Feminae: Medieval Women and Gender Index


6 Record(s) Found in our database

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1. Record Number: 10822
Author(s): Góngora, María Eugenia.
Contributor(s):
Title : Feminea Forma and "Virga": Two Images of Incarnation in Hildegard of Bingen's "Symophonia"
Source: The Voice of Silence: Women's Literacy in a Men's Church.   Edited by Thérèse de Hemptinne and María Eugenia Góngora Medieval Church Studies .   Brepols, 2004. Studies in Iconography , 25., ( 2004):  Pages 23 - 36.
Year of Publication: 2004.

2. Record Number: 20788
Author(s):
Contributor(s):
Title : Immersed in Things of the Body: Humor and Meaning in the Annunciation by Filippo Lippi [Examines the background figures in Lippi's Annunciation at the Palazzo Barberini and the significance of their gesture and movement as an iconographic foil to the interaction between Mary and the Archangel Gabriel; examines the parallels between the work's composition and the use of humor in contemporary drama in illustrating themes of Christ's incarnation. Title note supplied by Feminae.]
Source: Studies in Iconography , 25., ( 2004):  Pages 173 - 196.
Year of Publication: 2004.

3. Record Number: 8677
Author(s): De Bingen, Hildegarde and Laurence. Moulinier
Contributor(s): Børresen, Kari Elisabeth, reviewer
Title : Rhetorical Images of the Virgin: The Icon of the "Usual Miracle" at the Blachernai [The author connects the icon of Mary at the Blachernai (which was revealed every Friday by the miraculous raising of a silk cover) with a new image-type in which Mary raises her hands in prayer and has a medallion that contains the Christ child hovering on her chest. The author argues that this image was influenced by Neoplatonic ideas to represent both the presence of the Holy Spirit and the embodiment of the incarnation. The author also connects the new image type to the Komnenoi dynasty which had various political reasons to champion orthodoxy. In the Appendix the author surveys publications on seals to identify instances of the orans Virgin with the hovering medallion. Title note supplied by Feminae.].
Source: Res: Anthropology and Aesthetics , 38., (Autumn 2000):  Pages 34 - 55.
Year of Publication: 2000.

4. Record Number: 6624
Author(s): Noffke, Suzanne, O. P.
Contributor(s):
Title : The Physical in the Mystical Writings of Catherine of Siena [The author argues that Catherine's physically vivid stories and images were intended to help her readers understand both God and human spirituality as incorporating and transcending the physical].
Source: Annali d'Italianistica , 13., ( 1995):  Pages 109 - 129. Women Mystic Writers. Edited by Dino S. Cervigni
Year of Publication: 1995.

5. Record Number: 4632
Author(s): Carpenter, Dwayne E.
Contributor(s):
Title : A Sorcerer Defends the Virgin: Merlin in the "Cantigas de Santa Maria" [in "Cantiga 108" Merlin disputes the Incarnation with a Jew; the Virgin punishes the Jew by giving him a deformed son who serves as an instrument to convert many Jews].
Source: Bulletin of the Cantigueiros de Santa Maria , 5., (Spring 1993):  Pages 5 - 24.
Year of Publication: 1993.

6. Record Number: 8629
Author(s): Gibson, Joan.
Contributor(s):
Title : Could Christ Have Been Born a Woman? A Medieval Debate [The author examines medieval commentaries on Christ’s sex and gender, in particular focusing on responses to the question of whether Christ could have been incarnated as a woman instead of a man. Title note supplied by Feminae.].
Source: Journal of Feminist Studies in Religion , 8., 1 (Spring 1992):  Pages 65 - 82.
Year of Publication: 1992.