Feminae: Medieval Women and Gender Index
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6 Record(s) Found in our database
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1.
Record Number:
9857
Author(s):
Contributor(s):
Title :
Reading across Genres: Froissart's "Joli Buisson de Jonece" and Machaut's Motets
Source:
French Studies , 57., 1 (January 2003): Pages 1 - 10.
Year of Publication:
2003.
2.
Record Number:
6853
Author(s):
Williamson, Magnus.
Contributor(s):
Title :
Royal Image-Making and Textual Interplay in Gilbert Banaster's "O Maria et Elizabeth" [The author argues that Banaster's motet was commissioned to celebrate Elizabeth of York's Pregnancy in 1486 through music for the Feast of the Visitation. Henry VII was anxious to bolster Tudor legitimacy and an heir from Edward IV's daughter was greatly desired. The Latin text and translation of "O Maria et Elizabeth" is reproduced on pages 244-245. The appendices reproduce Banaster's poem, "Miraculum sancti Thome martyris," which was written in English and a list of the corrodies granted by the Crown to Banaster. Title note supplied by Feminae.].
Source:
Early Music History , 19., ( 2000): Pages 237 - 278.
Year of Publication:
2000.
3.
Record Number:
5387
Author(s):
Kidwell, Susan.
Contributor(s):
Title :
Gaude Virgo Katherina: The Veneration of St. Katherine in Fifteenth-Century England [the author argues that Dunstable composed the two motets, "Salve scema sanctitatis" and "Gaude Virgo Katherina," for the 1420 wedding of Catherine of Valois and Henry V of England, the former used to celebrate the political unity of England and France while the latter might have been Henry's gift to his bride for a service in the queen's chapel].
Source:
Explorations in Renaissance Culture , 25., ( 1999): Pages 19 - 39.
Year of Publication:
1999.
4.
Record Number:
11050
Author(s):
Bloxam, M. Jennifer.
Contributor(s):
Title :
La Contenance Italienne: The Motets on "Beata es Maria" by Compère, Obrecht, and Brumel [The author explores the influence of the "lauda," a popular Italian religious song, on three related motets in praise of the Virgin Mary. Title note supplied by Feminae.].
Source:
Early Music History
(Full Text via JSTOR) 11 (1992): 39-89.
Link Info
Year of Publication:
1992.
5.
Record Number:
9466
Author(s):
Contributor(s):
Title :
The Marriage of Edward III and the Transmission of French Motets to England
Source:
Journal of the American Musicological Society , 45., 1 (Spring 1992): Pages 1 - 29.
Year of Publication:
1992.
6.
Record Number:
23295
Author(s):
Contributor(s):
Title :
Early 15th-Century Polyphonic Settings of Song of Songs Antiphons [The popularity of the Song of Songs in the Middle Ages has ties both to the cult of the Virgin Mary and to courtly love. The bodily imagery of the text could be applied to a spiritual or a carnal beloved. Dialogues between loved and beloved promoted the composition of duet passages in motets on the Song of Songs. When Psalm settings began to predominate in liturgical compositions, the Song of Songs became a source for passages in the more secular chanson-motets. Title note supplied by Feminae.]
Source:
Acta Musicologica , 49., 2 ( 1977): Pages 200 - 227.
Year of Publication:
1977.