in the Middle Ages has ties both to the cult of the Virgin Mary and to courtly love. The bodily imagery of the text could be applied to a spiritual or a carnal beloved. Dialogues between loved and beloved promoted the composition of duet passages in motets on the Song of Songs. When Psalm settings began to predominate in liturgical compositions, the Song of Songs became a source for passages in the more secular chanson-motets. Title note supplied by Feminae.]
Source: Acta Musicologica , 49., 2 ( 1977):  Pages 200 - 227.
Year of Publication: 1977.

325. Record Number: 28578
Author(s):
Contributor(s):
Title : Icon of Annunciation
Source: Acta Musicologica , 49., 2 ( 1977):
Year of Publication:

326. Record Number: 28725
Author(s):
Contributor(s):
Title : Coronation of the Virgin
Source: Acta Musicologica , 49., 2 ( 1977):
Year of Publication:

327. Record Number: 28736
Author(s):
Contributor(s):
Title : Nativity
Source: http://upload.wikimedia.org/wikipedia/commons/thumb/5/55/Intesa_nativity.jpg/250px-Intesa_nativity.jpg
Year of Publication:

328. Record Number: 28773
Author(s):
Contributor(s):
Title : Annunciation as Hunt of the Unicorn
Source:
Year of Publication:

329. Record Number: 28813
Author(s):
Contributor(s):
Title : Thamyris
Source: http://upload.wikimedia.org/wikipedia/commons/thumb/d/d6/De_mulieribus_claris_painter.jpg/250px-De_mulieribus_claris_painter.jpg
Year of Publication:

330. Record Number: 28821
Author(s):
Contributor(s):
Title : Holy Kinship
Source: http://upload.wikimedia.org/wikipedia/commons/thumb/0/0b/Meister_des_Ortenberger_Altars_001.jpg/250px-Meister_des_Ortenberger_Altars_001.jpg
Year of Publication:

331. Record Number: 28831
Author(s):
Contributor(s):
Title : Madonna del Parto
Source: http://upload.wikimedia.org/wikipedia/commons/thumb/1/10/Madonna_del_parto_piero_della_Francesca.jpg/250px-Madonna_del_parto_piero_della_Francesca.jpg
Year of Publication:

332. Record Number: 28832
Author(s):
Contributor(s):
Title : Virgin of the Dry Tree
Source: http://upload.wikimedia.org/wikipedia/commons/thumb/b/bb/Petrus_christus%2C_madonna_dell%27albero_secco.jpg/250px-Petrus_christus%2C_madonna_dell%27albero_secco.jpg
Year of Publication:

333. Record Number: 28833
Author(s):
Contributor(s):
Title : Madonna della Misericordia
Source: http://upload.wikimedia.org/wikipedia/commons/thumb/7/78/Madonna_della_Misericordia.JPG/250px-Madonna_della_Misericordia.JPG
Year of Publication:

334. Record Number: 28837
Author(s):
Contributor(s):
Title : "Mater Dolorosa"
Source: http://upload.wikimedia.org/wikipedia/commons/thumb/1/13/WLA_metmuseum_1480_Mater_Dolorosa.jpg/250px-WLA_metmuseum_1480_Mater_Dolorosa.jpg
Year of Publication:

335. Record Number: 28948
Author(s):
Contributor(s):
Title : Manuel II Palaiologos, Byzantine Emperor, and His Family Blessed by the Virgin and Christ Child
Source: http://upload.wikimedia.org/wikipedia/commons/thumb/archive/1/1d/20110602224629%21Manuel_II_Helena_sons.JPG/250px-Manuel_II_Helena_sons.JPG
Year of Publication:

336. Record Number:
Author(s):
Contributor(s):
Title : Virgin and Child Enthroned with Saints Theodore and George
Source: http://upload.wikimedia.org/wikipedia/commons/thumb/6/6d/Encaustic_Virgin.jpg/250px-Encaustic_Virgin.jpg
Year of Publication:

337. Record Number:
Author(s):
Contributor(s):
Title : Maesta (conjectural reconstruction of front view)
Source: http://upload.wikimedia.org/wikipedia/commons/thumb/e/eb/Maest_0_duccio_1308-11_siena_duomo.jpg/250px-Maest_0_duccio_1308-11_siena_duomo.jpg
Year of Publication:

338. Record Number:
Author(s):
Contributor(s):
Title : Wilton Diptych, left wing
Source: http://upload.wikimedia.org/wikipedia/commons/thumb/1/13/Meister_des_Wilton-Diptychons_003.jpg/250px-Meister_des_Wilton-Diptychons_003.jpg
Year of Publication:

339. Record Number:
Author(s):
Contributor(s):
Title : Presentation of the Virgin
Source: http://upload.wikimedia.org/wikipedia/commons/thumb/9/98/Presentation_of_Mary_of_Protat.jpg/250px-Presentation_of_Mary_of_Protat.jpg
Year of Publication:

340. Record Number:
Author(s):
Contributor(s):
Title : Scene for "Akathistos" Verse 23
Source: http://upload.wikimedia.org/wikipedia/commons/thumb/5/5a/Psalti_Markov_Manastir.jpg/250px-Psalti_Markov_Manastir.jpg
Year of Publication:

341. Record Number: 30922
Author(s):
Contributor(s):
Title : Paradiesgärtlein [Little Garden of Paradise]
Source:
Year of Publication:

342. Record Number: 30926
Author(s):
Contributor(s):
Title : Nativity of the Virgin
Source:
Year of Publication:

343. Record Number: 30933
Author(s):
Contributor(s):
Title : Virgin and Child/Madonna of Melun
Source:
Year of Publication:

344. Record Number: 30936
Author(s):
Contributor(s):
Title : Madonna and Child
Source:
Year of Publication:

345. Record Number: 30937
Author(s):
Contributor(s):
Title : Madonna Enthroned/Ognissanti Madonna
Source:
Year of Publication:

346. Record Number: 30941
Author(s):
Contributor(s):
Title : Annunciation with Saint Massima and Saint Ansanus
Source:
Year of Publication:

347. Record Number: 30942
Author(s):
Contributor(s):
Title : Apparition of the Virgin to St. Bernard
Source:
Year of Publication:

348. Record Number: 30943
Author(s):
Contributor(s):
Title : Crucifixion
Source:
Year of Publication:

349. Record Number:
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Title : Mary of Guelders in Hortus Conclusus
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350. Record Number:
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Title : Lactation of St. Bernard
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351. Record Number:
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Title : Small Maesta
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352. Record Number:
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Title : Catherine of Cleves before the Virgin and Child
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353. Record Number:
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Title : Large Virgin of Einsiedeln
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354. Record Number:
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Title : Tree of Life and Death Flanked by Eve and Mary-Ecclesia
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355. Record Number:
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Title : Coronation of Virgin and Christ as Man of Sorrows with Last Judgment
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356. Record Number:
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Title : Vierge Ouvrante (or Shrine Madonna)
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357. Record Number:
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Title : Nativity and First Bath of the Christ Child
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358. Record Number: 30962
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Title : Visitation
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359. Record Number: 31119
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Contributor(s):
Title : Diptych of Genoels-Elderen: back panel: The Annunciation and the Visitiation of the Virgin Mary to her cousin Elizabeth
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360. Record Number: 31216
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Title : Sarcophagus of Doña Berenguela (or Berengaria)
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361. Record Number: 31218
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Contributor(s):
Title : Gonfalone of Corciano / Madonna della misericordia [Madonna of Mercy]
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362. Record Number: 31221
Author(s):
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Title : Holy Family at Work: Opening Image for Saturday Hours of the Virgin, Sext
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363. Record Number: 31225
Author(s):
Contributor(s):
Title : The Adoration of the Shepherds at the Nativity, with a young female book owner adoring the Virgin
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364. Record Number: 31227
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Title : The Virgin before an enthroned bishop-saint with Robert II de Neville and his wife, Joan de Atherton, observing. Miniature for the second Marian Litany
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365. Record Number: 31273
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Title : Processional Cross
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366. Record Number: 31461
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Title : Madonna and Child on a Curved Throne
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367. Record Number: 31728
Author(s):
Contributor(s):
Title : The Breedon Virgin
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368. Record Number: 32268
Author(s):
Contributor(s):
Title : Pilgrim Badge of Our Lady of Undercroft, Canterbury Cathedral
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369. Record Number: 32298
Author(s):
Contributor(s):
Title : Icon of the Madonna and Child from Santa Maria Nova
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370. Record Number: 32357
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Contributor(s):
Title : Madonna of the Earthquakes
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371. Record Number: 32713
Author(s):
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Title : Virgo inter virgines
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372. Record Number: 32963
Author(s):
Contributor(s):
Title : Theodora episcopa, Praxedes, the Virgin Mary, and Pudentiana
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373. Record Number: 33988
Author(s):
Contributor(s):
Title : The Virgin breaks the neck of a devil
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374. Record Number: 35021
Author(s):
Contributor(s):
Title : Guta and Sintram with the Virgin Mary
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375. Record Number: 35959
Author(s):
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Title : Cantiga 7 The pregnant abbess
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376. Record Number: 36069
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Contributor(s):
Title : Cantiga 105 How the wicked bridegroom planned to do something and committed a shameful deed
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377. Record Number: 36070
Author(s):
Contributor(s):
Title : Cantiga 107 The Jewish woman who was thrown from a cliff
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378. Record Number: 36277
Author(s):
Contributor(s):
Title : Donor portraits of Margaret Blackburn and her husband Nicholas
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379. Record Number: 37259
Author(s):
Contributor(s):
Title : Joseph, from the Merode Altarpiece
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380. Record Number: 38094
Author(s):
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Title : Annunciation
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381. Record Number: 39177
Author(s):
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Title : The Annunciation and Two Saints
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