Feminae: Medieval Women and Gender Index

7 Record(s) Found in our database

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1. Record Number: 7870
Title : Chastity, Love, and Marriage in the Margins of the "Wharncliffe Hours" [The author argues that the marginal illustrations in the "Wharncliffe Hours" represent the theme of marriage and its moral opposites including lust and rape. Title note supplied by Feminae.].
Source: Reading Texts and Images: Essays on Medieval and Renaissance Art and Patronage in Honour of Margaret M. Manion.   Edited by Bernard J. Muir .   University of Exeter Press, 2002.  Pages 201 - 220.
Year of Publication: 2002.

2. Record Number: 2094
Title : Le Roman de la Dame a la Lycorne et du Biau Chevalier au Lion: Text, Image, Rubric [argues that marginal instructions and illustrations prove a workshop collaboration between the "chef d'atelier" and the artist ; they both had read the romance and planned and executed illustrations to help readers understand the narrative's details and interpret the characters].
Source: French Studies , 51., 1 (January 1997):  Pages 1 - 18.
Year of Publication: 1997.

3. Record Number: 1360
Author(s): Bennett, Adelaide.
Title : A Thirteenth-Century French Book of Hours for Marie [Marie, a laywoman, is named in one of the prayers; the manuscript is significant for its numerous and varied representations of women. Sixteen out of twenty-one historiated initials portray laywomen in religious devotion or in family scenes].
Source: Journal of the Walters Art Gallery , 54., ( 1996):  Pages 21 - 50.
Year of Publication: 1996.

4. Record Number: 380
Author(s): Guest, Gerald B.
Title : A Discourse on the Poor: The Hours of Jeanne d'Evreux
Source: Viator , 26., ( 1995):  Pages 153 - 180. Published under the auspices of the Center for Medieval and Renaissance Studies, University of California, Los Angeles
Year of Publication: 1995.

5. Record Number: 1687
Author(s): Schaffer, Martha E.
Title : Marginal Notes in the Toledo Manuscript of Alfonso El Sabio's "Cantigas de Santa Maria": Observations on Composition, Correction, Compilation, and Performance [author argues that the manuscript was used as a performance copy].
Source: Bulletin of the Cantigueiros de Santa Maria , 7., (Spring 1995):  Pages 65 - 84.
Year of Publication: 1995.

6. Record Number: 1556
Author(s): Bolduc, Michelle
Title : The Disruptive Discourse: Women in the Margins of the "Bayeux Tapestry" and the "Hours of Catherine de Clèves"
Source: Romance Languages Annual , 6., ( 1994):  Pages 18 - 22.
Year of Publication: 1994.

7. Record Number: 41067
Title : Religious woman dancing while a friar "plays music"
Source: Romance Languages Annual , 6., ( 1994):
Year of Publication: