Feminae: Medieval Women and Gender Index

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1. Record Number: 6270
Author(s): Francalanci, Andrea.
Title : Le tre grazie della "Primavera" del Botticelli: La danza fra allegoria e realtà storica [Botticelli organized the figures in the "Primavera" using the configurations of a dance; court dance was just being developed in this period with geometric circles, with their philosophical implication of perfection, and hierarchic lines as possible configurations; the meaning assigned to the figures in the painting vary, but a courtier of the period could imagine the interactions of various symbolic figures in a meaningful dance].
Source: Medioevo e Rinascimento , ( 1992):  Pages 23 - 37.
Year of Publication: 1992.