Feminae: Medieval Women and Gender Index


125 Record(s) Found in our database

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1. Record Number: 29189
Author(s): Prado-Vilar, Francisco,
Contributor(s):
Title : Iudeus sacer: Life, Law and Identity in the "State of Exception" Called "Marian Miracle"
Source: Judaism and Christian Art: Aesthetic Anxieties from the Catacombs to Colonialism.   Edited by Herbert L. Kessler and David Nirenberg .   University of Pennsylvania Press, 2011.  Pages 115 - 142.
Year of Publication: 2011.

2. Record Number: 24050
Author(s): Smith, Kathryn A.
Contributor(s):
Title : Book, Body, and the Construction of Self in the Taymouth Hours [The author analyzes miniatures and bas de page illustrations in a book of hours made for an English royal woman in the 1330s. Smith finds evidence of models of appropriate devout behavior for the laity. The portrait of the book owner at prayer during mass shows her with hands extended and the book of hours at her side. Title note supplied by Feminae.]
Source: Negotiating Community and Difference in Medieval Europe: Gender, Power, Patronage, and the Authority of Religion in Latin Christendom.   Edited by Katherine Allen Smith and Scott Wells Studies in the History of Christian Traditions .   Brill, 2009.  Pages 173 - 204.
Year of Publication: 2009.

3. Record Number: 20779
Author(s): Meyer, Mati
Contributor(s):
Title : The Levite's Concubine: Imaging the Marginal Woman in Byzantine Society [Provides comparative discussion of different representations of the rape of the concubine within the corpus of illuminated Byzantine manuscripts; extrapolates on what these different representations -particularly of clothing--reveal about contemporary clergy's attitudes towards the concepts of women, sexuality, and the function of marriage. Title note supplied by Feminae].
Source: Studies in Iconography , 27., ( 2006):  Pages 45 - 76.
Year of Publication: 2006.

4. Record Number: 14569
Author(s): Powell, Morgan.
Contributor(s):
Title : Making the Psalter of Christina of Markyate (The St. Albans Psalter)
Source: Viator , 36., ( 2005):  Pages 293 - 335.
Year of Publication: 2005.

5. Record Number: 20783
Author(s): Sarit, Shalev-Eyni
Contributor(s):
Title : In the Days of the Barley Harvest: the Iconography of Ruth [Provides a comparative study of the iconographic devices used in the Tripartite Mahzor and the Padua Bible to represent the story of Ruth. Special attention is paid to how the relationship of the illustrations in the two documents reflects contemporary Christian interest in Jewish pictorial tradition. Title note supplied by Feminae.]
Source: Artibus et Historiae , 51., ( 2005):  Pages 37 - 58.
Year of Publication: 2005.

6. Record Number: 14698
Author(s): Luongo, F. Thomas.
Contributor(s):
Title : Saintly Authorship in the Italian Renaissance: The Quattrocento Reception of Catherine of Siena's Letters [The author argues that fifteenth century readers saw Catherine's letters as an important source of moral guidance. Furthermore their being written in the Italian vernacular was not a detraction. Catherine's mysticism conveyed authority as surely as Latin and Greek did for the classics. These trends crystalize in the edition of Catherine's letters printed by Aldus Manutius in 1500. He combines spiritual and literary goals with a new typeface for the saint's inspired vernacular. [Title note supplied by Feminae.].
Source: Journal of the Early Book Society for the Study of Manuscripts and Printing History , 8., ( 2005):  Pages 1 - 46.
Year of Publication: 2005.

7. Record Number: 14124
Author(s): Legaré, Anne-Marie.
Contributor(s):
Title : La librairye de Madame: Two Princesses and Their Libraries [The author briefly surveys the manuscripts belonging to Margaret of York and Margaret of Austria. Margaret of York acquired a small number of French religious texts in line with her roles as wife and potential mother. In contrast her step-granddaughter c
Source: Women of Distinction: Margaret of York | Margaret of Austria.   Edited by Dagmar Eichberger .   Brepols, 2005. Journal of the Early Book Society for the Study of Manuscripts and Printing History , 8., ( 2005):  Pages 206 - 219.
Year of Publication: 2005.

8. Record Number: 11453
Author(s): Owen-Crocker, Gale R.
Contributor(s):
Title : Pomp, Piety, and Keeping the Woman in Her Place: The Dress of Cnut and Aelfgifu-Emma [The author analyzes a manscript miniature which depicts King Cnut and his wife Emma (whose Anglo-Saxon name was Aelfgifu) flanking an altar with a cross. Owen-Crocker argues that the clothing and positions of the two figures serve to subordinate Emma to her husband. Title note supplied by Feminae.].
Source: Medieval clothing and textiles. Vol. 1.   Edited by Robin Netherton and Gale R Owen-Crocker .   Boydell Press, 2005. Journal of the Early Book Society for the Study of Manuscripts and Printing History , 8., ( 2005):  Pages 41 - 52.
Year of Publication: 2005.

9. Record Number: 10830
Author(s): Hamburger, Jeffrey F.
Contributor(s):
Title : The "Various Writings of Humanity": Johannes Tauler on Hildegard of Bingen's "Scivias" [The author analyzes Tauler's sermon delivered in Cologne to the Dominican nuns of St. Gertrude's in 1339. The sermon concerns in part an image in the nuns' refectory which was a copy of an illustration from Hildegard's "Scivias." Hamburger argues that Tauler adapts her visions to his particular needs, both as a mystic and a preacher. Title note supplied by Feminae.].
Source: The Voice of Silence: Women's Literacy in a Men's Church.   Edited by Thérèse de Hemptinne and María Eugenia Góngora Medieval Church Studies .   Brepols, 2004. Medieval Feminist Forum , 38., (Winter 2004):  Pages 167 - 191. Printed in an extended version in Visual Culture and the German Middle Ages. Edited by Kathryn Starkey and Horst Wenzel. Palgrave Macmillan, 2005. New Middle Ages series. Pages 161-205.
Year of Publication: 2004.

10. Record Number: 11407
Author(s): Lifshitz, Felice.
Contributor(s):
Title : The Persistence of Late Antiquity: Christ as Man and Woman in an Eighth-Century Miniature [The author discusses a miniature in which she argues that Christ is portrayed twice, once as the crucified Jesus and beneath as a female blessing figure. Lifshitz connects this to an intellectual milieu in which aristocratic women in monastic double houses were used to having spiritual authority. Furthermore they had access to late antique sources with similar outlooks including the Priscillianist tractates and the "Apocryphal Acts of the Apostles." Title note supplied by Feminae.]
Source: Medieval Feminist Forum , 38., (Winter 2004):  Pages 18 - 27.
Year of Publication: 2004.

11. Record Number: 10857
Author(s): Salih, Sarah.
Contributor(s):
Title : The Medieval Looks Back: A Response to "Troubled Vision" [Salih provides a brief case study of manuscript illuminations of monsters from a copy of "Mandeville's Travels." She argues that the hyper-masculinity of the naked giants defines them as other, bereft of culture and social order. Title note supplied by Feminae.].
Source: Troubled Vision: Gender, Sexuality, and Sight in Medieval Text and Image.   Edited by Emma Campbell and Robert Mills .   Palgrave Macmillan, 2004. Medieval Feminist Forum , 38., (Winter 2004):  Pages 223 - 231.
Year of Publication: 2004.

12. Record Number: 11011
Author(s): Muir, Carolyn Diskant.
Contributor(s):
Title : Bride or Bridegroom? Masculine Identity in Mystic Marriages [The author briefly examines two cases, those of Heinrich Seuse and Saint Hermann Joseph. Muir argues that men were less likely to report mystic marriage than women, but they had a wider range of experiences. Most notably they took on both masculine and feminine identities simultaneously. Title note supplied by Feminae.].
Source: Holiness and Masculinity in the Middle Ages.   Edited by P. H. Cullum and Katherine J. Lewis .   Religion and Culture in the Middle Ages Series. University of Wales Press, 2004. Medieval Feminist Forum , 38., (Winter 2004):  Pages 58 - 78.
Year of Publication: 2004.

13. Record Number: 10783
Author(s): Jones, Leslie C. and Jonathan J. G. Alexander
Contributor(s):
Title : The Annunciation to the Shepherdess [The authors explore the representation of shepherdesses in fifteenth century deluxe books of hours. There are a variety of types including eroticized figures, pious saint-like young women, and disorderly peasant dancers. The authors suggest that in many cases differences in social class are being emphasized for noble owners (both male and female) of these books of hours. Title note supplied by Feminae.].
Source: Studies in Iconography , 24., ( 2003):  Pages 165 - 198.
Year of Publication: 2003.

14. Record Number: 10903
Author(s): Schowalter, Kathleen S.
Contributor(s):
Title : The Ingeborg Psalter: Queenship, Legitimacy, and the Appropriation of Byzantine Art in the West [Ingeberg of Denmark married Philippe Auguste, but he repudiated her the following day. She insisted on her legitimacy for twenty years before being restored. Schowalter argues that her psalter models itself on the one belonging to Queen Melisande and that changes in the iconography were made deliberately to emphasize Ingeborg's queenship including representations of anointing and coronation. Title note supplied by Feminae.].
Source: Capetian Women.   Edited by Kathleen Nolan .   Palgrave Macmillan, 2003. Studies in Iconography , 24., ( 2003):  Pages 99 - 135.
Year of Publication: 2003.

15. Record Number: 10906
Author(s): Hamilton, Tracy Chapman.
Contributor(s):
Title : Queenship and Kinship in the French "Bible moralisée": The Example of Blanche of Castile and Vienna ÖNB 2554 [The author argues that the manuscript was commissioned by Blanche possibly during the early period of her regency. The repeated images of childbirth and Sainte Église in the illuminations emphasize Blanche's particular rights as mother and authorized regent. Title note supplied by Feminae.].
Source: Capetian Women.   Edited by Kathleen Nolan .   Palgrave Macmillan, 2003. Studies in Iconography , 24., ( 2003):  Pages 177 - 208.
Year of Publication: 2003.

16. Record Number: 6210
Author(s): Dufresne, Laura Rinaldi.
Contributor(s):
Title : From Goddess to Amazon: Christine de Pizan and Fifteenth-Century Miniatures of Might
Source: Seeing Gender: Perspectives on Medieval Gender and Sexuality. Gender and Medieval Studies Conference, King's College, London, January 4-6, 2002. .  2002. Speculum , 77., 1 (January 2002):
Year of Publication: 2002.

17. Record Number: 7871
Author(s): Backhouse, Janet.
Contributor(s):
Title : A Further Illuminated Devotional Book for the Use of Lady Margaret Beaufort [The author analyzes a recently identified manuscript that was made for Margaret Beaufort in Italy at the order of Giovanni Gigli, an Italian cleric who was made Bishop of Worcester in 1497. The author suggests that the gift commemorated the papal bull in 1494 that sanctioned the observation of the Feast of the Name of Jesus by Margaret Beaufort and others. Title note supplied by Feminae.].
Source: Reading Texts and Images: Essays on Medieval and Renaissance Art and Patronage in Honour of Margaret M. Manion.   Edited by Bernard J. Muir .   University of Exeter Press, 2002. Speculum , 77., 1 (January 2002):  Pages 221 - 235.
Year of Publication: 2002.

18. Record Number: 9499
Author(s): Newman, Marsha.
Contributor(s):
Title : Christian Cosmology in Hildegard of Bingen's Illuminations [The author argues that Hildegard used her knowledge of natural forces to express spiritual truths. Her illuminations of mandalas, symmetrical images framed by circular borders, represent her visions and frequently depict multiple planes of existence. Title note supplied by Feminae.].
Source: Logos: A Journal of Catholic Thought and Culture (Full Text via Project Muse) 5, 1 (Winter 2002): 41-61. Link Info
Year of Publication: 2002.

19. Record Number: 10981
Author(s): Stanton, Anne Rudloff.
Contributor(s):
Title : The Psalter of Isabelle, Queen of England 1308-1330: Isabelle as the Audience [The illustrated psalter was produced as a gift for the young queen sometime between her betrothal and marriage. It presents Biblical role models for the edification of the queen. Stanton argues that the psalter is particularly noteworthy for its emphasis on official, maternal roles and for its use of bilingual texts. Title note supplied by Feminae.].
Source: Word and Image , 18., 1 (January-March 2002):  Pages 1 - 27.
Year of Publication: 2002.

20. Record Number: 7252
Author(s): Sheingorn, Pamela.
Contributor(s):
Title : Joseph the Carpenter's Failure at Familial Discipline [The author examines representations of Joseph in some fourteenth century texts and illustrations concerning apocryphal stories of the flight into Egypt. He is presented very negatively both as a Jew and a member of the lower class. His masculinity is even further questioned because he cannot protect his family nor can he assert his patriarchal authority over his wife and child. Title note supplied by Feminae.].
Source: Insights and Interpretations: Studies in Celebrations of the Eighty-Fifth Anniversary of the Index of Christian Art.   Edited by Colum Hourihane .   Index of Christian Art, Department of Art and Archaeology, Princeton University in association with Princeton University Press, 2002. Studies in Iconography , 24., ( 2003):  Pages 156 - 167.
Year of Publication: 2002.

21. Record Number: 6636
Author(s): Easton, Martha.
Contributor(s):
Title : Pain, Torture, and Death in the Huntington Library "Legenda aurea" [The author analyzes the manuscript illuminations representing the torture and executions of male and female martyrs, arguing that the binary system of gender was frequently transcended].
Source: Gender and Holiness: Men, Women, and Saints in Late Medieval Europe.   Edited by Samantha J. E. Riches and Sarah Salih .   Routledge, 2002. Studies in Iconography , 24., ( 2003):  Pages 49 - 64.
Year of Publication: 2002.

22. Record Number: 7248
Author(s): Bennett, Adelaide.
Contributor(s):
Title : Mary Magdalen's Seven Deadly Sins in a Thirteenth-Century Liège Psalter-Hours [The author explores the figure of a woman with an unguent jar who is holding seven disks spelling out "SALIGIA" (the initial letters of the seven vices) whom the author identifies as Mary Magdalene. Earlier Mary Magdalene was portrayed with seven demons fleeing from her body. In the thirteenth century this became associated with the seven deadly sins as Mary Magdalene's role as a penitent, converted sinner was emphasized. Title note supplied by Feminae.].
Source: Insights and Interpretations: Studies in Celebrations of the Eighty-Fifth Anniversary of the Index of Christian Art.   Edited by Colum Hourihane .   Index of Christian Art, Department of Art and Archaeology, Princeton University in association with Princeton University Press, 2002. Studies in Iconography , 24., ( 2003):  Pages 17 - 34.
Year of Publication: 2002.

23. Record Number: 7249
Author(s): Drewer, Lois.
Contributor(s):
Title : Jephthah and His Daughter in Medieval Art: Ambiguities of Heroism and Sacrifice [The author argues that the meaning of Jephthah's daughter's sacrifice fluctuates widely in medieval art and exegesis. The Biblical warrior Jephthah rashly promises God that he will offer in sacrifice the first person who greets him when he returns home after his victory over the Ammonites. Jephthah's daughter's death is figured as a type of the eucharist, a brave hero willing to give her life for her people, a virgin dedicated to God (sometimes walled into an anchorhold rather than killed) and, negatively, as synagogue concerned with worldly attractions. Title note supplied by Feminae.].
Source: Insights and Interpretations: Studies in Celebrations of the Eighty-Fifth Anniversary of the Index of Christian Art.   Edited by Colum Hourihane .   Index of Christian Art, Department of Art and Archaeology, Princeton University in association with Princeton University Press, 2002. Studies in Iconography , 24., ( 2003):  Pages 35 - 59.
Year of Publication: 2002.

24. Record Number: 7250
Author(s): Golden, Judith K.
Contributor(s):
Title : Images of Instruction, Marie de Bretagne, and the Life of St. Eustace as Illustrated in British Library Ms. Egerton 745 [The author argues that Egerton 745 was commissioned by Marie de Bretagne, daughter of a duke of Brittany and granddaughter of a king and queen of England (hence the saints' lives included for two Breton saints and Edward the Confessor). She had the manuscript prepared for her son, choosing to emphasize role models, especially Saint Eustace, who were good husbands, fathers, and Christians. The Appendix lists and describes twenty-two works of art that represent the cycle of St. Eustace's life. Also included is a table that charts the various episodes represented in the twenty-two art works. Title note supplied by Feminae.].
Source: Insights and Interpretations: Studies in Celebrations of the Eighty-Fifth Anniversary of the Index of Christian Art.   Edited by Colum Hourihane .   Index of Christian Art, Department of Art and Archaeology, Princeton University in association with Princeton University Press, 2002. Studies in Iconography , 24., ( 2003):  Pages 60 - 84.
Year of Publication: 2002.

25. Record Number: 7251
Author(s): Guest, Gerald B.
Contributor(s):
Title : Picturing Women in the First "Bible moralisée" ["It is the goal of this article to extend the work of Chapman and Lowden through an examination of the iconography of women in what is likely the first "Bible moralisée," Ö.N.B. 2554. Beyond this, I wish to consider how a "Bible moralisée" might have been read by a royal woman in the first half of the thirteenth century and what this might tell us about the manuscripts as artistic projects." Page 108].
Source: Insights and Interpretations: Studies in Celebrations of the Eighty-Fifth Anniversary of the Index of Christian Art.   Edited by Colum Hourihane .   Index of Christian Art, Department of Art and Archaeology, Princeton University in association with Princeton University Press, 2002. Studies in Iconography , 24., ( 2003):  Pages 106 - 130.
Year of Publication: 2002.

26. Record Number: 7870
Author(s):
Contributor(s):
Title : Chastity, Love, and Marriage in the Margins of the "Wharncliffe Hours" [The author argues that the marginal illustrations in the "Wharncliffe Hours" represent the theme of marriage and its moral opposites including lust and rape. Title note supplied by Feminae.].
Source: Reading Texts and Images: Essays on Medieval and Renaissance Art and Patronage in Honour of Margaret M. Manion.   Edited by Bernard J. Muir .   University of Exeter Press, 2002. Studies in Iconography , 24., ( 2003):  Pages 201 - 220.
Year of Publication: 2002.

27. Record Number: 6204
Author(s):
Contributor(s):
Title : Subverting Tradition: The Transformed Female in Hildegard of Bingen's Scivias
Source: Seeing Gender: Perspectives on Medieval Gender and Sexuality. Gender and Medieval Studies Conference, King's College, London, January 4-6, 2002. .  2002. Studies in Iconography , 24., ( 2003):
Year of Publication: 2002.

28. Record Number: 7272
Author(s): Caviness, Madeline H.
Contributor(s):
Title : Hildegard of Bingen: Some Recent Books [The author writes a review essay concerning three new books about Hildegard: Sabina Flanagan, "Hildegard of Bingen, 1098-1179" (Second edition, 1998), Lieselotte E. Saurma-Jeltsch, "Die Miniaturen im 'Liber Scivias' der Hildegard von Bingen" (1998) and Kiko Suzuki, "Bildgewordene Visionen oder Visionserzählungen" (1998). Title note supplied by Feminae.].
Source: Speculum , 77., 1 (January 2002):  Pages 113 - 120.
Year of Publication: 2002.

29. Record Number: 8089
Author(s): Price, Merrall Llewelyn.
Contributor(s):
Title : Imperial Violence and the Monstrous Mother: Cannibalism at the Siege of Jerusalem [The author explores the popular tale of Maria of Jerusalem who ate her own infant during a siege of Jerusalem. The author is interested in her as both a double and opposite of the Virgin Mary whose son was also sacrificed. Title note supplied by Feminae.].
Source: Domestic Violence in Medieval Texts.   Edited by Eve Salisbury, Georgiana Donavin, and Merrall Llewelyn Price .   University Press of Florida, 2002. Speculum , 77., 1 (January 2002):  Pages 272 - 298.
Year of Publication: 2002.

30. Record Number: 8090
Author(s): Laskaya, Anne.
Contributor(s):
Title : The Feminized World and Divine Violence: Texts and Images of the Apocalypse [The author argues that the illustrations in late medieval Apocalypse books present a triumphant militant masculinity opposed to a variety of feminized threats including the Great Whore of Babylon, monsters, and even the verdant earth. Title note supplied by Feminae.].
Source: Domestic Violence in Medieval Texts.   Edited by Eve Salisbury, Georgiana Donavin, and Merrall Llewelyn Price .   University Press of Florida, 2002. Speculum , 77., 1 (January 2002):  Pages 299 - 341.
Year of Publication: 2002.

31. Record Number: 7872
Author(s): Eichberger, Dagmar.
Contributor(s):
Title : Close Encounters with Death: Changing Representations of Women in Renaissance Art and Literature [The author traces the changes in Dance of Death cycles with some emphasizing women's life cycle phases while others are concerned with the female body and sexuality. Title note supplied by Feminae.].
Source: Reading Texts and Images: Essays on Medieval and Renaissance Art and Patronage in Honour of Margaret M. Manion.   Edited by Bernard J. Muir .   University of Exeter Press, 2002. Speculum , 77., 1 (January 2002):  Pages 273 - 296.
Year of Publication: 2002.

32. Record Number: 10645
Author(s): Karkov, Catherine E.
Contributor(s):
Title : Broken Bodies and Singing Tongues: Gender and Voice in the Cambridge, Corpus Christi College 23 "Psychomachia" [The author argues that the Anglo-Saxon reader of the "Psychomachia" and the "Passio Sancti Romani" (also by Prudentius) was encouraged through text and illustrations to see the self as masculine and the body as feminine. Karkov notes that the Anglo-Saxon "Psychomachia" manuscripts were the first to depict the Virtues and Vices as primarily female, rather than the earlier practice of Virtues as male warriors and the Vices as monsters. Title note supplied by Feminae.].
Source: Anglo-Saxon England , 30., ( 2001):  Pages 115 - 136.
Year of Publication: 2001.

33. Record Number: 5891
Author(s): Hennessy, Cecily Jane.
Contributor(s):
Title : A Child Bride and Her Representation [The author examines Vatican Ms. gr. 1851 which contains the partial text of a poem with illustrations concerning the reception of a foreign child bride by a Byzantine emperor and his two children, the bridegroom son and his young princess sister].
Source: Byzantine Studies Conference. Abstracts of Papers , 27., ( 2001):  Pages 53
Year of Publication: 2001.

34. Record Number: 6718
Author(s): Powell, Morgan.
Contributor(s):
Title : The Speculum virginum and the Audio-Visual Poetics of Women's Religious Instruction
Source: Listen, Daughter: The "Speculum virginum" and the Formation of Religious Women in the Middle Ages.   Edited by Constant J. Mews .   The New Middle Ages Series. Palgrave, 2001. Byzantine Studies Conference. Abstracts of Papers , 27., ( 2001):  Pages 59 - 83.
Year of Publication: 2001.

35. Record Number: 11161
Author(s): Waugh, Robin.
Contributor(s):
Title : Aelfgifu/Emma and the Reader's Desire
Source: Old English Newsletter , 34., 3 (Spring 2001): Appendix A: Abstracts of Papers in Anglo-Saxon Studies. Conference paper presented at the International Medieval Congress, University of Leeds, July 9-12, 2001, Session 1016: "Concerning Interpretation and Overinterpretation I
Year of Publication: 2001.

36. Record Number: 6422
Author(s): Cohen, Adam S. and Anne Derbes
Contributor(s):
Title : Bernward and Eve at Hildesheim
Source: Gesta , 40., 1 ( 2001):  Pages 19 - 38.
Year of Publication: 2001.

37. Record Number: 8959
Author(s): McGrady, Deborah.
Contributor(s):
Title : Reinventing the "Roman de la Rose" for a Woman Reader: The Case of Ms. Douce 195 [The author argues that the illuminator Robinet Testard changed the traditional "Roman de la Rose" illustrations for a noble woman, Louise of Savoie. Some of the images question the misogyny in the text with one cycle showing outright disapproval of the jealous husband who beats his wife. Other illustrations show women as the surveyors of events rather than objects of the male gaze. Title note supplied by Feminae.].
Source: Journal of the Early Book Society for the Study of Manuscripts and Printing History , 4., ( 2001):  Pages 202 - 227. Issue Title: Women and Book Culture in Late Medieval and Early Modern France
Year of Publication: 2001.

38. Record Number: 6684
Author(s): Camille, Michael.
Contributor(s):
Title : For Our Devotion and Pleasure: The Sexual Objects of Jean, Duc de Berry
Source: Art History , 24., 2 (April 2001):  Pages 169 - 194.
Year of Publication: 2001.

39. Record Number: 8957
Author(s): Legaré, Anne-Marie.
Contributor(s):
Title : Charlotte de Savoie's Library and Illuminators [The author argues that Queen Charlotte took much interest in her books. She was particularly occupied with devotional literature and with giving needed books to her family members. The Appendix presents excerpts from documents relating to her library and a list of manuscripts belonging to her husband, Louis XI, that were included in the inventory of Charlotte's property. Title note supplied by Feminae.].
Source: Journal of the Early Book Society for the Study of Manuscripts and Printing History , 4., ( 2001):  Pages 32 - 67. Issue Title: Women and Book Culture in Late Medieval and Early Modern France
Year of Publication: 2001.

40. Record Number: 4548
Author(s): Fassler, Margot.
Contributor(s):
Title : Mary's Nativity, Fulbert of Chartres, and the "Stirps Jesse": Liturgical Innovation circa 1000 and Its Afterlife
Source: Speculum , 75., 2 (April 2000):  Pages 389 - 434.
Year of Publication: 2000.

41. Record Number: 6690
Author(s): Troncarelli, Fabio.
Contributor(s):
Title : Immagini di streghe nei manoscritti medievali [increased belief in witches in the late Middle Ages also involved more frequent illustration of them and their revels; lascivious human figures were combined with animal or demonic figures, often in orgiastic scenes; like Venus, lascivious witches were symbols of lust, in contrast to sacred love; satanic love magic was one of the crimes attributed to witches].
Source: Imaging Humanity/Immagini dell' umanità.   Edited by John Casey, Mary Warnement, Jim Whelton, and Anne Wingenter .   Bordighera, 2000. Speculum , 75., 2 (April 2000):  Pages 79 - 92.
Year of Publication: 2000.

42. Record Number: 4499
Author(s): Everhart, Deborah.
Contributor(s):
Title : Anna Komnene, Learned Women, and the Book in Byzantine Art [The author examines the representation of women in art with books or scrolls and argues that it was probably influenced by the female members of the imperial family who valued and promoted learning].
Source: Anna Komnene and Her Times.   Edited by Thalia Gouma-Peterson .   Garland Publishing, 2000. Anglo-Saxon England , 30., ( 2001):  Pages 125 - 156.
Year of Publication: 2000.

43. Record Number: 8591
Author(s): Cowling, David.
Contributor(s):
Title : Verbal and Visual Metaphors in the Cambridge Manuscript of the "Douze dames de rhétorique" (1463) [The text developed as an exchange of correspondence between the young, eager Jean Robertet and the respected older poet Georges Chastelain. Several of the manuscript versions include elaborate illustrations. The author explores how the artist was able to express the involved metaphors and prompt an allegorical reading of the images. The Appendix presents the text and English translations of the "enseignes" or self-descriptions of the twelve ladies. Title note supplied by Feminae.].
Source: Journal of the Early Book Society for the Study of Manuscripts and Printing History , 3., ( 2000):  Pages 94 - 118.
Year of Publication: 2000.

44. Record Number: 5361
Author(s): O'Brien, Maureen Anne.
Contributor(s):
Title : The Gynaeceum, the Kindergarten, and the Vienna Genesis: Biblical and Extra-Biblical Imagery in Folio 16r [The author addresses the question of the group of women and children in the illustration of Joseph and Potiphar's wife].
Source: Byzantine Studies Conference. Abstracts of Papers , 26., ( 2000):  Pages 109 - 110.
Year of Publication: 2000.

45. Record Number: 5587
Author(s): Rouse, Richard H. and Mary A. Rouse
Contributor(s):
Title : A "Rose" by Any Other Name: Richard and Jeanne de Montbaston as Illuminators of Vernacular Texts [Appendix 9A in Volume 2 presents a list of manuscripts including some for the king and nobility thought to be illustrated by Richard and Jeanne de Montbaston (fl. 1325- 1353); Appendix 9B Interpreting the "Gluures" in Manuscripts Illuminated by the Montbastons and Their Contemporaries explores possible meanings for the term "gluures" as recorded in various manuscripts counting initials or illuminations done with gold leaf].

46. Record Number: 3904
Author(s): Cohen, Adam S.
Contributor(s):
Title : The Art of Reform in a Bavarian Nunnery around 1000 [the author explores the efforts to reform Niedermünster, a noble foundation of canonesses, and turn it into a more strict Benedictine nunnery; the author uses surviving art and architecture, concentrating in particular on two manuscripts, the rule book and the Uta Codex, both of which feature illuminations of Niedermünster's reforming abbess, Uta.]
Source: Speculum , 74., 4 (October 1999):  Pages 992 - 1020.
Year of Publication: 1999.

47. Record Number: 3952
Author(s): Smith, Kathryn A.
Contributor(s):
Title : The Neville of Hornby Hours and the Design of Literate Devotion
Source: Art Bulletin (Full Text via JSTOR) 81,1 (March 1999): 72-92. Link Info
Year of Publication: 1999.

48. Record Number: 4354
Author(s): Tkacz, Catherine Brown.
Contributor(s):
Title : Susanna as a Type of Christ [the author argues that from late antiquity Susanna was widely understood as a type of Christ with Susanna in the garden as a type of Christ in Gethsemane and Susanna before Daniel as a type of Christ before Pilate; Appendix A lists forty-four works of art representing Susanna as a Christological type and Appendix B lists thirty-nine primary texts presenting Susanna as a Christological type].
Source: Studies in Iconography , 20., ( 1999):  Pages 101 - 153.
Year of Publication: 1999.

49. Record Number: 5567
Author(s): Walters, Lori J.
Contributor(s):
Title : Female Figures in the Illustrated Manuscripts of "Le conte du Graal" and its "Continuations": Ladies, Saints, Spectators, Mediators [the author argues that the authors, illuminators, scribes, and others who contributed to the text displayed differing interpretations of female characters depending in large part whether the story was considered a romance, a hagiography, or a combination of the two].
Source: Bulletin of the John Rylands University Library of Manchester , 81., 3 (Autumn 1999):  Pages 7 - 54.
Year of Publication: 1999.

50. Record Number: 5697
Author(s): Bennett, Adelaide.
Contributor(s):
Title : A Woman's Power of Prayer Versus the Devil in a Book of Hours, of ca. 1300 [The author argues that the manuscript is highly personalized with an emphasis on the female owner's need to repent, fight sin, and oppose the devil; even in the hours of the Virgin the initials depict worldly pleasures to be avoided].
Source: Image and Belief: Studies in Celebration of the Eightieth Anniversary of the Index of Christian Art.   Edited by Colum Hourihane .   Index of Christian Art, Department of Art and Archaeology, Princeton University in association with Princeton University Press, 1999. Bulletin of the John Rylands University Library of Manchester , 81., 3 (Autumn 1999):  Pages 89 - 108.
Year of Publication: 1999.

51. Record Number: 4021
Author(s):
Contributor(s):
Title : The Imagery of the Magdalen in Christina of Markyate's Psalter (St. Albans Psalter)
Source: Gesta (Full Text via JSTOR) 38, 1 (1999): 67-80. Link Info
Year of Publication: 1999.

52. Record Number: 4906
Author(s): Slanicka, Simona.
Contributor(s):
Title : Male Markings: Unifoms in the Parisian Civil War as a Blurring of the Gender Order (A. D. 1410- 1420)
Source: Medieval History Journal , 2., 2 (July-December 1999):  Pages 209 - 244.
Year of Publication: 1999.

53. Record Number: 3946
Author(s): Brown, Cynthia J.
Contributor(s):
Title : Allegorical Design and Image-Making in Fifteenth Century France: Alain Chartier's Joan of Arc [The author analyzes two other texts by Chartier as well to establish the ways that he creates allegorical figures and powerful images].
Source: French Studies , 53., 4 (October 1999):  Pages 385 - 404.
Year of Publication: 1999.

54. Record Number: 5696
Author(s): Stones, Alison.
Contributor(s):
Title : Nipples, Entrails, Severed Heads, and Skin: Devotional Images for Madame Marie [the author argues that the Marie for whom Ms. 16251 was created was the noble woman Marie de Rethel who in 1266 became the third wife of Wautier d'Enghien; the author suggests that the many scenes of torture and death in the illustrations of Bible stories and saints' lives were intended to remind the viewer of Marie's roles as mother and wife].
Source: Image and Belief: Studies in Celebration of the Eightieth Anniversary of the Index of Christian Art.   Edited by Colum Hourihane .   Index of Christian Art, Department of Art and Archaeology, Princeton University in association with Princeton University Press, 1999. French Studies , 53., 4 (October 1999):  Pages 47 - 70.
Year of Publication: 1999.

55. Record Number: 2920
Author(s): Krüger, Annette and Gabriele Runge
Contributor(s):
Title : Lifting the Veil: Two Typological Diagrams in the "Hortus Deliciarum" [on folios 67r and v there are two circular diagrams that juxtapose Moses and Old Testament scenes with Jesus].
Source: Journal of the Warburg and Courtauld Institutes (Full Text via JSTOR) 60 (1997): 1-22. Link Info
Year of Publication: 1998.

56. Record Number: 3269
Author(s): Storey, Ann.
Contributor(s):
Title : A Theophany of the Feminine: Hildegard of Bingen, Elisabeth of Schönau, and Herrad of Landsberg [The author explores the female aspects of the divine that are found in the three women's writings and the illustrations accompanying Herrad's and Hildegard's works].
Source: Woman's Art Journal (Full Text via JSTOR) 19, 1 (Spring/Summer 1998):16-20. Link Info
Year of Publication: 1998.

57. Record Number: 4476
Author(s): Wolfthal, Diane.
Contributor(s):
Title : Douleur sur toutes autres: Revisualizing the Rape Script in the "Epistre Othea" and the "Cité des dames"
Source: Christine de Pizan and the Categories of Difference.   Edited by Marilynn Desmond .   University of Minnesota Press, 1998.  Pages 41 - 70.
Year of Publication: 1998.

58. Record Number: 3659
Author(s): Jacobi, Renate.
Contributor(s):
Title : Secular Brides and Convent Brides: Wedding Ceremonies in Italy During the Renaissance and Counter-Reformation [The author examines ceremonies of vestition, profession, and consecration in terms of the different meanings they held for the various interested parties].
Source: Marriage in Italy, 1300-1650.   Edited by Trevor Dean and K. J. P. Lowe .   Cambridge University Press, 1998.  Pages 41 - 65.
Year of Publication: 1998.

59. Record Number: 3989
Author(s): Caviness, Madeline.
Contributor(s):
Title : Artist: "To See, Hear, and Know All at Once" [Hildegard of Bingen as a creative artist].
Source: Voice of the Living Light: Hildegard of Bingen and Her World.   Edited by Barbara Newman .   University of California Press, 1998.  Pages 110 - 124.
Year of Publication: 1998.

60. Record Number: 4353
Author(s): Paxson, James J.
Contributor(s):
Title : The Nether-Faced Devil and the Allegory of Parturition [The author argues that the representation of the devil with a face in place of its genitals draws on the allegory of childbirth and thereby demonizes the female sexual body].
Source: Studies in Iconography , 19., ( 1998):  Pages 139 - 176.
Year of Publication: 1998.

61. Record Number: 5563
Author(s): Naughton, Joan.
Contributor(s):
Title : Books for a Dominican Nuns' Choir: Illustrated Liturgical Manuscripts at Saint-Louis de Poissy, c. 1330- 1350 [The author examines a group of six manuscripts made for the Dominican women's house at Poissy; the author argues that the group "reflect an established tradition for liturgical book production and illustration as supervised by the Dominicans in Paris at
Source: The Art of the Book: Its Place in Medieval Worship.   Edited by Margaret M. Manion and Bernard J. Muir .   University of Exeter Press, 1998. Studies in Iconography , 19., ( 1998):  Pages 67 - 100.
Year of Publication: 1998.

62. Record Number: 5562
Author(s): Manion, Margaret M.
Contributor(s):
Title : Women, Art, and Devotion: Three French Fourteenth-Century Royal Prayer Books [The author argues that the three prayerbooks were produced by the same group of skilled illuminators under the influence of Franciscan and Dominican spirituality; however, each book has many unique texts and illustrations adapted to the needs and interes
Source: The Art of the Book: Its Place in Medieval Worship.   Edited by Margaret M. Manion and Bernard J. Muir .   University of Exeter Press, 1998. Studies in Iconography , 19., ( 1998):  Pages 21 - 66.
Year of Publication: 1998.

63. Record Number: 5564
Author(s): Manion, Margaret M.
Contributor(s):
Title : An Unusual Image of the Assumption in a Fourteenth-Century Dominican Choir-Book [within the initial the Virgin sits beside Christ, leaning on his shoulder and holding his hand; the author argues that the close, tender relationship depicted draws upon the "Song of Songs"; this image of the Assumption was soon displaced by the majestic
Source: The Art of the Book: Its Place in Medieval Worship.   Edited by Margaret M. Manion and Bernard J. Muir .   University of Exeter Press, 1998. Studies in Iconography , 19., ( 1998):  Pages 153 - 161.
Year of Publication: 1998.

64. Record Number: 4223
Author(s): Hamburger, Jeffrey.
Contributor(s):
Title : The Picture Book of Madame Marie [The author discusses the devotional book of "Madame Marie" in light of two recent monographs devoted to it].
Source: Scriptorium , 52., 1 ( 1998):  Pages 413 - 428.
Year of Publication: 1998.

65. Record Number: 1595
Author(s): Ehrenschwendtner, Marie-Luise.
Contributor(s):
Title : A Library Collected by and for the Use of Nuns: St. Catherine's Convent, Nuremberg [by the end of the fifteenth century the library had between 500 and 600 books, mostly in German, consisting of spritual literature and texts supporting the reformed Dominican life].
Source: Women and the Book: Assessing the Visual Evidence.   Edited by Lesley Smith and Jane H.M. Taylor .   British Library and University of Toronto Press, 1997. Journal of Medieval History , 23., 3 (September 1997):  Pages 123 - 132.
Year of Publication: 1997.

66. Record Number: 1599
Author(s): Lewis, Flora.
Contributor(s):
Title : The Wound in Christ's Side and the Instruments of the Passion: Gendered Experience and Response [images of sexual union and childbirth as well as knightly combat were used by both women and men to contemplate the Passion].
Source: Women and the Book: Assessing the Visual Evidence.   Edited by Lesley Smith and Jane H.M. Taylor .   British Library and University of Toronto Press, 1997. Journal of Medieval History , 23., 3 (September 1997):  Pages 204 - 229.
Year of Publication: 1997.

67. Record Number: 1600
Author(s): Sutton, Anne F. and Livia Visser-Fuchs
Contributor(s):
Title : The Cult of Angels in Late Fifteenth-Century England: An Hours of the Guardian Angel Presented to Queen Elizabeth Woodville [appendices include a full description of the manuscript along with a transcription of the Latin text of the "Hymn to the Guardian Angel" and an English translation].
Source: Women and the Book: Assessing the Visual Evidence.   Edited by Lesley Smith and Jane H.M. Taylor .   British Library and University of Toronto Press, 1997.  Pages 230 - 265.
Year of Publication: 1997.

68. Record Number: 2480
Author(s): Black, Nancy B.
Contributor(s):
Title : Woman as Savior: The Virgin Mary and the Empress of Rome in Gautier de Coinci's "Miracles" [analysis of the thirteenth century text and its manuscript illustrations, emphasizing the chastity and spiritual authority of the empress; Gautier addressed his text to the abbess of Notre Dame at Soissons and the abbess of Fontevrault].
Source: Romanic Review , 88., 4 (November 1997):  Pages 503 - 517.
Year of Publication: 1997.

69. Record Number: 1593
Author(s): McGuire, Thérèse.
Contributor(s):
Title : Two Twelfth-Century Women and their Books [Herrad, abbess of Hohenbourg, and Hildegard of Bingen].
Source: Women and the Book: Assessing the Visual Evidence.   Edited by Lesley Smith and Jane H.M. Taylor .   British Library and University of Toronto Press, 1997. Romanic Review , 88., 4 (November 1997):  Pages 96 - 105.
Year of Publication: 1997.

70. Record Number: 1594
Author(s): Oliver, Judith.
Contributor(s):
Title : Worship of the Word: Some Gothic "NonnenbŸcher" in Their Devotional Context [choirbooks, antiphonals, psalters, homilaries and other books necessary for the monastic life; discusses the importance placed on individual words and the influence of needlework on the aesthetics of the manuscripts].
Source: Women and the Book: Assessing the Visual Evidence.   Edited by Lesley Smith and Jane H.M. Taylor .   British Library and University of Toronto Press, 1997. Romanic Review , 88., 4 (November 1997):  Pages 106 - 122.
Year of Publication: 1997.

71. Record Number: 1589
Author(s): Smith, Lesley.
Contributor(s):
Title : Scriba, Femina: Medieval Depictions of Women Writing [appendix inventories the Western European manuscript illustrations that depict women writing].
Source: Women and the Book: Assessing the Visual Evidence.   Edited by Lesley Smith and Jane H.M. Taylor .   British Library and University of Toronto Press, 1997. Romanic Review , 88., 4 (November 1997):  Pages 21 - 44.
Year of Publication: 1997.

72. Record Number: 1590
Author(s):
Contributor(s):
Title : Aesop's Cock and Marie's Hen: Gendered Authorship in Text and Image in Manuscripts of Marie de France's "Fables"
Source: Women and the Book: Assessing the Visual Evidence.   Edited by Lesley Smith and Jane H.M. Taylor .   British Library and University of Toronto Press, 1997. Romanic Review , 88., 4 (November 1997):  Pages 45 - 56.
Year of Publication: 1997.

73. Record Number: 1592
Author(s):
Contributor(s):
Title : Mirrors of a Collective Past: Re-considering Images of Medieval Women [looks at the visual evidence provided by manuscript illuminations and paintings for women readers and women workers including bath attendants and midwives].
Source: Women and the Book: Assessing the Visual Evidence.   Edited by Lesley Smith and Jane H.M. Taylor .   British Library and University of Toronto Press, 1997. Romanic Review , 88., 4 (November 1997):  Pages 75 - 93.
Year of Publication: 1997.

74. Record Number: 1598
Author(s):
Contributor(s):
Title : Fables for the Court: Illustrations of Marie de France's "Fables" in Paris BN, MS Arsenal 3142 [the manuscript was dedicated to Marie of Brabant, wife of King Philippe of France, and reflects the roles of reading and manuscripts at the French Court].
Source: Women and the Book: Assessing the Visual Evidence.   Edited by Lesley Smith and Jane H.M. Taylor .   British Library and University of Toronto Press, 1997. Romanic Review , 88., 4 (November 1997):  Pages 190 - 203.
Year of Publication: 1997.

75. Record Number: 2094
Author(s):
Contributor(s):
Title : Le Roman de la Dame a la Lycorne et du Biau Chevalier au Lion: Text, Image, Rubric [argues that marginal instructions and illustrations prove a workshop collaboration between the "chef d'atelier" and the artist ; they both had read the romance and planned and executed illustrations to help readers understand the narrative's details and interpret the characters].
Source: French Studies , 51., 1 (January 1997):  Pages 1 - 18.
Year of Publication: 1997.

76. Record Number: 1597
Author(s): Stanton, Anne Rudloff.
Contributor(s):
Title : From Eve to Bathsheba and Beyond: Motherhood in the Queen Mary Psalter [discussion of the many strong mothers portrayed in the manuscript ; in the Old Testament preface there are illustrations of Eve, Sarah, Hagar, Rebecca, Rachel, Hannah, and Bathsheba; in the New Testament illustrations of the Psalms there are illustrations of the Virgin Mary and the mothers of such saints as Thomas Becket and Nicholas of Myra].
Source: Women and the Book: Assessing the Visual Evidence.   Edited by Lesley Smith and Jane H.M. Taylor .   British Library and University of Toronto Press, 1997. French Studies , 51., 1 (January 1997):  Pages 172 - 189.
Year of Publication: 1997.

77. Record Number: 1869
Author(s): Muir Wright, Rosemary.
Contributor(s):
Title : The Great Whore in the Illustrated Apocalypse Cycles [traces the development of the image of the Whore of Babylon and discusses the impact that aristocratic female readers had on her representation in manuscripts both as the sovereign lady and as the evil other].
Source: Journal of Medieval History , 23., 3 (September 1997):  Pages 191 - 210.
Year of Publication: 1997.

78. Record Number: 1601
Author(s): Penketh, Sandra.
Contributor(s):
Title : Women and Books of Hours [discusses women's use and reading of books of hours ; suggests that many of the illustrations were intended to extol such virtues as obedience, humility, and purity ; and analyzes some female owner portraits].
Source: Women and the Book: Assessing the Visual Evidence.   Edited by Lesley Smith and Jane H.M. Taylor .   British Library and University of Toronto Press, 1997. Journal of Medieval History , 23., 3 (September 1997):  Pages 266 - 281.
Year of Publication: 1997.

79. Record Number: 2543
Author(s): Martin, Nell Gifford.
Contributor(s):
Title : Vision and Violence in Some Gothic Meditative Imagery [analyzes manuscript images of ritual sacrifice (Jephthah's daughter and Abraham's offering of Isaac) and Christ's crucifixion for meanings conveyed by gender].
Source: Studies in Iconography , 17., ( 1996):  Pages 311 - 348.
Year of Publication: 1996.

80. Record Number: 5507
Author(s): McGuire, Thérèse.
Contributor(s):
Title : Medieval Aesthetic Principles in the Works of Hildegard of Bingen
Source: Wisdom Which Encircles Circles: Papers on Hildegard of Bingen.   Edited by Audrey Ekdahl Davidson .   Medieval Institute Publications, Western Michigan University, 1996. Studies in Iconography , 17., ( 1996):  Pages 71 - 80.
Year of Publication: 1996.

81. Record Number: 2541
Author(s): Nolan, Kathleen.
Contributor(s):
Title : Ploratus et Ululatus: The Mothers in the Massacre of the Innocents at Chartres Cathedral [argues that female viewers of the Frieze cared about the welfare of their children, saw the Virgin at Chartres as a protector of children, and recognized mourning as a particularly female responsibility ; also surveys twelfth-century representations of the Massacre in manuscript illuminations and sculpture].
Source: Studies in Iconography , 17., ( 1996):  Pages 95 - 141.
Year of Publication: 1996.

82. Record Number: 1360
Author(s): Bennett, Adelaide.
Contributor(s):
Title : A Thirteenth-Century French Book of Hours for Marie [Marie, a laywoman, is named in one of the prayers; the manuscript is significant for its numerous and varied representations of women. Sixteen out of twenty-one historiated initials portray laywomen in religious devotion or in family scenes].
Source: Journal of the Walters Art Gallery , 54., ( 1996):  Pages 21 - 37.
Year of Publication: 1996.

83. Record Number: 7811
Author(s): Vseteckova, Zuzana.
Contributor(s):
Title : The Cistercian Origin of the Osek Lectionary and the Mural Paintings in the Royal Chapel of the Cistercian Monastery of Plasy
Source: Cîteaux: Revue d'Histoire Cistercienne , 47., ( 1996):  Pages 285 - 300.
Year of Publication: 1996.

84. Record Number: 656
Author(s): Cohen, Adam S.
Contributor(s):
Title : Devotion and Desire: Views of Women in the Middle Ages and Renaissance
Source: Letter Arts Review , 12., 4 ( 1996):  Pages 30 - 35.
Year of Publication: 1996.

85. Record Number: 2345
Author(s): Owen-Crocker, Gale R.
Contributor(s):
Title : Pomp, Piety, and Keeping the Woman in Her Place: The Dress of Cnut and Emma in BL MS Stowe 944
Source: Old English Newsletter , 29., 3 (Spring 1996):
Year of Publication: 1996.

86. Record Number: 1782
Author(s): Maréchal, Chantal A.
Contributor(s):
Title : Marie de France or "Sapientia"? A Study of Author Portraits in Four Manuscripts of the "Fables" [International Congress on Medieval Studies. Kalamazoo, May 1996].
Source: Le Cygne: Bulletin of the International Marie de France Society: Abstracts, Notes, and Queries , 2., (April 1996):  Pages 19
Year of Publication: 1996.

87. Record Number: 5594
Author(s): Neville, David O.
Contributor(s):
Title : Giburc as Mediatrix: Illuminated Reflections of Tolerance in Hz 1104 [The author argues that Giburc, the Saracen maiden who converts to Christianity in Wolfram's "Willehalm," appears to be a figure of religious tolerance; the author argues that the illuminations of Giburc in MS Hz 1104 confirm this interpretation].
Source: Manuscripta , 40., 2 (July 1996):  Pages 96 - 114.
Year of Publication: 1996.

88. Record Number: 4
Author(s): Dixon, Laurinda S.
Contributor(s):
Title : Curse of Chastity: The Marginalization of Women in Medieval Art and Medicine [medical condition known as the wandering womb].
Source: Matrons and Marginal Women in Medieval Society.   Edited by Robert R. Edwards and Vickie Ziegler .   Boydell Press, 1995.  Pages 49 - 74.
Year of Publication: 1995.

89. Record Number: 1608
Author(s): Kottenhoff, Margarete.
Contributor(s):
Title : Die Miniaturen des "Livre de la Cité des Dames" als historiche Quellen
Source: Historisches Jahrbuch , 115., 2 ( 1995):  Pages 335 - 361.
Year of Publication: 1995.

90. Record Number: 1686
Author(s): Kulp-Hill, Kathleen.
Contributor(s):
Title : The Captions to the Miniatures of the "Codice Rico" of the "Cantigas de Santa Maria," a Translation [English Translation of the captions for the 194 "cantigas"].
Source: Bulletin of the Cantigueiros de Santa Maria , 7., (Spring 1995):  Pages 3 - 64.
Year of Publication: 1995.

91. Record Number: 338
Author(s): McGurk, Patrick and Jane Rosenthal
Contributor(s):
Title : Anglo-Saxon Gospelbooks of Judith, Countess of Flanders: Their Text, Make-Up, and Function
Source: Anglo-Saxon England , 24., ( 1995):  Pages 251 - 308.
Year of Publication: 1995.

92. Record Number: 5670
Author(s): Nash, Susie.
Contributor(s):
Title : A Fifteenth-Century French Manuscript and an Unknown Painting by Robert Campin [the author suggests that the illustration of the Virgin and child in the D'Ailly Hours was copied from a now-lost panel painting by Robert Campin; the author speculates that commissioners of manuscripts wanted copies of their favorite religious images in their prayer books in part because of their proven efficacy].
Source: Burlington Magazine (Full Text via JSTOR) 137, 1108 (July 1995): 428-437. Link Info
Year of Publication: 1995.

93. Record Number: 2446
Author(s): Hahn, Cynthia.
Contributor(s):
Title : Icon and Narrative in the Berlin Life of St. Lucy (Kupferstichkabinett MS. 78 A4)
Source: The Sacred Image East and West.   Edited by Robert Ousterhout and Leslie Brubaker .   Illinois Byzantine Studies IV. University of Illinois Press, 1995.  Pages 72 - 90.
Year of Publication: 1995.

94. Record Number: 380
Author(s): Guest, Gerald B.
Contributor(s):
Title : A Discourse on the Poor: The Hours of Jeanne d'Evreux
Source: Viator , 26., ( 1995):  Pages 153 - 180. Published under the auspices of the Center for Medieval and Renaissance Studies, University of California, Los Angeles
Year of Publication: 1995.

95. Record Number: 4829
Author(s):
Contributor(s):
Title : The Trouble with Sodom: Literary Responses to Biblical Sexuality [the author analyzes English reactions to the story of Lot including the threatened homosexual rape of the angels, Lot's offering of his daughters in the angels' place, and the daughters' incest with Lot; texts and authors analyzed are Alcuin, Aelfric, "Genesis A," Gower, and "Cleanness"].
Source: Bulletin of the John Rylands University Library of Manchester , 77., 3 (Autumn 1995):  Pages 97 - 119.
Year of Publication: 1995.

96. Record Number: 1684
Author(s):
Contributor(s):
Title : Did Theophano Leave her Mark on the Ottonian Sumptuary Arts?
Source: The Empress Theophano: Byzantium and the West at the Turn of the First Millennium.   Edited by Adelbert Davids .   Cambridge University Press, 1995. Bulletin of the John Rylands University Library of Manchester , 77., 3 (Autumn 1995):  Pages 169 - 193. This text appeared in German in Kaiserin Theophanu: Prinzessin aus der Fremde- des Westreichs Grosse Kaiserin. Edited by G. Wolf. Bohlau, 1991. Pages 263-278.
Year of Publication: 1995.

97. Record Number: 238
Author(s): Harf-Lancner, Laurence.
Contributor(s):
Title : Serpente et le sanglier. Les manuscrits enluminés des deux romans français de "Mélusine"
Source: Moyen Age , 101., 1 ( 1995):  Pages 65 - 87.
Year of Publication: 1995.

98. Record Number: 231
Author(s): Smith, Susan L.
Contributor(s):
Title : Bride Stripped Bare: A Rare Type of the Disrobing of Christ
Source: Gesta (Full Text via JSTOR) 34, 2 (1995): 126-146. Link Info
Year of Publication: 1995.

99. Record Number: 95
Author(s): Wood, Jeryldene M.
Contributor(s):
Title : Breaking the Silence: The Poor Clares and the Visual Arts in Fifteenth-Century Italy
Source: Renaissance Quarterly (Full Text via JSTOR) 48, 2 (Summer 1995): 262-286. Link Info
Year of Publication: 1995.

100. Record Number: 515
Author(s): Havice, Christine.
Contributor(s):
Title : Women and the Production of Art in the Middle Ages: The Significance of Context [women as artists, sponsors, and authors].
Source: Double Vision: Perspectives on Gender and the Visual Arts.   Edited by Natalie Harris Bluestone .   Associated University Presses, 1995.  Pages 67 - 94.
Year of Publication: 1995.

101. Record Number: 1506
Author(s): Dufresne, Laura Rinaldi.
Contributor(s):
Title : Women Warriors: A Special Case from the Fifteenth Century: "The City of Ladies" [manuscript illustrations from the later fifteenth century generally ignore or distort the military, moral, and heroic qualities of Christine's women warriors in favor of domestic scenes and aristocratic women's fashions].
Source: Women's Studies , 23., 2 ( 1994):  Pages 111 - 131.
Year of Publication: 1994.

102. Record Number: 5577
Author(s): Morgan, Nigel.
Contributor(s):
Title : The Coronation of the Virgin by the Trinity and Other Texts and Images of the Glorification of Mary in Fifteenth-Century England
Source: England in the Fifteenth Century: Proceedings of the 1992 Harlaxton Symposium. .  Harlaxton Medieval Studies , 4., ( 1994):  Pages 223 - 241.
Year of Publication: 1994.

103. Record Number: 3346
Author(s):
Contributor(s):
Title : Images of Women in Anglo-Saxon Art V: Matron as Ring-giver in Harley 630 [The author argues that the illumination for Psalm 130.2 shows a mother blessing her departing son and giving him an armband, symbol of the property he will inherit].
Source: Old English Newsletter , 28., 1 (Fall 1994):  Pages 22 - 24.
Year of Publication: 1994.

104. Record Number: 1956
Author(s): Lermack, Annette.
Contributor(s):
Title : The Historiated Initial of the St. Albans Psalter: Christina of Markyate's Textbook for the Monastic Life
Source: Manuscripta , 38., 3 (November 1994):  Pages 197 - 198.
Year of Publication: 1994.

105. Record Number: 1358
Author(s): Holladay, Joan A.
Contributor(s):
Title : The Education of Jeanne d'Evreux: Personal Piety and Dynastic Salvation in her Book of Hours at the Cloisters [analysis of the illustrations in the section of the Hours of Saint Louis; the saint-king ancestor is portrayed as a model for the young queen in his charitable acts and the honor he brought the royal family].
Source: Art History , 17., 4 (December 1994):  Pages 585 - 611.
Year of Publication: 1994.

106. Record Number: 5334
Author(s): Folda, Jaroslav
Contributor(s):
Title : A Twelfth-Century Prayerbook for the Queen of Jerusalem [the author argues that the manuscript was commissioned by King Fulk for his wife, Queen Melisende, as part of his efforts to moderate her anger following his ill treatment of Hugh, Count of Jaffa; the manuscript illuminations, ivory bookcovers, and silk covering combine decorative motifs from Melisende's Orthodox-Crusader Eastern heritage with Fulk's Anglo-Angevin inheritance].
Source: Medieval Perspectives , 8., ( 1993):  Pages 1 - 14.
Year of Publication: 1993.

107. Record Number: 9547
Author(s): Lewis, Suzanne.
Contributor(s):
Title : Images of Opening, Penetration, and Closure in the "Roman de la Rose" [Illuminations in the "Roman de la Rose" frequently interpret the text. Many of the images, particularly that of Narcissus, deal with self-love and romantic illusions. When the lover's plucking of the Rose is illustrated, the artists frequently depict the rape of an entirely passive woman. Title note supplied by Feminae.].
Source: Word and Image , 8., 3 (July-September 1992):  Pages 215 - 242.
Year of Publication: 1992.

108. Record Number: 10380
Author(s): Blanchard, Joel.
Contributor(s):
Title : Compilation and Legitimation in the Fifteenth Century: "Le Livre de la Cite des Dames" [The author traces the complicated rhetorical processes involved in Christine’s adaptation of her literary sources; compilation is the central organizational principle of the work. The author suggests that we evaluate Christine’s work on the basis of its aesthetic value, and not base our judgments on an analysis of the work’s content. The author concludes by describing how the illustrations in a manuscript of “Le Livre” have an autobiographical function. In addition to depicting Christine herself, the illustrations use images of books and allegorical figures to legitimize Christine as an author. Title note supplied by Feminae.].
Source: Reinterpreting Christine de Pizan.   Edited by Earl Jeffrey Richards, Joan Williamson, Nadia Margolis, and Christine Reno .   University of Georgia Press, 1992. Word and Image , 8., 3 (July-September 1992):  Pages 228 - 249.
Year of Publication: 1992.

109. Record Number: 14682
Author(s): Smith, Jeffrey Chipps.
Contributor(s):
Title : Margaret of York and the Burgundian Portrait Tradition [The author surveys nine surviving manuscript paintings of Margaret, arguing that she was the first Burgundian duchess to develop an individualized image. Her representations emphasize her devotional piety and charity but also take motifs from ducal portraits. Title note supplied by Feminae.].
Source: Margaret of York, Simon Marmion, and "The Visions of Tondal": Papers Delivered at a Symposium organized by the Department of Manuscripts of the J. Paul Getty Museum in Collaboration with the Huntington Library and Art Collections, June 21-24, 1990.   Edited by Thomas Kren .   J. Paul Getty Museum, 1992. Word and Image , 8., 3 (July-September 1992):  Pages 47 - 56.
Year of Publication: 1992.

110. Record Number: 14685
Author(s): Lewis, Suzanne.
Contributor(s):
Title : The "Apocalypse" of Margaret of York [The author briefly discusses the heavily illustrated "Apocalypse" made for Margaret of York. Lewis argues that it was intended to provide Margaret with an intensive meditative reading for devotional purposes. Title note provided by Feminae.].
Source: Margaret of York, Simon Marmion, and "The Visions of Tondal": Papers Delivered at a Symposium organized by the Department of Manuscripts of the J. Paul Getty Museum in Collaboration with the Huntington Library and Art Collections, June 21-24, 1990.   Edited by Thomas Kren .   J. Paul Getty Museum, 1992. Word and Image , 8., 3 (July-September 1992):  Pages 77 - 88.
Year of Publication: 1992.

111. Record Number: 20784
Author(s): Zalewska, Katarzyna
Contributor(s):
Title : Corona Beatissime Virginis Mariae Das mittelalterliche gemalte Marientraktat aus der Bernhardinerkirche in Breslau [Examines the scenes illustrated in the pictorial medallions of the panel painting, with particular emphasis on their relationship to contemporary Franciscan interpretations of the Coronation of the Virgin. Title note supplied by Feminae.]
Source: Zeitschrift für Kunstgeschichte , 51., ( 1992):  Pages 57 - 65.
Year of Publication: 1992.

112. Record Number: 20785
Author(s): Larsen, Britta Martensen
Contributor(s):
Title : Die Bedeutung mittelalterlicher Miniaturen für Carl Th. Dreyers Film "La Passion de Jeanne d'Arc" [Analyzes the similarities between the sets designed by Hermann Warm for the 1927 film "La Passion de Jeanne d'Arc" and the illuminated miniatures in the Livre des Merveilles and Les très riches heures du Duc de Berry.Title note supplied by Feminae.]
Source: Zeitschrift für Kunstgeschichte , 51., ( 1992):  Pages 136 - 149.
Year of Publication: 1992.

113. Record Number: 10272
Author(s):
Contributor(s):
Title : The midwife in the Holkham Bible Picture Book [The article suggests that the illuminations of the Nativity in the Holkham Bible Picture Book confuse the figures of St. Anastasia and Salome, the midwife at Mary's birth. Title note supplied by Feminae.].
Source: Notes and Queries , 1 (March 1992):  Pages 22 - 24.
Year of Publication: 1992.

114. Record Number: 10195
Author(s):
Contributor(s):
Title : Images of Women in Anglo-Saxon Art III: A Paean for a Queen: The Frontispiece to the "Encomium Emmae Reginae"
Source: Old English Newsletter , 26., 1 (Fall 1992):  Pages 56 - 58.
Year of Publication: 1992.

115. Record Number: 11429
Author(s): Wright, Rosemary Muir.
Contributor(s):
Title : The Virgin in the Sun and in the Tree [The author explores motifs and theological ideas which contributed to the image of the coronation of the Virgin. Wright argues that secular queenship has very little in common with this image that placed Mary above mortal women. Title note supplied by Feminae.].
Source: Women and Sovereignty.   Edited by Louise Olga Fradenburg. Cosmos: The Yearbook of the Traditional Cosmology Society, volume 7 Cosmos: The Yearbook of the Traditional Cosmology Society, 7.   Edinburgh University Press, 1992. Old English Newsletter , 26., 1 (Fall 1992):  Pages 36 - 59.
Year of Publication: 1992.

116. Record Number: 11067
Author(s): Hicks, Eric.
Contributor(s):
Title : “Le Livre des Trois Vertus” of Christine de Pizan: Beinecke MS. 427 [Christine exerted a large degree of control over the production and transmission of her writings. Although it is unknown whether any existing manuscript of Christine’s work is written in her own handwriting, Christine did act as both author and editor of manuscripts containing her own poetry. The paintings in Beinecke MS. 427 suggest that Christine also oversaw the illumination of her manuscripts, as the representation of allegorical figures in this volume follow the text of the poem more closely than the illustrations in other manuscripts. Title note supplied by Feminae.].
Source: Yale French Studies (Full Text via JSTOR) (1991): 57-71. Special Editions: Style and Values in Medieval Art and Literature.Link Info
Year of Publication: 1991.

117. Record Number: 11211
Author(s): Dronke, Peter.
Contributor(s):
Title : The Symbolic Cities of Hildegard of Bingen [Hildegard’s image of the Heavenly City of Jerusalem employs complex symbolism, combining imagery of the city as a flowering garden, as a cosmic tree, and as a place built of precious stones. Hildegard fuses this bud, stone, and tree imagery from Biblical and literary sources, especially the "Apocalypse of John," a Christian allegory by the second-century author Hermas, and “The City of God” by Saint Augustine. Similar metaphors drawn from nature (including images of the cosmos as an egg) run through Hildegard’s other major works. Title note supplied by Feminae.].
Source: Journal of Medieval Latin , 1., ( 1991):  Pages 168 - 183.
Year of Publication: 1991.

118. Record Number: 13048
Author(s): Stanton, Anne Rudloff.
Contributor(s):
Title : The Role of Women in the Old Testament Preface of the "Queen Mary Psalter"
Source: Manuscripta , 35., 3 (November 1991):  Pages 171
Year of Publication: 1991.

119. Record Number: 12670
Author(s): Dufresne, Laura Rinaldi.
Contributor(s):
Title : A Woman of Excellent Character: A Case Study of Dress, Reputation, and the Changing Costume of Christine de Pizan in the Fifteenth Century [The author surveys fifteenth century manuscript representations of Christine de Pizan. During her lifetime in manuscripts prepared under her supervision, Christine is presented in modest dress as befits a scirbe and court author. This is in keeping with the message of "Le Trésor" which emphasizes proper conduct for women of every social group. Manuscripts from later in the century, however, give her greater authority by depicting her in furs, elaborate headdresses, and other fashions of contemporary high-born ladies. Title note supplied by Feminae.].
Source: Dress: Annual Journal of the Costume Society of America , 17., ( 1990):  Pages 104 - 117.
Year of Publication: 1990.

120. Record Number: 12752
Author(s): Heslop, T. A.
Contributor(s):
Title : The Production of De Luxe Manuscripts and the Patronage of King Cnut and Queen Emma [Many lavishly illustrated English Gospel books and devotional manuscripts were produced during the reign of King Cnut and Queen Emma. These luxury items were produced with royal money with the intent that they would be given as presents to powerful individuals in order to help secure allegiance to the crown or they were given (alongside valuable relics or artwork) to institutions like monasteries and churches in order to convey the donors’ piety. Evidence from the handwriting and illumination of Gospel books during the period suggests a large scale production by monastic scribes and artists who worked in close collaboration. Three Appendices. Appendix One lists lavishly illuminated Anglo-Saxon Gospels, 990-1030, with the name of the manuscript, its scribe(s), probable origin, and earliest known medieval ownership. Appendix Two provides excerpts from Latin accounts that give evidence of patronage of art and donation of relics by Cnut and Emma. Appendix Three gives bibliographical information on the Besancon and Copenhagen Gospel books, including information on foliation, ruling, scribes, artists, production sequence, date and origin. Title note supplied by Feminae.].
Source: Anglo-Saxon England , 19., ( 1990):  Pages 151 - 195.
Year of Publication: 1990.

121. Record Number: 12754
Author(s): Lewis, Suzanne.
Contributor(s):
Title : The Apocalypse of Isabella of France: Paris, Bibl. Nat. MS Fr. 13096. The Appendix outlines the picture cycle and text of the manuscript, listing the text (by chapter and verse number) and subject matter of images on each folio [Title note supplied by Feminae].
Source: Art Bulletin , 72., 2 (June 1990):  Pages 224 - 260.
Year of Publication: 1990.

122. Record Number: 12756
Author(s): Carrasco, Magdalena Elizabeth.
Contributor(s):
Title : Spirituality in Context: The Romanesque Illustrated Life of Saint Radegund of Poitiers (Poitiers, Bibliotheque Municipale, MS 250)
Source: Art Bulletin , 72., 3 ( 1990):  Pages 414 - 435.
Year of Publication: 1990.

123. Record Number: 14553
Author(s): Bennett, Adelaide.
Contributor(s):
Title : A Book Designed for a Noblewoman: An Illustrated "Manuel des Péchés" of the Thirteenth Century [The author analyzes a manuscript made for the noble woman Joan Tateshal of Lincolnshire. The devotional and didactic texts include a manual on confession with sixty exempla underlining the moral points (see Appendix I for a listing of the exempla). Joan Tateshal is represented twice in the manuscript, not in the typical pose praying before an altar but standing in a more commanding position. Title note supplied by Feminae.].
Source: Medieval Book Production: Assessing the Evidence.   Edited by Linda L. Brownrigg .   Proceedings of the Second Conference of the Seminar in the History of the Book to 1500, Oxford July 1988. Anderson-Lovelace, 1990. Art Bulletin , 72., 3 ( 1990):  Pages 163 - 181.
Year of Publication: 1990.

124. Record Number: 148
Author(s): Dufresne, Laura Rinaldi.
Contributor(s):
Title : Christine de Pizan's "Treasure of the City of Ladies": A study of Dress and Social Hierarchy [in four illustrated manuscripts].
Source: Woman's Art Journal (Full Text via JSTOR)16, 2 (Fall 1995/ Winter 1996): 29-34. Link Info
Year of Publication:

125. Record Number: 3289
Author(s): Keller, Hildegard Elisabeth.
Contributor(s):
Title : Von dem toben und wüten, das wib und man mit ain ander hond: Szenen weltlicher und geistlicher Ehen in "Christus und die minnende Seele"
Source: Jahrbuch der Oswald von Wolkenstein Gesellschaft , 9., ( 1990):  Pages 341 - 359.
Year of Publication: