Feminae: Medieval Women and Gender Index


8 Record(s) Found in our database

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1. Record Number: 14638
Author(s): Hoch, Adrian S.
Contributor(s):
Title : The "Passion Cycle": Images to Contemplate and Imitate amid Clarissan "clausura" [The author argues that the passion cycle in the church of Santa Maria Donna Regina emphasized an "imitatio Mariae," a devotion to the Eucharist, and Franciscan concerns for female viewers. Title note supplied by Feminae.].
Source: The Church of Santa Maria Donna Regina: Art, Iconography, and Patronage in Fourteenth-Century Naples.   Edited by Janis Elliott and Cordelia Warr .   Ashgate, 2004.  Pages 129 - 153.
Year of Publication: 2004.
2. Record Number: 3714
Author(s): Zeitler, Barbara.
Contributor(s):
Title : Ostentatio genitalium : Displays of Nudity in Byzantinum
Source: Desire and Denial in Byzantium: Papers from the Thirty-First Spring Symposium of Byzantine Studies, University of Sussex, Brighton, March 1997.   Edited by Liz James. Society for the Promotion of Byzantine Studies, Publications 6 .   Variorum (Ashgate Publishing), 1999.  Pages 185 - 201.
Year of Publication: 1999.
3. Record Number: 5689
Author(s): Cannon, Joanna
Contributor(s):
Title : The Stoclet "Man of Sorrows": A Thirteenth-century Italian Diptych Reunited [The author argues that the small panel formed a devotional diptych with a painting of the Virgin and Child; the author points out that the two panels engage each other and draw the viewer into the drama].
Source: Burlington Magazine (Full Text via JSTOR) 141, 1151 (February 1999): 107-112. Link Info
Year of Publication: 1999.
4. Record Number: 3396
Author(s): Neff, Amy.
Contributor(s):
Title : The Pain of "Compassio": Mary's Labor at the Foot of the Cross
Source: Art Bulletin (Full Text via JSTOR) 80, 2 (June 1998): 254-273. Link Info
Year of Publication: 1998.
5. Record Number: 1841
Author(s): Boyle, Marjorie O'Rourke.
Contributor(s):
Title : Coquette at the Cross? Magdalen in the Master of the Bartholomew Altar's Deposition at the Louvre [argues that Magdalen's depiction with gloves and ointment jar refers to her compassion not her earlier life as a courtesan ; the painting may have hung in the Antonite hospital in Paris and had special meaning for the patients, particularly those suffering from St. Anthony's Fire who would have had limbs amputated].
Source: Zeitschrift für Kunstgeschichte , 59., 4 ( 1996):  Pages 573 - 577.
Year of Publication: 1996.
6. Record Number: 2543
Author(s): Martin, Nell Gifford.
Contributor(s):
Title : Vision and Violence in Some Gothic Meditative Imagery [analyzes manuscript images of ritual sacrifice (Jephthah's daughter and Abraham's offering of Isaac) and Christ's crucifixion for meanings conveyed by gender].
Source: Studies in Iconography , 17., ( 1996):  Pages 311 - 348.
Year of Publication: 1996.
7. Record Number: 28842
Author(s):
Contributor(s):
Title : Scenes from the Passion of Christ
Source: http://upload.wikimedia.org/wikipedia/commons/thumb/9/9e/Passione_di_torino_01.jpg/250px-Passione_di_torino_01.jpg
Year of Publication:
8. Record Number: 43615
Author(s):
Contributor(s):
Title : Jewish blacksmith's wife forging nails for the crucifixion
Source:
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