Feminae: Medieval Women and Gender Index


12 Record(s) Found in our database

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1. Record Number: 10850
Author(s): Campbell, Emma
Contributor(s):
Title : Sacrificial Spectacle and Interpassive Vision in the Anglo-Norman Life of Saint Faith [This chapter explores what I term, after Žižek, ‘interpassive vision’ in medieval French saints’ lives. The claim that hagiographic narratives are vehicles for male voyeurism achieved some currency in feminist scholarship of the 80s; this chapter deploys the notion of interpassive vision as a means of complicating such claims, reassessing the way these critics characterise gender and sexual desire and suggesting alternative approaches to the relationship between vision and reader response in medieval texts. Summary provided by the author.]
Source: Troubled Vision: Gender, Sexuality, and Sight in Medieval Text and Image.   Edited by Emma Campbell and Robert Mills .   Palgrave Macmillan, 2004.  Pages 97 - 115.
Year of Publication: 2004.
2. Record Number: 10852
Author(s): Howie, Cary.
Contributor(s):
Title : Vision Beyond Measure: The Threshold of Iacopone's Bedroom
Source: Troubled Vision: Gender, Sexuality, and Sight in Medieval Text and Image.   Edited by Emma Campbell and Robert Mills .   Palgrave Macmillan, 2004.  Pages 139 - 153.
Year of Publication: 2004.
3. Record Number: 10851
Author(s): Mills, Robert.
Contributor(s):
Title : Seeing Face to Face: Troubled Looks in the Katherine Group [The author explores similarities between Lacanian gaze theory and two texts of the Katherine Group, "Hali Meidenhad" and "Sawles Warde." The anchoritic readers are asked to imagine a variety of positions from the panoptic virgin superior to the servant of God beset by Lechery. Title note supplied by Feminae.].
Source: Troubled Vision: Gender, Sexuality, and Sight in Medieval Text and Image.   Edited by Emma Campbell and Robert Mills .   Palgrave Macmillan, 2004.  Pages 117 - 136.
Year of Publication: 2004.
4. Record Number: 10849
Author(s): Gaunt, Simon.
Contributor(s):
Title : The Look of Love: The Gender of the Gaze in Troubadour Lyric
Source: Troubled Vision: Gender, Sexuality, and Sight in Medieval Text and Image.   Edited by Emma Campbell and Robert Mills .   Palgrave Macmillan, 2004.  Pages 79 - 95.
Year of Publication: 2004.
5. Record Number: 10847
Author(s): Burgwinkle, William.
Contributor(s):
Title : Visible and Invisible Bodies and Subjects in Peter Damian
Source: Troubled Vision: Gender, Sexuality, and Sight in Medieval Text and Image.   Edited by Emma Campbell and Robert Mills .   Palgrave Macmillan, 2004.  Pages 47 - 62.
Year of Publication: 2004.
6. Record Number: 10857
Author(s): Salih, Sarah.
Contributor(s):
Title : The Medieval Looks Back: A Response to "Troubled Vision" [Salih provides a brief case study of manuscript illuminations of monsters from a copy of "Mandeville's Travels." She argues that the hyper-masculinity of the naked giants defines them as other, bereft of culture and social order. Title note supplied by Feminae.].
Source: Troubled Vision: Gender, Sexuality, and Sight in Medieval Text and Image.   Edited by Emma Campbell and Robert Mills .   Palgrave Macmillan, 2004.  Pages 223 - 231.
Year of Publication: 2004.
7. Record Number: 6205
Author(s): Burgwinkle, Bill.
Contributor(s):
Title : Visible and Invisible Selves in Peter Damian
Source: Seeing Gender: Perspectives on Medieval Gender and Sexuality. Gender and Medieval Studies Conference, King's College, London, January 4-6, 2002. .  2002.
Year of Publication: 2002.
8. Record Number: 14835
Author(s): Hamburger, Jeffrey.
Contributor(s):
Title : Seeing and Believing: The Suspicion of Sight and the Authentication of Vision in Late Medieval Art [Late medieval art and visionary theology both reveal an ambivalence about the role of corporeal sight in religion. A desire for direct vision of the divine was coupled with skepticism about claims to bodily sight. Images that aped bodily experience, especially in Flemish art, also gave some theologians cause for concern. Title note supplied by Feminae.].
Source: Imagination und Wirklichkeit: Zum Verhältnis von mentalen und realen Bilder in der Kunst der frühen Neuzeit.   Edited by Alessandro Nova and Klaus Krüger .   Von Zabern, 2000.  Pages 47 - 70.
Year of Publication: 2000.
9. Record Number: 3408
Author(s): Randall, Catharine (Coats).
Contributor(s):
Title : Changing Places: Marguerite Porete, Meister Eckhard, and the Question of Perspective
Source: Romanic Review , 85., 3 (May 1994):  Pages 341 - 360.
Year of Publication: 1994.
10. Record Number: 14762
Author(s): Sprung, Andrew.
Contributor(s):
Title : We nevyr shall come out of hym: Enclosure and Immanence in Julian of Norwich's "Book of Showings"
Source: Mystics Quarterly , 19., 2 (June 1993):  Pages 47 - 62.
Year of Publication: 1993.
11. Record Number: 14768
Author(s): Johnson, Timothy J.
Contributor(s):
Title : Visual Imagery and Contemplation in Clare od Assisi's "Letters to Agnes of Prague"
Source: Mystics Quarterly , 19., 4 (December 1993):  Pages 161 - 172.
Year of Publication: 1993.
12. Record Number: 11818
Author(s): Cassell, Anthony K.
Contributor(s):
Title : Santa Lucia as Patroness of Sight: Hagiography, Iconography, and Dante [The role of Saint Lucy in Dante's Divine Comedy is manifold, as the saint bears multiple symbolic and allegorical meanings in the poem. Early accounts of her life present the saint as an exemplum of fortitude, but later narratives depict her as a beautiful virgin martyr whose eyes were plucked out. Representations of Saint Lucy in art often feature her holding her eyes on a dish or platter, highlighting her role as the patroness of sight. Title note supplied by Feminae.].
Source: Dante Studies , 109., ( 1991):  Pages 71 - 88.
Year of Publication: 1991.