Feminae: Medieval Women and Gender Index

6 Record(s) Found in our database

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1. Record Number: 7366
Author(s): Nuovo, Isabella
Title : La festa tra spettacolo e invenzione: il corte nuziale di Isabella d'Aragona e Gian Galeazzo Sforza [Magnificence was expected of Italian courts in the 15th century. This extended to wedding with their diplomatic overtones. In 1489 King Alfonso of Naples married his daughter Isabella to the young duke of Milan, Gin Galeazzo Sforza. Ceremonies in both Naples and Milan were marked by conspicuous display. Scholars and artists, including Leonardo da Vinci, were enlisted to ornament these nuptials.]
Source: Patrimonium in festa: cortei, tornei, artifici e feste alla fine del Medioevo (secoli XV-XVI).   Edited by Anna Modigliani .   Centro di Studi per il Patrimonio di S. Pietro in Tuscia; Ente Ottava Medievale di Orte, 2000.  Pages 133 - 148.
Year of Publication: 2000.

2. Record Number: 4434
Author(s): Kwakkelstein, Michael W.
Title : The Use of Sculptural Models by Italian Renaissance Painters: Leonardo da Vinci's "Madonna of the Rocks" Reconsidered in Light of His Working Procedures
Source: Gazette des Beaux-Arts , 133., 1563 (avril 1999):  Pages 181 - 198.
Year of Publication: 1999.

3. Record Number: 2573
Author(s): Varriano, John.
Title : Leonardo's Lost "Medusa" and Other Medici Medusas from the "Tazza Farnese" to Caravaggio
Source: Gazette des Beaux-Arts , 130., 1544 (septembre 1997):  Pages 73 - 80.
Year of Publication: 1997.

4. Record Number: 1810
Author(s): Gould, Cecil.
Title : The Early History of Leonardo's "Vierge aux Rochers" in the Louvre [argues that the earlier version of the painting was commandered by Il Moro as a wedding gift for his niece, Bianca Maria Sforza, and her new husband, the Emperor Maximilian I].
Source: Gazette des Beaux-Arts , 124., 1511 (décembre 1994):  Pages 215 - 222.
Year of Publication: 1994.

5. Record Number: 10364
Author(s): Shell, Janice and Grazioso Sironi
Title : Cecilia Gallerani: Leonardo’s Lady with an Ermine [The authors identify the sitter for Leonardo’s portrait as Cecilia Gallerani, the mistress of Duke Ludovico Sforza. It is not the lady’s resemblance to other women in other contemporary portraits but the iconography of the painting that identifies her. She holds an ermine (weasel) because Sforza's emblem was the ermine, or because the Greek word for ermine is “gale” (a pun on the lady’s surname). Cecilia may also have been the model for the pointing angel in Leonardo’s “Virgin of the Rocks.” The Appendix transcribes six Latin documents concerning Cecilia. Title note supplied by Feminae.].
Source: Artibus et Historiae , 13., 25 ( 1992):  Pages 47 - 66.
Year of Publication: 1992.

6. Record Number: 10365
Author(s): Bull, David.
Title : Two Portraits by Leonardo: "Ginevra de’ Benci" and the "Lady with an Ermine."
Source: Artibus et Historiae , 13., 25 ( 1992):  Pages 67 - 83.
Year of Publication: 1992.